Famously conducted the world premieres of Stravinsky's The Rite of Spring and other prominent works including Petrushka, Ravel's Daphnis et Chloé, and Debussy's Jeux. Monteux was the principal conductor of the French repertoire at the Metropolitan Opera in New York.
The box contains a perfect overview of VIVARTE’s legendary catalogue of ancient music ranging from Vivaldi to Brahms. Most of the recordings received critical acclaim all over the world, many of them won prestigious awards and many are reference recordings.
When it came to tenor saxophonists, the late organist Shirley Scott had excellent taste. One of the big-toned tenor men she worked with extensively was Stanley Turrentine, whom she married; another was Eddie "Lockjaw" Davis. Recorded in Rudy Van Gelder's New Jersey studio in 1959, Bacalao is among the many solid hard bop/soul-jazz albums that resulted from Davis' association with Scott. The two of them enjoyed an incredibly strong rapport in the late '50s and early '60s, and they are very much in sync on Bacalao (which unites them with bassist George Duvivier, drummer Arthur Edgehill, and two Latin percussion men: Luis Perez and salsa giant Ray Barretto).
Esoteric Recordings are proud to announce the release of a newly re-mastered and expanded edition of the classic 1968 debut album by THE MOVE, "Move. Of all of the groups to emerge in Britain in the latter half of the 1960s, THE MOVE was arguably one of the finest. A powerful act on stage, the group were blessed with one of the most imaginative songwriters of his generation in Roy Wood and a fine vocalist in Carl Wayne, complemented by Bev Bevan (drums), Trevor Burton (guitar) and Ace Kefford (bass). Released in the UK in April 1968, "Move followed on from the international success the band had achieved with the classic singles Night of Fear, I Can Hear The Grass Grow, Flowers In the Rain and Fire Brigade. Their first album, "Move, demonstrated the imaginative diversity of the band and saw them break new ground creatively.
The real proof in the pudding of whether the Beastie Boys can really funk it up isn't on their own records. Naysayers have been claiming that it's all a rip, that the grooves are pure sample-happy appropriation. While Dr. Lonnie Smith gave Beck the B-3 treatment on his own Boogaloo to Beck, Love Bug mastermind and killer B-3 boss Ruben Wilson snagged P-Funk keyboard ace Bernie Worrell, saxophonist Andrew Beals, and a rhythm section that includes guitarist Doug Munro and skin popper LaFrae Olivia Sci and dug deep into the Beasties' catalog to let the real soul groove out of the bag.
Mehr als fünfzehn lange Jahre hat es gedauert, bis Jazz-Ikone Lisa Ekdahl nun endlich auch eine ihrer unnachahmlichen Liveperformances verewigen liess. Auf "At The Olympia Paris" präsentiert sie der Hörerin das ausverkaufte Abschlusskonzert ihrer fulminanten Europatournee aus 2009/2010 und interpretiert, neben einigen eigenen Songs, vor allem zeitlose Jazz-Standards wie "April in Paris", "Nature Boy" oder "Tea for Two" - natürlich in gewohnt Ekdahl`scher Manier.
Pianist Geri Allen has thus far been a very consistent performer, and all of her recordings are easily recommended. This particular set finds her in a trio with bassist Ron Carter and drummer Tony Williams performing six of her originals along with six jazz standards. Allen's style is fairly original, with hints of Herbie Nichols, and her chancetaking but logical solos are generally quite stimulating. ~Scott Yanow, All Music
“Celestial Circle” is the recording debut of the band of the same name. First assembled for Marilyn Mazur’s season as artist-in-residence at Norway’s Molde Jazz Festival in 2008, the group has since become a popular institution on the concert circuit, and the present disc, recorded in Oslo’s Rainbow Studio in 2010 is issued on the eve of a European tour. It’s a band of diverse strengths and changing moods, song-oriented but also instrumentally expressive.
The music in Bailador is abundant, torrential, brilliant and sophisticated. Everything in Portal is here: rigour and fun, knowledge and generosity, dazzling technique, pleasure in profusion, precision, and jeté… You can hear him everywhere: a playful hedonist enamoured of sharing and, at the same, a cerebral, cutting-edge musician. (Source: EmArcy website)