Dracula no Muerto

Blood For Dracula (1974)  Video

Posted by MirrorsMaker at March 15, 2016
Blood For Dracula (1974)

Blood For Dracula (1974)
BRRip 720p | MKV | 1280 x 720 | x264 @ 2048 Kbps | 103 min | 2,01 Gb
Audio: English AC3 2.0 @ 160 Kbps + Commentary track | Subs: None
Genre: Horror

Udo Kier is without a doubt the sickliest of vampires in any director's interpretation of the Bram Stoker tale. Count Dracula knows that if he fails to drink a required amount of pure virgin's [pronounced "wirgin's"] blood, it's time to move into a permanent coffin. His assistant (Renfield?) suggests that the Count and he pick up his coffin and take a road trip to Italy, where families are known to be particularly religious, and therefore should be an excellent place to search for a virgin bride. They do, only to encounter a family with not one, but FOUR virgins, ready for marriage…..

Blood for Dracula (1974)  Video

Posted by MirrorsMaker at June 26, 2015
Blood for Dracula (1974)

Blood for Dracula (1974)
BDRip 720p | MKV | 1280 x 688 | x264 @ 4538 Kbps | 103 min | 4,58 Gb
Audio: English DTS @ 1510 Kbps | Subs: None
Genre: Horror

Andy Warhol collaborator Paul Morrissey followed up on the international success of FLESH FOR FRANKENSTEIN with his unique interpretation of another classic movie monster. In this version, Dracula travels to Italy in search of a virgin bride. The great Udo Kier (Blade) plays the count as a sickly and hypersensitive shut-in who stumbles across the supposedly virginal DiFiore family with the help of his domineering assistant, Anton. Unfortunately, the DiFiore daughters are less than virginal thanks to the determined efforts of servant Mario Balato (Joe Dallesandro).
Philip Glass - String Quartet No. 5; Suite from Dracula; String Sextet (2015)

Philip Glass - String Quartet No. 5; Suite from Dracula; String Sextet (2015)
Carducci String Quartet; Cian O'Duill, viola; Gemma Rosefield, cello

EAC | FLAC | Image (Cue&Log) ~ 330 Mb (incl 5%) | Mp3 (CBR320) ~ 170 Mb (incl 5%) | Scans included
Genre: Classical, Minimalism | Label: Naxos | # 8.559766 | Time: 01:05:09

Of Philip Glass' conventionally scored chamber works, his String Quartet No. 5 is probably the best-known, in part because the Kronos Quartet and the Smith Quartet have given it first-rate recordings, but also because its more traditional approach and neo-romantic feeling hold a special attraction for a broad audience. This five-movement work has Glass' characteristic patterns and pulses, at least as they developed from his hard-edged, amplified minimalism of the 1970s to softer acoustic textures over the course of the 1980s, though the music is much more melodically contoured and expressive. This 2015 release by the Carducci String Quartet adds another title to the work's growing discography, and it is a wonderful performance by musicians who have a strong sympathy for Glass' idiom. It is programmed with the Suite from Dracula, a soundtrack Glass composed for the Tod Browning film, Dracula (1931), and Michael Riesman's arrangement of the Symphony No. 4, "Heroes," here presented as the String Sextet.

No More Faking Fine: Ending the Pretending  eBooks & eLearning

Posted by free4magazines at Jan. 17, 2017
No More Faking Fine: Ending the Pretending

No More Faking Fine: Ending the Pretending
Language: English | EPUB | ISBN-10: 0310344751 | 2017 | 224 pages | 0,4 MB

If you’ve ever been given empty clichés during challenging times, you know how painful it can feel to be misunderstood by well-meaning people. Far too often, it seems the response we get to our hurt and disappointment is to suck it up, or pray it away.
University of Kansas Wind Ensemble; Paul W. Popiel - Philip Glass: Concerto Fantasy; Mohammed Fairouz: Symphony No.4 (2013)

Philip Glass - Concerto Fantasy for 2 Timpanists and Orchestra
Mohammed Fairouz - Symphony No.4 'In the Shadow of No Towers'
Ji Hye Jung & Gwendolyn Burgett (timpani), Jānis Porietis (trumpet)
University of Kansas Wind Ensemble; Paul W. Popiel, conductor

EAC | FLAC | Image (Cue&Log) ~ 314 Mb (incl 5%) | Mp3 (CBR320) ~ 159 Mb (incl 5%) | Scans included
Genre: Classical, Contemporary | Label: Naxos | # 8.573205 | Time: 00:57:45

Philip Glass’ Concerto Fantasy for Two Timpanists and Orchestra, composed in 2000 and transcribed for wind ensemble by Mark Lortz in 2004, is a significant addition to the repertoire of large-scale works for timpani. The work is rhythmically galvanizing, sonically alluring, and features virtuoso cadenzas for both soloists. Symphony No 4 ‘In the Shadow of No Towers’ is Mohammed Fairouz’s first major work for wind ensemble, and its inspiration is the provocative comic book by Art Spiegelman, written shortly after the terrorist attacks on September 11, 2001. Spiegelman himself has commented: “I’m moved by [this] scary, somber, and seriously silly symphony…I’m honored that the composer found an echo in my work that allowed him to strike a responsive chord and express his own complex responses to post 9/11 America. He emerges from the rubble with a very tony piece of high-brow cartoon music.”

