Elizabeth Watts

Watts, Baldini, Scottish CO - Mozart: Opera Arias & Overtures (2015)

Watts, Baldini, Scottish CO - Mozart: Opera Arias & Overtures (2015)
Classical | MP3 320kbps CBR | 1 CD | 149 MB
Label: Linn Records | Catalog Number: 460 | Rls.date: 15th June 2015

The Scottish Chamber Orchestra has established impeccable Mozartian credentials with its award-winning discography, to which Mozart: Opera Arias and Overtures is the latest addition. The SCO’s previous forays into operatic repertoire (Handel with soprano Emma Bell and Mozart, Haydn & Cimarosa with baritone William Berger) have been highly critically acclaimed.

Bach: Cantatas & Arias - Bicket, Watts, The English Concert (2011)  Music

Posted by peotuvave at Dec. 30, 2012
Bach: Cantatas & Arias - Bicket, Watts, The English Concert (2011)

Bach: Cantatas & Arias - Bicket, Watts, The English Concert (2011)
EAC Rip | Flac (Image + cue + log) | 1 CD | Full Scans | 270 MB
Genre: Classical | Label: Harmonia Mundi | Catalog Number: 807550

Winner of the 2006 Kathleen Ferrier Award and the 2007 Cardiff Song Prize, soprano Elizabeth Watts, makes her harmonia mundi début in a luminous programme of Bach cantatas and arias, deftly supported by The English Concert, led by Harry Bicket.
Charles Wright & The Watts 103rd Street Rhythm Band - In The Jungle Babe/Express Yourself (1997) **[RE-UP]**

Charles Wright & The Watts 103rd Street Rhythm Band - In The Jungle Babe/Express Yourself (1997) {Warner Bros. Black Music Ol' Skool}
EAC Rip | FLAC with CUE and log | scans | 445 mb
MP3 CBR 320kbps | RAR | 180 mb
Genre: R&B, soul

In The Jungle Babe/Express Yourself is the 1997 CD by Charles Wright & The Watts 103rd Street Rhythm Band. It combines two albums originally released on Warner Bros., The Watts 103rd Street Rhythm Band's In The Jungle, Babe and Charles Wright & The Watts 103rd Street Rhythm Band*'s Express Yourself. This CD was released by the Warner Bros.' Black Music Ol' Skool division.
Charles Wright & The Watts 103Rd Street Rhythm Band - Original Album Series (2010) {5CD Box Set}

Charles Wright & The Watts 103Rd Street Rhythm Band - Original Album Series (2010) {5CD Box Set}
EAC Rip | FLAC (Tracks) + Cue + Log + m3u ~ 1,13 Gb | MP3 CBR320 ~ 481 Mb
Scans Included (JPG) | RAR 5% Recovery
R&B, Funk, Soul | Warner Bros. / Rhino Records #8122 79833 5

Charles Wright & the Watts 103rd Street Rhythm Band is a pioneering American soul and funk band. Formed in the early 1960s, they had the most visibility from 1967 to 1973 when the band had 9 singles reach Billboard's pop and/or rhythm and blues charts, such as "Do Your Thing" (#11 Pop, #12 R&B), "Till You Get Enough" (#12 R&B, #67 Pop), and "Love Land" (R&B #23, Pop #16). They are best known for their biggest hit on Warner Bros. Records, 1970's "Express Yourself" (#3 R&B, #12 Pop), a song that has been sampled by rap group N.W.A and others…

Charlie Watts & Jim Keltner Project (2000)  Music

Posted by Designol at May 13, 2015
Charlie Watts & Jim Keltner Project (2000)

Charlie Watts & Jim Keltner Project (2000)
EAC | FLAC | Image (Cue&Log) ~ 448 Mb (incl 5%) | Mp3 (CBR320) ~ 170 Mb (incl 5%) | Scans included
Genre: International Fusion, Jazz | Label: CyberOctave Music/Virgin | # VHOCD69/7243 8 48695 2 6 | Time: 00:54:50

Those fans with more than a passing knowledge of the Rolling Stones will be aware of drummer Charlie Watts' longtime interest in traditional jazz. Some might even be aware that Watts has assembled and fronted a British big band, and has also led a solid jazz quintet with several CDs to its credit. Still, it comes as something of a surprise initially that Watts would produce what appears to be a solo drum CD, with song titles named after various jazz master drummers – "Max Roach," "Art Blakey," "Shelley Manne," and so on. Superficially, this might suggest an ego trip for Watts wherein he sets out to demonstrate his dazzling technique and versatility, but Watts' characteristic modesty would never allow him to attempt such a thing. Instead, what he has done – with the assistance of drummer, producer, and idea man Keltner – is to distill some sort of personal essence of each of the nine drummers featured on this CD, and then put together what amounts to a series of musical portraits.

