Eric Lee

6895
Pranish Kumar, Jasjit Singh Grewal, Bogdan Crivat, Eric Lee, «ATL Server: High Performance C++ on .NET»
Apress | ISBN 1590591283 | 2003 Year | CHM | 3,33 Mb | 520 Pages
Eric Martin - Mr. Rock Vocalist (2012) [Japanese Ed.]

Eric Martin - Mr. Rock Vocalist (2012)
EAC Rip | FLAC (tracks & cue & log) | 429 MB | MP3 CBR 320 kbps | 151 MB | Scans | 56:11
Genre: Hard Rock | Country: USA | Label: Sony Music | SICP 3587

Eric Lee Martin (born October 10, 1960, Long Island, New York) is an American rock singer/musician active throughout the 1980s, 1990s, and 2000s both as a solo artist and as a member of various bands. He earned his most prominent success as the frontman for the hard rock band Mr. Big, a supergroup (currently reunited) who scored a big hit in the early 1990s with "To Be with You," a song that Martin wrote during his teen years.A local of the San Francisco Bay Area, Martin first started his career in the music industry in 1978.
B.B. King & Eric Clapton - Riding With The King (2000) REPOST

B.B. King & Eric Clapton - Riding With The King (2000)
Blues Rock | 1cd | EAC Rip | Flac + Cue + Log | covers
Reprise, 9362-47612-2 | rel: 2000 | 550Mb

The potential for a collaboration between B.B. King and Eric Clapton is enormous, of course, and the real questions concern how it is organized and executed. This first recorded pairing between the 74-year-old King and the 55-year-old Clapton was put together in the most obvious way: Clapton arranged the session using many of his regular musicians, picked the songs, and co-produced with his partner Simon Climie.
Eric Tagg - Dream Walkin' (1982) Japanese Remastered Expanded Reissue 2015

Eric Tagg - Dream Walkin' (1982) Japanese Remastered Expanded Reissue 2015
EAC | FLAC | Tracks (Cue&Log) ~ 324 Mb (incl 5%) | Mp3 (CBR320) ~ 138 Mb (incl 5%) | Scans included
Genre: Soft Rock, Crossover Jazz | Label: Pony Canyon | # PCCY-50073 | Time: 00:46:21

A classic west coast album by the incredibly talented songwriter Eric Tagg. The album consists of L.A's finest musicians & is packed with beautifully crafted & sentimental songs. Eric's talent lies in writing songs with a sort of humorous twist to them. A little hard to explain, one should just take a close listen.Also, the whole album is produced by Lee Ritenour & it sounds like a follow up to his own "Rit" album. If you liked Rit then don't miss this offering. It's much better…
John Lee Hooker - I'm John Lee Hooker (1959) Remastered Reissue 2000 [Re-Up]

John Lee Hooker - I'm John Lee Hooker (1959) Remastered Reissue 2000
EAC | FLAC | Image (Cue&Log) ~ 132 Mb (incl 5%) | Mp3 (CBR320) ~ 95 Mb (incl 5%) | Scans included
Genre: Blues | Label: Vee-Jay/Collectables | # COL-CD-7100 | Time: 00:32:13

Winding through the literally hundreds of titles in John Lee Hooker's catalog is a daunting task for even the most seasoned and learned blues connoisseur. This is especially true when considering Hooker recorded under more than a dozen aliases for as many labels during the late '40s, '50s, and early '60s. I'm John Lee Hooker was first issued in 1959 during his tenure with Vee Jay and is "the Hook" in his element as well as prime. Although many of these titles were initially cut for Los Angeles-based Modern Records in the early '50s, the recordings heard here are said to best reflect Hooker's often-emulated straight-ahead primitive Detroit and Chicago blues styles. The sessions comprising the original 12-track album – as well as the four bonus tracks on the 1998 Charly CD reissue – are taken from six sessions spread over the course of four years (1955-1959). Hooker works both solo – accompanied only by his own percussive guitar and the solid backbeat of his foot rhythmically pulsating against plywood – as well as in several different small-combo settings.

Eric Burdon And War - The Black-Man's Burdon (1970)  Music

Posted by uff at Jan. 28, 2017
Eric Burdon And War - The Black-Man's Burdon (1970)

Eric Burdon And War - The Black-Man's Burdon (1970)
R&B | 2cd | EAC Rip | Flac + Cue + Log | covers
BMG/ARG, 74321 30742-2 | rem: 1993 | 575Mb

Eric Burdon's second and final album with War, Black-Man's Burdon was a double set that could have benefited from quite a bit of judicious editing. Composed mostly of sprawling psychedelic funk jams, it does find War mapping out much of the jazz/Latin/soul grooves that, cut down to much more economical song structures, would shortly bring them success on their own.

