“During this visit, these young ladies were so obliging as to sing me a Salve regina, lately set by their father, in duo. It is an exquisite composition, full of grace, taste and propriety.” What more could one ask of an antiphon than that which Charles Burney found in an impromptu performance by Hasse’s daughters during a visit to their father in Vienna in 1772? Hasse composed several settings of the Salve regina of which Reinhard Goebel has chosen two for his interesting programme of vocal and instrumental pieces by the composer.
Matthew Robert "Matt" Fink, better known by the stage name Doctor Fink, is an American keyboardist, record producer, and songwriter. He is best known as a member of The Revolution, the backing band for pop musician Prince. Fink won a Grammy Award in 1985 for the album Purple Rain. The recording has sold over 18 million copies since its release…
Digitally remastered two-fer from the Folk/Rock singer/songwriter containing two of her original albums on one CD: Secret Life of J. Eddy Fink (1968) and Who Really Cares (1969). These are a young Janis' third and fourth recordings for Verve. She retired from music at 19, but returned to go onto huge success with her 1974 album Stars and a long international career.
Finally available in DVD format, Seymour Fink's renowned °Mastering Piano Technique° sets pianists of every skill level free to express their most musical ideas with a holistic approach to the keyboard based on a sound understanding of the relationship between physical function and movement and musical purpose. In this invaluable resource for pianists and teachers, Professor Fink explains his groundbreaking ideas and demonstrates his innovative developmental exercises.
In 2004 Bernarda Fink released a recording of Dvorák songs that was awarded critical plaudits internationally. Now, eight years later, she returns to the composer, in the company of young soprano Genia Kühmeier, to sing 13 of the Moravian Duets which brought the young musician fame far beyond his homeland. The other two cycles, for solo voice, round out the portrait of a Dvorák still attached to musical traditions, whether sacred (Biblical Songs) or secular (Gypsy Melodies).