Features 24 bit remastering and comes with a mini-description. On this inspired release, world renowned pianist Joe Castro is joined by Teddy Edwards, Leroy Vinnegar and Billy Higgins. This soul-jazz recording features the standouts “Groove Funk Soul,” “That’s All,” “Yesterdays” and “Play Me The Blues.”
On this 1977 album, Nazareth makes a full-blooded return to the hard rock sound they had neglected since their success with Hair of the Dog. The result is a potent, driving slab of hard rock that will please Nazareth fans and devotees of 1970s hard rock alike. The album sets its frenzied tone right off the bat with its title track, a blistering rocker that features Dan McCafferty spitting out a sharp-edged vocal about life's cruelty over a series of fast and relentless guitar riffs. The remainder of the album prominently features a similarly brutal string of rockers: standouts include "Revenge Is Sweet," a paean to getting even that combines chugging guitar riffs…
Breakwater is an American funk band from Philadelphia. The band released two albums: Breakwater in 1978, and Splashdown in 1980. The latter features the song "Release the Beast", which was sampled for the Murs track "Intro" in the album Murs 3:16: The 9th Edition. "Release the Beast" was later sampled by Daft Punk for the song "Robot Rock", which appeared on the album Human After All.
Features 24 bit remastering and comes with a mini-description. This is the music that will be playing when you die and go to heaven. Excellent original style Dixieland, George's clarinet is heaven! I don't know if any record can do justice to the live experience of the original giants of jazz creating this stuff. But the George Lewis tracks on this record come pretty close! For this alone this CD is well worth buying.
Features 24 bit remastering and comes with a mini-description. Recorded with Punch Miller, this album offers a mixed bag featuring Paul Barbarin's Band/Punch Miller's Bunch & George Lewis (clarinet). It's worth acquiring for the Barbarin composition "The Second Line" alone, but offers much more.
Features 24 bit remastering and comes with a mini-description. Released in 1963, this is a pair of traditional dixieland jazz performances recorded at the historic Preservation Hall in New Orleans - very distinctly New Orleans sound. Nathan "Jim" or "Big Jim" Robinson was a very reliable New Orleans trombonist who was much more consistent than most of the musicians he performed with, never seeming to have an off day. A jazz pioneer, Robinson played guitar as a child and started playing trombone in 1917, while stationed in France during World War I; he was already 24.
Features 24 bit remastering and comes with a mini-description. Jazz at Preservation Hall: The Eureka Brass Band features New Orleans street parade jazz with bristling horns, sousaphone, and two marching drummers. Trumpeter Percy Humphrey leads an ensemble notable for the presence of saxophonist Emanuel Paul and Percy's brother, Willie, who blows some of the best clarinet he ever recorded. What makes this an unforgettable listening experience is the dual trombone action supplied by Albert Warner and Oscar "Chicken" Henry.
Features 24 bit remastering and comes with a mini-description. Paul Smith, jazz pianist, widely known as Ella Fritzgerald’s conductor and pianist, an active studio musician with a brilliant technique. Paul Smith also worked with renowned Jazz figures, such as: Dizzy Gillespie, Anita O’Day, Buddy DeFranco, Louie Bellson, Steve Allen, Louie Bellson, Stan Kenton, Mel Torme and many others. Pick of the day, Paul Smith’s rendition to Bossa Nova. This is Paul Smith Piano and Orchestra – Brazilian Detour (1966), for Warner. Paul Smith is a virtuoso piano player; he goes from the “liquid sounds” slow playing to a faster approach, hitting keys strongly. Paul Smith also leads the orchestra.
Reissue with the latest remastering and the original cover artwork. Comes with a description written in Japanese. An overlooked gem from reedman Sam Rivers – and a set that's surprisingly soulful, given that most of his other work from this stretch is much more outside! The album's got a laidback groove on most numbers – with rhythm from Daryll Thompson on guitar, Rael Wesley Grant on bass, and Steve McCraven on drums – often in this midtempo mode that has the electric currents providing a subtle bounce, which opens up as Rivers solos on tenor, soprano sax, and flute! The style's a few steps down from funky fusion, but not that far away, either – and Sam proves to be an expressive soloist in the setting, in ways we really wouldn't have expected. Titles include "Swirl", "Chant", "Coral", "Lazuli", "Ripples", "Dandelions", "Devotion", "Beatrice", and "Sprung".