No One Writes to the Colonel (1999)  Video

Posted by MirrorsMaker at Jan. 17, 2017
No One Writes to the Colonel (1999)

No One Writes to the Colonel (1999)
DVDRip | MKV | 720 x 384 | x264 @ 1270 Kbps | 112 min | 1,22 Gb
Audio: Spanish AC3 2.0 @ 192 Kbps | Subs: English, French, Portuguese
Genre: Drama

Every Friday, the Colonel puts on his only suit and goes to the dock to await a letter announcing the arrival of his pension. But the townsfolk all know that this pension will never come. His wife also knows it, and even he knows it. But he is still waiting, living with the pain of the death of his son.

Maestría en Diseño Web Responsive (para no programadores)  eBooks & eLearning

Posted by naag at Jan. 17, 2017
Maestría en Diseño Web Responsive (para no programadores)

Maestría en Diseño Web Responsive (para no programadores)
MP4 | Video: AVC 1280x720 | Audio: AAC 44KHz 2ch | Duration: 15.5 Hours | Lec: 70 | 2.86 GB
Genre: eLearning | Language: Spanish

Aprender a crear sitios web capaces de adaptarse a cualquier dispositivo usando la técnica Responsive Web Design.

Glenn Gould - Beethoven: Symphony No. 5 (1968/2015) [TR24][OF]  Vinyl & HR

Posted by SERTiL at Jan. 16, 2017
Glenn Gould - Beethoven: Symphony No. 5 (1968/2015) [TR24][OF]

Glenn Gould - Beethoven: Symphony No. 5
Classical | FLAC (tracks) 24-bit/44.1 kHz | 39:15 min | 368 MB | Digital booklet
Label: Sony Classical | Tracks: 04 | Rls.date: 1968/2015

Joke, satire, irony, deeper significance: the back cover of Gould’s gripping recording contained four imaginary reviews by an English critic (Sir Humphrey Price-Davies), a Munich musicologist (Dr. Karlheinz Heinkel), an American psychiatrist (Prof. S. F. Lemming), and the American corres pondent to the Journal of the All-Union Musical Workers of Budapest. All were written by Gould himself …
Boris Giltburg - Shostakovich: Piano Concertos Nos. 1 & 2 & String Quartet No. 8 (2017)

Boris Giltburg - Shostakovich: Piano Concertos Nos. 1 & 2 & String Quartet No. 8
Classical | WEB FLAC (tracks) & d. booklet | 69:36 min | 236 MB
Label: Naxos | Tracks: 13 | Rls.date: 2017

Shostakovich’s two Piano Concertos span a period of almost thirty years. The youthful First Piano Concerto is a masterful example of eclecticism, its inscrutable humour and seriousness allied to virtuoso writing enhanced by the rôle for solo trumpet. Written as a birthday present for his son Maxim, the Second Piano Concerto is light-spirited with a hauntingly beautiful slow movement. With the permission of the composer’s family, Boris Giltburg has arranged the exceptionally dark, deeply personal and powerful String Quartet No. 8, thereby establishing a major Shostakovich solo piano composition.
Christophe Coin, Philippe Herreweghe, Orchestre des Champs-Elysees - Schumann: Cello Concerto, Symphony No. 4 (1997)

Christophe Coin, Philippe Herreweghe, Orchestre des Champs-Elysees - Schumann: Cello Concerto, Symphony No. 4 (1997)
MP3 (CBR 320 kbps) | 56:05 | 136 MB
Genre: Classical | Label: Harmonia Mundi

Philippe Herreweghe directs these Schumann concertos with severity and urgency, with an impact that’s particularly strong in the opening movement of the A minor piano concerto. The soloist is Andreas Staier, who plays a mid-19th century J.B. Streicher instrument. But it’s not just the use of period instruments (this is certainly the kind of piano Schumann would have known) that proves so fascinating here; rather, it’s the minutely detailed way in which soloist and conductor interact during this performance. Note, for instance, how astutely Herreweghe’s wind players articulate the sorrowful first subject group after the soloist’s opening salvo, a passage that sets the tone for all that follows.