Eric Johnson & Alien Love Child - Live And Beyond (2000)  Music

Posted by uff at Jan. 15, 2017
Eric Johnson & Alien Love Child - Live And Beyond (2000)

Eric Johnson & Alien Love Child - Live And Beyond (2000)
Rock | 1cd | EAC Rip | Flac + Cue + Log | covers
Favored Nations | rel: 2000 | 350Mb

On Live and beyond, Eric Johnson serves up a helping of live Texas blues rock with his band Alien Love Child, a trio featuring Chris Maresh on bass and bill Maddox on drums, with Johnson and Maresh sharing occasional vocal duties with guest vocalist Malford Milligan. Johnson's infamous meticulousness over guitar equipment and his recordings has delayed several of his studio records in the past decade, but Live and beyond presents Johnson in a less inhibited live setting.
Lee Morgan - The Sidewinder (1963) {2013 Japan SHM-CD Blue Note 24-192 Remaster TYCJ-81011}

Lee Morgan - The Sidewinder (1963) {2013 Japan SHM-CD Blue Note 24-192 Remaster TYCJ-81011}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 368 Mb | MP3 @320 -> 120 Mb
Full Artwork @ 600 dpi (png) -> 247 Mb | 5% repair rar | 24bit 192kHz remaster
© 1963, 2013 Universal Japan / Blue Note | BN 75th The Masterworks | TYCJ-81011
Jazz / Hard Bop / Trumpet

Features the high-fidelity SHM-CD format (fully compatible with standard CD player) and the latest remastering (24bit 192kHz). Carried by its almost impossibly infectious eponymous opening track, The Sidewinder helped foreshadow the sounds of boogaloo and soul-jazz with its healthy R&B influence and Latin tinge. While the rest of the album retreats to a more conventional hard bop sound, Morgan's compositions are forward-thinking and universally solid. Only 25 at the time of its release, Morgan was accomplished (and perhaps cocky) enough to speak of mentoring the great Joe Henderson, who at 26 was just beginning to play dates with Blue Note after getting out of the military.
Lee Morgan - The Rajah (1966) {2014 Japan SHM-CD Blue Note 24-192 Remaster UCCQ-5023}

Lee Morgan - The Rajah (1966) {2014 Japan SHM-CD Blue Note 24-192 Remaster UCCQ-5023}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 308 Mb | MP3 @320 -> 108 Mb
Full Artwork @ 600 dpi (png) -> 252 Mb | 5% repair rar | 24bit 192 kHz remaster
© 1966, 2014 Universal Japan / Blue Note | BN 75th The Masterworks | UCCQ-5023
Jazz / Hard Bop / Trumpet

Features the high-fidelity SHM-CD format (fully compatible with standard CD player) and the latest remastering (24bit 192kHz). This long-lost Lee Morgan session was not released for the first time until it was discovered in the Blue Note vaults by Michael Cuscuna in 1984; it has still not been reissued on CD. Originals by Cal Massey, Duke Pearson ("Is That So") and Walter Davis, in addition to a couple of surprising pop tunes ("What Not My Love" and "Once in My Lifetime") and Morgan's title cut, are well-played by the quintet (which includes the trumpeter/leader, Hank Mobley on tenor, pianist Cedar Walton, bassist Paul Chambers and drummer Billy Higgins).
Lee Morgan - Lee Morgan (Last Album) (1971) {2014 Japan SHM-CD Blue Note 24-192 Remaster TYCJ-81075}

Lee Morgan - Lee Morgan (Last Album) (1971) {2014 Japan SHM-CD Blue Note 24-192 Remaster TYCJ-81075}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 415 Mb | MP3 @320 -> 157 Mb
Full Artwork @ 600 dpi (png) -> 261 Mb | 5% repair rar | 24bit 192kHz remaster
© 1971, 2014 Universal Japan / Blue Note | BN 75th The Masterworks | TYCJ-81075
Jazz / Post Bop / Modal Music / Trumpet

Lee Morgan's final studio recording before he was murdered was initially released as a two-fer LP, and the original recordings without alternate takes are included here on one CD. This was a fertile creative time for Morgan, as rivals Freddie Hubbard and Woody Shaw were embracing the electrified sounds of the times and Morgan followed suit. Harold Mabern is on the Fender Rhodes piano, tenor saxophonist Billy Harper proves a formidable front-line mate, and the vibrant Bobbi Humphrey is heard on flute before she commercialized her sound.