Paramount among independent modern jazz record labels, Black Saint was founded in Italy back in 1975 and grew to encompass more than 190 albums, while its comparatively mainstream sister enterprise, Soul Note, emerged in 1979 and eventually racked up a phenomenal index of more than 350 releases. After purchasing both gold mines, CAM Jazz began reissuing the cream of these catalogs in affordable box sets, setting the stage for a full-scale reassessment of modern creative music. The Henry Threadgill edition contains no less than seven remastered albums, packaged like little LPs in perfectly reproduced jackets, each with the original print scaled down in miniature but still legible with the aid of a magnifying lens.
Official Release #65. The full saga of Läther (pronounced leather) is tangled enough to give a migraine to all but committed Zappaphiles. Basically, what you need to know is that this project was originally conceived of as a four-record box set. When record company politics prevented its release in that format, much of the material was spread over the albums Live in New York, Sleep Dirt, Studio Tan, and Orchestral Favorites. This three-CD set presents the album as it was originally conceived, with the addition of four bonus tracks at the end. It mixes previously available material, alternate mixes, and edits, and previously unissued stuff, though only the most serious Zappa fans will have a good grip on exactly what has appeared where (the liner notes are surprisingly unexact in this regard).
Official Release #59. The last volume of the series You Can't Do That on Stage Anymore is one of the strongest, especially for those who prefer Frank Zappa's sex-oriented songs. There is not much complex material or instrumental pieces in this collection, but catchy humorous songs abound, along with more of that stage craziness the series tried to capture. Live incarnations of Zappa's band from 1970 up to 1988 are represented (the original Mothers had a whole disc devoted to them on Vol. 5).
Carpathian Forest (previously known as "The Childmolesters", then "Enthrone") formed in 1990, & emerged with the demo tape "Bloodlust and Perversion" in 1992. In 1993 the band released a second demo: Journey Through the Cold Moors of Svarttjern. The following year, they signed to Avantgarde Music and recorded their first EP, Through Chasm, Caves and Titan Woods in 1995, followed by the debut album Black Shining Leather in 1998…..
Official Release #70. This two-disc set represents almost all of Frank Zappa's concert on January 20, 1976, at Hordern Pavilion in Sydney, Australia. The only problem is that there was only one reel-to-reel machine to record the concert, necessitating missing portions of several songs to change tapes; these gaps were replaced by excerpts from a pitch-corrected bootleg from the same tour, with an obvious drop in sound quality but little loss in continuity. This particular band – with tenor saxophonist Napoleon Murphy Brock, bassist Roy Estrada, drummer Terry Bozzio, and keyboardist Andre Lewis (in his only tour with Zappa) – has only been represented sporadically on Zappa's earlier releases.
Zappa in New York was recorded in December 1976 at the Palladium and originally intended for release in 1977. It was held up due to arguments between Frank Zappa and his then-record label, Warner Bros. When the two-LP set finally appeared in March 1978, Warner had deleted "Punky's Whips," a song about drummer Terry Bozzio's attraction to Punky Meadows of Angel. When Zappa reacquired the album and released it as a double CD in 1991, he restored "Punky's Whips" and added four bonus tracks.