Eliot

Natalie Dormer by Eliot Lee Hazel for FLAUNT Magazine April 2015

Natalie Dormer - Eliot Lee Hazel Photoshoot 2015 for FLAUNT
5 jpg | 801*1200 | 1.63 Mb
English actress

Client 9: The Rise and Fall of Eliot Spitzer (2010)  Video

Posted by yorkiez at Oct. 3, 2013
Client 9: The Rise and Fall of Eliot Spitzer (2010)

Client 9: The Rise and Fall of Eliot Spitzer (2010)
DVDRip | MKV/AVC x264 ~1800 kbps avg | 1Hr 57Mins | 29.970 fps | 720x480 | 1.96 GB
Audio: English | AC3 6 Ch 448 Kbps; AAC 2 Ch 48.0 KHz (Commentary) | Subtitles: English, Spanish
Genre: Documentary | Director: Alex Gibney

Documentary on the rise of Eliot Spitzer, first as Attorney General and then Governor of New York and his subsequent downfall due to a sex scandal. Spitzer had a hard driving, take no prisoners approach to prosecuting criminals. When he focused his efforts on Wall Street, he came up against some very powerful men. The chink in his armor was an escort whom he met regularly. When the fact that he spent time with a prostitute became public the knives came out so to speak, and Spitzer found himself isolated, resigning the Governorship. At one point, Spitzer recounts the story of a friend who gave him a t-shirt with 'Hubris is Terminal' printed on the front. A fitting epitaph somehow for his political career.
Monteverdi Choir, English Baroque Soloists, Sir John Eliot Gardiner - J.S. Bach: Mass in B minor BWV 232 (2015) [24/96]

Monteverdi Choir, English Baroque Soloists, Sir John Eliot Gardiner - J.S. Bach: Mass in B minor BWV 232 (2015)
FLAC (tracks) 24-bit/96 kHz | Time - 105:33 minutes | 3.40 GB
Studio Master, Official Digital Download | Artwork: Digital booklet

The Monteverdi Choir and English Baroque Soloists are renowned of their spectacular performances of Bach’s epic masterpiece, which they have toured extensively.

T.S. Eliot, Poetry, and Earth: The Name of the Lotos Rose  eBooks & eLearning

Posted by ksveta6 at June 8, 2017
T.S. Eliot, Poetry, and Earth: The Name of the Lotos Rose

T.S. Eliot, Poetry, and Earth: The Name of the Lotos Rose (Ecocritical Theory and Practice) by Etienne Terblanche
2016 | ISBN: 0739189573 | English | 230 pages | PDF | 2 MB
Felicity Jones by Eliot Lee Hazel for So It Goes Magazine

Felicity Jones - Eliot Lee Hazel Photoshoot 2013
12 jpg | up to 1500*1500 | 11.82 MB
English actress
Mendelssohn - A Midsummer Night's Dream, Symphony No 1 (John Eliot Gardiner) (2017) [Blu-Ray]

Mendelssohn - A Midsummer Night's Dream, Symphony No 1 (John Eliot Gardiner) (2017) [Blu-Ray]
BluRay | BDMV | MPEG-4 AVC Video / 1080i / 29,970 fps | 55+97 min | 32,4 Gb
Audio1: English / LPCM Audio / 2.0 / 24-bit | Audio2: DTS-HD MA / 5.1 / 192 kHz / 10478 kbps / 24-bit

BluRay-rip | AVC | MKV 1920x1080 / 6215 kbps / 29,97 fps | 55+97 min | 6,4 Gb
Audio: English / DTS / 6ch / 48.0 KHz / 24 bits | PCM / 2ch / 48.0 KHz / 24 bits
Classical | LSO Live

Continuing his award-winning cycle of works by Felix Mendelssohn, Sir John Eliot Gardiner leads the LSO, his Monteverdi Choir and three talented young actors from the Guildhall in a landmark performance of 'A Midsummer Night’s Dream', which was performed as part of the 400th anniversary of Shakespeare’s death. To mark the celebrations, Gardiner produced a special version of the work featuring some cuts to the original movements that, in his words, "remove all of the music relating to the Mechanicals and thus focus on the world of the fairies and the human lovers". Mendelssohn, who adored Shakespeare’s writings, composed his concert overture based on 'A Midsummer Night’s Dream' in 1827 aged 17, after having read a German translation of the play. The overture was immediately acclaimed as a masterpiece and quickly became a popular favourite throughout Europe. Years later in 1843 he was asked by the King of Prussia to provide a score for an entire production: 14 short works based on themes and moods from the original overture, with a broadly romantic sound although classical in style and structure.
John Eliot Gardiner - Mozart Recordings (2014) (7 CD Box Set)

John Eliot Gardiner - Mozart Recordings (2014) (7 CD Box Set)
EAC Rip | FLAC (Image+.cue, log) | Covers included | 1,72 Gb
Genre: Classical / Label: Decca (Universal Music)

Sir John Eliot Gardiner has revolutionized music making with his Monteverdi Choir and the English Baroque Soloists, and has created completely new sounds from many well-known works.

War Trauma and English Modernism: T. S. Eliot and D. H. Lawrence  eBooks & eLearning

Posted by ChrisRedfield at April 30, 2017
War Trauma and English Modernism: T. S. Eliot and D. H. Lawrence

C. Krockel - War Trauma and English Modernism: T. S. Eliot and D. H. Lawrence
Published: 2011-09-15 | ISBN: 0230291570 | PDF | 241 pages | 1.61 MB
LSO, John Eliot Gardiner - Mendelssohn: Symphony No 3; Schumann: Piano Concerto (2014) [Official Digital Download 24/96]

LSO, John Eliot Gardiner - Mendelssohn: Symphony No 3; Schumann: Piano Concerto (2014)
FLAC (tracks) 24-bit/96 kHz | Time - 79:13 minutes | 1.62 GB
Studio Master, Official Digital Download | Artwork: Digital booklet

LSO Live presents the first in a series exploring the complete symphonies of Felix Mendelssohn under the baton of Sir John Eliot Gardiner. Also featured on this release is the eminent Portuguese pianist, Maria João Pires, in the inaugural concerto recording on the label.

Gluck - Orfeo ed Euridice (John Eliot Gardiner) [2012/1991]  Music

Posted by Vilboa at April 13, 2017
Gluck - Orfeo ed Euridice (John Eliot Gardiner) [2012/1991]

Gluck - Orfeo ed Euridice (John Eliot Gardiner) [2012/1991]
Classical | DECCA 478 3425 | TT: 88.53 | EAC (flac, cue, log) | Covers | 393 Mb

…Gardiner's account of the Vienna Orfeo ed Euridice is peerless. One soon loses all sense of its being a period-instrument performance at all, so profound, at times overwhelming is its impact - so utterly right. In detail after detail - hauntingly poetic offstage instrumental complement, perfectly positioned in the drama (and perfectly captured by the excellent Philips recording); superbly stirring brass playing, which makes every entry a dramatic event; choral singing extraordinarily light in weight yet rich in emotional substance; exquisitely refined dance movements - and in sustainment of a delicately tenebrous, uniquely Gluckian atmosphere throughout, Gardiner's command of an opera championed since his first London concert performance, 21 years ago, is revealed as simply larger and fuller than almost anyone else's. The set was studio-made after many concerthall performances by exactly the same forces, and in recording terms it achieves the best of all worlds -the vitality of a live event married to the precision of a recording. – Gramophone [1997]