Some Other Time: The Lost Session From the Black Forest is a newly unearthed studio session from the iconic pianist Bill Evans featuring bassist Eddie Gomez and drummer Jack DeJohnette. Recorded on June 20, 1968, nearly 10 years after the legendary Kind of Blue sessions with Miles Davis and a mere five days after the trio's incredible Grammy award-winning performance at the Montreux Jazz Festival, this is truly a landmark discovery for jazz listeners worldwide. Available in deluxe 2-CD and limited edition 2-LP sets, and containing over 90 minutes of music, this is the only studio album in existence of the Bill Evans trio with Gomez and DeJohnette. Some Other Time was recorded by the legendary MPS Records founder and producer Hans Georg Brunner-Schwer along with writer/producer Joachim-Ernst Berendt at the MPS studios in the Black Forest (Villingen, Germany).
Mastered by Gus Skinas of Sonoma Records and produced by Mickey Holuhan of Wind Over The Earth, this acoustic DSD PURE recording was commissioned by the Denver Museum of Outdoor Arts for their premiere multimedia "Color of Sound" presentation. Color of Sound is a live-in-studio abstract improve stereo and surround recording of the musicians' interpretation of various colors. The recording contains no edits or overdubs and is an excellent rendition of the live studio performance and was recorded live to the Sonoma DSD PURE recording system.
Happy birthday, Franz Liszt! The Beethoven Orchestra Bonn under its conductor Stefan Blunier and the pianist Claudius Tanski present orchestral works and piano music by this Austro-Hungarian great, including the overture to Goethe’s Torquato Tasso and the Totentanz of 1849, on the occasion of the two hundredth anniversary of his birth. A finely nuanced extra comes in the form of an orchestration of La lugubre gondola by John Adams.
"This Grammy winner, one of the most successful versions of Puccini's final opera, offers Nilsson's first recording of the title character, and Bjoerling's last operatic portrayal on disc, including a heroic, for-the-ages "Nessun dorma". The extraordinary orchestration, befitting a story set in ancient China, benefits from the new DSD remastering."
…The vivid MDG recording is slightly distanced, so the volume needs to be increased considerably for its fine qualities to become evident. Balances between voices and orchestra are excellent, and for those listening in multi-channel the surround speakers have been used to great effect for the off-stage brass, distant bells and chorus in the Act 3 cataclysmic immolation of Irrelohe castle. There is no applause or audience noise but the movement of singers on the stage is clearly defined with very few extraneous sounds being captured by the microphones. This is the latest addition to the Schrecker discography and will be welcomed by all admirers of the composer and can be confidently recommended.
"Originally recorded May (C Minor) and August (Pastoral) 1955 in two-track stereo, remastering supervisor John Newton, along with DSD engineer Dirk Sobotka, has revitalized two of the Charles Munch Beethoven symphonies with astonishing results. (…) The same Living Stereo recording of the Fifth — though not the Sixth — was also on a recent xrcd reissue which we reviewed Here. A/B comparison of the two formats showed the SACD to be sonically superior." ~Audiophile-Audition