Rademann, AAM Berlin - C. P. E. Bach: Magnificat (2014)  Music

Posted by peotuvave at Oct. 21, 2014
Rademann, AAM Berlin - C. P. E. Bach: Magnificat (2014)

Rademann, AAM Berlin - C. P. E. Bach: Magnificat (2014)
EAC Rip | Flac (Image + cue + log) | 1 CD | Full Scans | 264 MB
Genre: Classical | Label: Harmonia Mundi | Catalog Number: 902167

On April 9, 1786, Carl Philipp Emanuel Bach conducted a charity concert in Hamburg featuring three of his finest and most representative works: the Symphony Wq 183/1, the Magnificat (written in 1749 in the hope of succeeding his father as Cantor in Leipzig) and his stupendous 'Heilig' for double choir, of which he wrote, "It will be my swan song of this kind, and will serve to ensure that I shall not soon be forgotten after my death."

Ernie Watts & Gilberto Gil - Afoxe (1991)  Music

Posted by tiburon at Oct. 25, 2013
Ernie Watts & Gilberto Gil - Afoxe (1991)

Ernie Watts & Gilberto Gil - Afoxe (1991)
EAC 1.0b1 | FLAC tracks level 8 | Cue+Log+M3U | Full Scans 300dpi | 334MB + 5% Recovery
Genre: Jazz, Latin Jazz, Contemporary Jazz

Saxophonist Ernie Watts has sounded equally able and comfortable playing with Cannonball Adderley, the Rolling Stones and the Tonight Show Band. In recent years, Brazilian singer, guitarist and composer Gilberto Gil has brought to bear his knowledge of jazz and Anglo pop and rock to explore Afro-Brazilian music and the cultural legacies of African diaspora.

The Ernie Watts Quartet - Live (2005)  Music

Posted by robi62 at July 9, 2012
The Ernie Watts Quartet - Live (2005)

The Ernie Watts Quartet - Live (2005)
Video: NTSC, MPEG-2 at 5 499 Kbps, 720 x 480 (1.333) at 29.970 fps | Audio: AC-3 2 channels at 192 Kbps, 48.0 KHz
Genre: Jazz | Label: Quantum Leap | Copy: Untouched | Release Date: 25 July 2005 | Runtime: 59 min. | 3,86 GB (DVD5)

Through the 1970's and still today, Ernie Watts signature sound has found its way on to the recordings of music's biggest names, Watt's reed work can be heard on numerous classic recordings from artists such as: Arturo Sandoval, Sergio Mendez, Cannonball Adderley, Oliver Nelson, and Toots Thielmans to name but a few.His strengths however are much more ubiquitous than the jazz realm, having played on sessions for pop's most respected artists, namely, Quincy Jones, Whitney Houston, Chaka Khan, Frank Zappa, Julio Inglesias, Joe Cocker, Bonnie Raitt and he joined The Rolling Stones on stage for their 1981 U.S. Tour.
Elizabeth Sombart - Les Plus Belles Berceuses Classiques (1998)

Elizabeth Sombart - Les Plus Belles Berceuses Classiques (1998)
Mp3 CBR320 kbps | 56:52 min | 138 Mb (5% Rec.)
Classical, Piano | Label: Taktic Music

"L'enfant, dans son premier regard étoilé d'innocence et de pureté, éveille en nous une joie unique, un sentiment profond de responsabilité ainsi que l'immense désir de lui donner les forces vives qui l'aideront à affronter le monde. Comment répondre à ce mystère du cœur, comment l'élever dans l'harmonie, le protéger du mal? Comment faire de chaque instant de sa vie un havre de paix? Tous les grands compositeurs ont laissé des pages inoubliables pour apaiser nos cœurs d'enfants et nous faire accéder – au-delà des mots – à cet espace qui nous permet de vivre ensemble la résonnance de l'amour, au cœur de l'émerveillement… Puisse l'écoute de ces "berceuses" vous apporter autant de bonheur et d'émotion que j'en ai resenti à les enregistrer pour vous, pour nous, pour tous les enfants du monde."
London Symphony Orchestra & Wandsworth School Boys Choir & Helen Watts - Mahler: Symphonies Nos. 1 & 3 (2017)

London Symphony Orchestra & Wandsworth School Boys Choir & Helen Watts - Mahler: Symphonies Nos. 1 & 3 (2017)
Classical | MP3 CBR 320 kbps | 02:28:04 | 339 MB
Label: Decca

For years, admitted Sir Georg Solti to High Fidelity magazine in January 1967, ‘Mahler bored me. He came to me, or I came to him, eight or nine years ago. Up to then his symphonies were all pieces and bits. Now I see their form. I love them. It is not enough to like music. You must love. And love means change.’ By the time he was to record the First Symphony, with the London Symphony Orchestra, by modern standards he did so at a comparatively ripe age of 52. But the critics were immediately struck by the youthful dynamism of Solti’s conception, which was entirely apt to a work conceived by a composer in his early twenties. When High Fidelity came to survey all the Mahler symphony recordings on record in September 1967, this version of the First was declared ‘probably the best both in interpretation and in recording’, even up against stiff competition from more experienced Mahlerians such as Jascha Horenstein and Rafael Kubelík.