Figaro Marriner

Mozart: Le Nozze di Figaro - Van Dam, Hendricks, Raimondi, Popp [Marriner] [3 CD]

Mozart - Le Nozze di Figaro [Marriner]
EAC Rip | Classical (opera) | 3 CD | FLAC + CUE + Logs | Scans 300 dpi | 709 mb | RS + SM | TT 02:53:50
Released: 1986 | Label: Philips | Recorded: Aug. 1985

Lucia Popp, Barbara Hendricks, Ruggero Raimondi, Agnes Baltsa, Felicity Palmer, Robert Lloyd, Aldo Baldin, José Van Dam, Neil Jenkins, Cathryn Pope, Donald Maxwell, Catherine Denley
Academy of St. Martin in the Fields, Ambrosian Opera Chorus, Sir Neville Marriner (conductor)
George Malcolm, Sir Neville Marriner - Arne, C.P.E. Bach & J.C. Bach: Harpsichord Concertos (2017)

George Malcolm, Sir Neville Marriner - Arne, C.P.E. Bach & J.C. Bach: Harpsichord Concertos
Classical | MP3 CBR 320 kbps | 74:16 min | 171 MB
Label: Decca | Tracks: 17 | Rls.date: 2017

* Featuring many tracks for the first time on CD. There were many worlds in George Malcolm's (1917–1997) universe – organist, harpsichordist, pianist, composer, choral director and conductor – and this one demonstrates his unique skill as a solo performer who, throughout his career, more than any other individual defined the harpsichord's identity in England.
Luigi Cherubini - Masses, Overtures, Motets - Muti, Marriner (2010) (7CD Box Set) {EMI}

Luigi Cherubini - Masses, Overtures, Motets - Muti, Marriner (2010)
EAC Rip | FLAC (tracks+.cue, log) | Covers | 1915 mb | MP3 CBR 320kbps | RAR | 1137 mb
Classical, Choral, Sacred | Label: EMI - 6 29462 2

Cherubini’s major sacred works are generally quite marvelous. The two Requiems have a distinguished history on disc. Toscanini recorded the C minor, Markevitch the D minor, and my colleague David Vernier praised the recent release of the C minor piece on Carus. They are both truly excellent: grave and austere, but also dynamic, moving, and well worth hearing. The same is certainly true of the large-scale Masses: the Missa solemnis in D minor and E major and the Mass in F are especially memorable. Their grandeur never strains for effect and is always leavened with the composer’s Italian lyricism. Cherubini may not have been well-treated by history, but he knew what he was doing.
Academy Of St. Martin-In-The-Fields, Neville Marriner - Mozart: Requiem etc. (2CD) (1994)

Academy Of St. Martin-In-The-Fields, Neville Marriner - Mozart: Requiem, Krönungsmesse / Coronation Mass, Exsultate, Jubilate Litany K195 (2CD) (1994)
EAC Rip | FLAC with CUE and log | scans | 558 mb
MP3 CBR 320kbps | RAR | 282 mb
Genre: classical

The Academy Of St. Martin-In-The-Fields, conducted by Neville Marriner, offer Mozart: Requiem, Krönungsmesse / Coronation Mass, Exsultate, Jubilate Litany K195. This was released by London Records in 1994 and is a reissue/remaster of works released in 1967, 1972, and 1977.
Ingrid Jacoby & Sir Neville Marriner - Mozart: Piano Concertos (2016) [TR24][OF]

Ingrid Jacoby & Sir Neville Marriner - Mozart: Piano Concertos
Classical | FLAC (tracks) 24-bit/96 kHz | 69:29 min | 1.43 GB | Front Cover
Label: ICA Classics | Tracks: 09 | Rls.date: 2016

Elegance and energy characterise this account of K453, Ingrid Jacoby especially attractive to listen to in her fluid and dynamic playing, crispy phrased and also affectionate without losing the Concerto s bigger picture, and most attentively accompanied by the Academy of St Martin in the Fields and Sir Neville Marriner. Separating such lively music-making (the playful and ultimately witty Finale brings a smile), the soulful slow movement is particularly eloquent with some very expressive contributions from woodwind soloists, and Jacoby digs deep into the music's potential.
Pepe & Celedonio Romero; Sir Neville Marriner - Mauro Giuliani: Complete Guitar Concertos (1996) 2CDs

Mauro Giuliani - Complete Guitar Concertos (1996) 2CDs
Pepe & Celedonio Romero, guitars; Academy of St. Martin in the Fields; Sir Neville Marriner, conductor

EAC | FLAC | Tracks (Cue&Log) ~ 750 Mb (incl 5%) | Mp3 (CBR320) ~ 400 Mb (incl 5%) | Scans included
Genre: Classical, Classical Guitar | Label: Philips | # 454 262-2 | Time: 02:37:27

