The cover's cutout silhouette of these guitar-slinging soul/blues women is a succinct visual overview of the rather ambiguous contents within. Recorded in preparation for 2007's Blues Caravan tour featuring journeywomen singer/songwriters Sue Foley and Deborah Coleman along with the comparatively fresh-faced Roxanne Potvin (whose first widely distributed set was released earlier the same year), the disc seems more like a respectable concert souvenir than an actual collaborative affair. The 11 tracks break down into three solo cuts from each participant, one shared and joyous effort on the closing cover of a Chess oldie, "In the Basement," and a crackling instrumental dominated by Foley's always impressive guitar. There are many fine moments here, especially as Coleman lays into an easy funk groove on James Brown's "Talking Loud" and on Potvin's emotionally charged ballad "Strong Enough to Hold You".
On Thanksgiving Day 2012, American photojournalist James “Jim” Foley was kidnapped in Syria and went missing for two years before the infamous video of his public execution sent shockwaves and introduced much of the world to ISIS. Jim: The James Foley Story, by close childhood friend Brian Oakes, tells the story of his life through intimate interviews with his family, friends and fellow journalists – while fellow hostages reveal never-before-heard details of his captivity with a chilling immediacy that builds suspense. Made with unparalleled access, Jim: The James Foley Story is a harrowing chronicle of bravery, compassion and pain at the dawn of America’s war with ISIS.
This highly touted vocalist/guitarist originally hails from Ottawa, Canada, although her home base shifted to Austin, TX, when she signed with Antone's Records and cut her debut set, Young Girl Blues, in 1992 (an encore, Without a Warning, quickly followed). Foley's wicked lead guitar makes her a rarity among blueswomen. When she was a child in Ottawa, Foley listened to rock & roll and blues-rock groups like the Rolling Stones. Although these bands sowed the seeds of her affection for the blues, her love for the music didn't blossom until she witnessed James Cotton in concert when she was 15 years old.