Doug Parkinson has rarely gone unnoticed - for his voice, his physique, his very presence. From the moment he appeared as a serious participant in Australian popular music in 1966 he commanded attention. Thirty years later he is a true household name - known as one of the great distinctive Oz Rock voices and musical mainstays. In And Out Of Focus 1966-75 kicks off with three tracks by the Questions, Doug's first hit band - 'Sally Go 'Round The Roses' (a Top 15 Sydney hit), 'Hey Gyp' & 'And Things Unsaid'…
In seventeenth-century Germany, a Wunderkammer (typically translated as “Cabinet of Curiosities”) was a type of private museum collection in the home of an aristocrat. Always in search of the most fascinating music from this era, ACRONYM has unearthed a large number of previously unrecorded manuscript sonatas written by long-forgotten composers. Some of these pieces contain harmonic eccentricities, rhythmic or metric irregularities, or structural curiosities. This disc includes ten such works, ACRONYM's own musical Wunderkammer. The composers are Samuel Capricornus, Adam Drese, Johann Philipp Krieger, Andreas Oswald, Antonio Bertali, Daniel Eberlin, Philipp Jakob Rittler, Georg Piscator, Alessandro Poglietti, and Clemens Thieme.
Focus: Jan Akkerman & Thijs van Leer is the seventh studio album by Dutch rock band Focus released in 1985. The album's name is due to the only original members on the record being guitarist Jan Akkerman and flautist/keyboardist Thijs van Leer.
London, UK - Dutch music legends Focus are known around the world for their iconic albums, including the hits HOCUS POCUS, SYLVIA and HOUSE OF THE KING. After the reunion of Focus and the release of the Focus 8 album, the band toured the world and was introduced to new musical styles and influences. The line-up on this album features THIJS VAN LEER, PIERRE VAN DER LINDEN, BOBBY JACOBS and JAN DUMÉE.
An album led by guitarist Rick Laird, but a set that's probably equally noteworthy for the presence of tenorist Joe Henderson on a few tracks – who really shines here in an overlooked late 70s session! The core group is great enough – as Laird has these round, classic jazz guitar tones that slide in with soulful beauty next to the piano and Fender Rhodes of Tom Grant – and when Henderson's not around, Grant's solos are especially great – and really have this lyrical power that grabs us right away, and almost makes us forget the presence of Joe! But then Henderson comes back with that subtle edge of his – similar to his playing on the Mirror Mirror record – a raspy tone that really deepens the whole proceedings. Henderson produced the record, and plays on the tracks "Outer Serge" and "Tranquility".