LONDON SYMPHONY ORCHESTRA VOL. 1 & 2 features instrumental pieces arranged by Zappa for an orchestra. To the uninitiated, Frank Zappa was known primarily as an unpredictable, hard-to-categorize, twisted rock genius. But to his loyal legion of fans worldwide, he is much more. Not many realize that Zappa was a talented composer and arranger of symphonic music as well, as evidenced on such releases as 1979's ORCHESTRAL FAVORITES, and especially LONDON SYMPHONY ORCHESTRA VOL. 1 & 2.
LONDON SYMPHONY ORCHESTRA VOL. 1 & 2 features instrumental pieces arranged by Zappa for an orchestra.
To the uninitiated, Frank Zappa was known primarily as an unpredictable, hard-to-categorize, twisted rock genius. But to his loyal legion of fans worldwide, he is much more. Not many realize that Zappa was a talented composer and arranger of symphonic music as well, as evidenced on such releases as 1979's ORCHESTRAL FAVORITES, and especially LONDON SYMPHONY ORCHESTRA VOL. 1 & 2.
Official Release #67. As the title suggests, Have I Offended Someone? contains all of Zappa's notoriously tasteless parodies and satires, from "Bobby Brown Goes Down," "Catholic Girls," and "Jewish Princess" to "He's So Gay," "Titties 'n Beer," and "Dinah-Moe Humm." Nearly all of the tracks are presented in new remixed versions, and two songs, "Dumb All Over" and "Tinsel Town Rebellion," have never been released before.
Official Release #65. The full saga of Läther (pronounced leather) is tangled enough to give a migraine to all but committed Zappaphiles. Basically, what you need to know is that this project was originally conceived of as a four-record box set. When record company politics prevented its release in that format, much of the material was spread over the albums Live in New York, Sleep Dirt, Studio Tan, and Orchestral Favorites. This three-CD set presents the album as it was originally conceived, with the addition of four bonus tracks at the end. It mixes previously available material, alternate mixes, and edits, and previously unissued stuff, though only the most serious Zappa fans will have a good grip on exactly what has appeared where (the liner notes are surprisingly unexact in this regard).
Official Release #64. A 30-track compilation of rarities, spanning much of his career, but in the main confined to the 1960s and early '70s (some date from as early as the late '50s!). Much of it's previously unreleased, or extremely hard to locate. It's not just a collection of fan-oriented odds and ends, though. The material, for one thing, is extremely diverse, ranging from collaborations with Captain Beefheart and primitive teenage garage recordings to comic dialog to progressive instrumentals and orchestral pieces.
For all of his many attributes, one thing Frank Zappa most certainly was not is commercial. Presumably, the title of this collection is ironic. Strictly Commercial: The Best of Frank Zappa is a compilation not of the composer's hits – he only broke the Top 40 on one occasion, with "Valley Girl" – but rather, a collection of his best-known material, from "Don't Eat the Yellow Snow" to "Sexual Harassment in the Workplace." Zappa's albums often function as individual works, but this disc offers an intelligent selection of songs, serving as an introduction to the maverick musician.
Official Release #59. The last volume of the series You Can't Do That on Stage Anymore is one of the strongest, especially for those who prefer Frank Zappa's sex-oriented songs. There is not much complex material or instrumental pieces in this collection, but catchy humorous songs abound, along with more of that stage craziness the series tried to capture. Live incarnations of Zappa's band from 1970 up to 1988 are represented (the original Mothers had a whole disc devoted to them on Vol. 5).
Official Release #58. For the fifth volume in the You Can't Do That on Stage Anymore series, Frank Zappa prepared two unrelated discs. Disc one features the original Mothers of Invention in unreleased live and studio recordings mainly from 1969 (but also one from 1965 and a couple from 1967-1968). Disc two documents the 1982 European tour. There is something wicked – almost obscene – in this pairing, and it surely was intentional. Throughout the 1980s, fans of the early Mothers had attacked Zappa's integrity in the case of the re-recorded CD reissues of We're Only in It for the Money and Cruising with Ruben & the Jets, and often despised the scatological antics and straightforward rock stylings of his latter bands.
Official Release #56. Like the first volume of the series, You Can't Do That on Stage Anymore, Vol. 4 was put together without a specific theme in mind. It has a little of everything, from straight rock songs to more complex numbers, from stage antics to guitar solos. All eras of Frank Zappa's career are visited (including tracks from the 1988 tour), but the '80s provided the majority of the material.
Official Release #54. Most of You Can't Do That on Stage Anymore, Vol. 3 is devoted the 1984 band which, at the time of this set's release, had not been properly documented (the live Does Humor Belong in Music? was made commercially available in the U.S. in 1995 only). Most of the material comes from late-'70s/early-'80s albums like Sheik Yerbouti, Joe's Garage, and You Are What You Is. Disc one is 1984 only (excerpt for a few edits in "Drowning Witch") and lacks interest.