An acclaimed Italian guitar virtuoso and composer, Mauro Giuliani, along with Fernando Sor, was one of the last great classical proponents of his instrument until its revival in the early twentieth century. He studied counterpoint and the cello, but on the six-string guitar he was entirely self-taught, and that became his principal instrument early on. Italy abounded with fine guitarists at the beginning of the nineteenth century (Carulli remains the most familiar today), but few of them could make a living because of the public's preoccupation with opera. So Giuliani embarked on a successful tour of Europe when he was 19, and in 1806 he settled in Vienna, where he entered the musical circle of Diabelli, Moscheles, and Hummel. He solidified his reputation with the 1808 premiere of his Guitar Concerto in A major, Op. 30, and was soon heralded as the greatest living guitar virtuoso. Even Beethoven noticed Giuliani, and wrote of his admiration for him. Perhaps to return the favor, Giuliani played cello in the 1813 premiere of Beethoven's Symphony No. 7.

Mozart - Il Re Pastore (Neville Marriner) (2006/1989)  Music

Posted by Vilboa at Oct. 3, 2016
Mozart - Il Re Pastore (Neville Marriner) (2006/1989)

Mozart - Il Re Pastore (Neville Marriner) (2006/1989)
NTSC 4:3 (720x480) VBR | Italiano (LinearPCM, 2 ch) | (DTS, 6 ch) | 7.39 Gb (DVD9) | 114 min
Classical | Philips | Sub: English, Francais, Deutsch, Espanol, Chinese

Set in classical antiquily, Mozart’s "Il re pastore" tells of the thwarted love of Aminta (the innocent ‘shepherd king’ of the title) for the well-born Elisa, and that of the nobleman Agenore for the deposed tyrant’s daughter Tamiri. No less a figure than Alexander the Great resolves these conflicts of private passion and public status. First performed in Salzburg in 1775, Sir Neville Marriner conducts a top international cast in this 1989 production of the opera from Salzburg’s Landestheater.

Figaro qua, Figaro là (1950)  Video

Posted by Rare-1 at June 18, 2016
Figaro qua, Figaro là (1950)

Figaro qua, Figaro là (1950)
DVDRip | MKV | 706 x 570 | AVC @ 2000 Kbps | 82 min | 1.27 Gb
Audio: Italian AC3 2.0 @ 192 Kbps | Subs: English (.srt)
Genre: Action, Comedy | Italy

The protagonist of the film, set in 1700, is Figaro, the barber of Seville, who risks being arrested for opening his shop on Sundays despite a ban. Figaro is a friend of a young Count who's in love with Rosina, the governor's daughter. But her father doesn't consent to their marriage.
Mozart - Le nozze di Figaro (John Eliot Gardiner, Bryn Terfel, Alison Hagley) (2001/1993)

Mozart - Le nozze di Figaro (John Eliot Gardiner, Bryn Terfel, Alison Hagley) (2001/1993)
NTSC 4:3 (720x480) VBR | Italiano (LinearPCM, 2 ch) | 7.26 Gb (DVD9) | 168 min
Classical | Deutsche Grammophon | Sub: Italiano, English, Deutsch, Francais, Espanol, Chinese

It is an oft-repeated saw, about life in the heavenly spheres, that the angels revere Bach but listen to Mozart. If they have DVD players, you can bet they're now watching this stunning production of Le Nozze di Figaro ("The Marriage of Figaro"), which comes about as close to Mozartian perfection as one could possibly hope to get. The faultlessly cast youthful performers bubble with infectious energy. Alison Hagley is a sprightly Susanna with a voice as clear as a bell, and brilliantly matched by a 28-year-old Bryn Terfel both acting and sounding in fine form. Hillevi Martinpelto demonstrates why she is one of the world's favourite Mozart singers with her melting tones, richly coloured voice and generous stage presence, and Rodney Gilfry gives a muscular, wonderfully controlled performance as the Count.
Mozart - Le nozze di Figaro (Daniel Barenboim, John Tomlinson, Joan Rodgers) [1991]

Mozart - Le nozze di Figaro (Daniel Barenboim, John Tomlinson, Joan Rodgers)
Classical | Erato 2292-45501-2 | 1991 | TT: 174 | EAC (FLAC, cue, log) | Covers | 711 MB

"Barenboim continues to favour a forceful, big-scale reading with often deliberate speeds for the slower numbers, a musically accomplished, thought-through account of the crucial finales to Acts 2 and 4, lively treatment of the recitative, finely-honed playing of the wind, alert rhythms and an avoidance for the most part of appoggiaturas…John Tomlinson is much better suited by Figaro than he was by Alfonso, but still wants in tonal focus…but he does at all times create a lively personality, a force to be reckoned with…" (Gramophone)