Gavotte Lully

La Simphonie Du Marais, Hugo Reyne - Jean-Baptiste Lully: Atys (2010)

La Simphonie Du Marais, Hugo Reyne - Jean-Baptiste Lully: Atys (2010)
EAC | FLAC (image+.cue, log) | Covers + Digital Booklet | 02:47:45 | 900 MB
Genre: Baroque, Opera | Label: Musiques a la Chabotterie | Catalog: 605008

Lully's tragedie en musique, Atys, with a text by his favored librettist, Philippe Quinault, was one of his greatest operatic successes and was significant for setting a new standard for a distinctively French approach to opera. While Lully's operas have not entered the repertoire, they have fared well on record thanks to the efforts of some top-notch early music ensembles, and this 2010 performance of Atys featuring Hugo Reyne leading La Simphonie du Marais and Le Choeur du Marais is a superb addition to the composer's discography.

Les Talens Lyriques - Lully: Armide (Live) (2017)  Music

Posted by SERTiL at March 25, 2017
Les Talens Lyriques - Lully: Armide (Live) (2017)

Les Talens Lyriques - Lully: Armide (Live)
Classical | WEB FLAC (tracks) & d. booklet | 142:22 min | 730 MB
Label: Aparté | Tracks: 57 | Rls.date: 2017

Armide was the last tragédie en musique to come from the collaboration of Lully and his librettist Quinault. The subject – the enchantress Armide's unhappy love for the knight Renaud – is drawn from Tasso's Gerusalemme liberata. 5 February 1686. The masses hastened to discover Lully's eleventh and last tragédie lyrique. And they were not mistaken: Armide, a genuine masterpiece, would be crowned with lasting success. Here, the classic tragédie lyrique achieved total fruition, on the literary and musical levels alike.
Lully - Atys (William Christie, Les Arts Florissants) [2009 / 1987]

Lully - Atys (William Christie, Les Arts Florissants) [2009 / 1987]
Classical | EAC Rip | FLAC, IMG+CUE, LOG | Covers | 242.47 MB+254.09 MB+238.33 MB
Label: Harmonia Mundi | Catalog Number: HMC 901257.59 | CD1:54’29; CD2:60’25; CD3:55’34

Jean-Baptiste Lully (French pronunciation: ​[ʒã.ba.tist ly.li]; Italian: Giovanni Battista Lulli; 28 November 1632 – 22 March 1687) was a Florentine-born French composer who spent most of his life working in the court of Louis XIV of France. He is considered the chief master of the French baroque style. Lully disavowed any Italian influence in French music of the period. He became a French subject in 1661…

Les Talens Lyriques, Christophe Rousset - Lully: Phaeton (2013)  Music

Posted by tirexiss at April 7, 2017
Les Talens Lyriques, Christophe Rousset - Lully: Phaeton (2013)

Les Talens Lyriques, Christophe Rousset - Lully: Phaeton (2013)
EAC | FLAC (image+.cue, log) | Covers Included | 02:31:54 | 958 MB
Genre: Baroque, Opera | Label: Aparte | Catalog: AP061

Founded in 1991 by Christophe Rousset, Les Talens Lyriques are now internationally recognised for their excellence in the Baroque repertoire and their latest recordings in the genre, for Aparté, have earned them international acclaim. After the huge success of 'Bellérophon', they now present Lully's 'Phaéton', recorded at the Salle Pleyel in Paris in October 2012. The critics commented on the admirable clarity and precision of the performance, the perfection of the choruses, sung with veracity by the Namur Chamber Choir, and an ideal cast.
Les Arts Florissants, William Christie - Lully: Les divertissements de Versailles (2002)

Les Arts Florissants, William Christie - Lully: Les divertissements de Versailles (2002)
EAC | FLAC (image+.cue, log) | Covers + Digital Booklet | 78:10 | 433 MB
Genre: Classical, Opera | Label: Erato Disques | Catalog: 0927-44655-2

This superb recording of the compositions of Lully for the court of Louis XIV is almost perfect in delivery; evoking the sophistication, wit, grandeur, humor that would be required to entertain the most demanding of monarchs amidst the most sophisticated court in Europe. The character of Lully is fascinating. Lully was an Italian actor, dancer and musician who becomes the central creative force in music theatre in the court of the Sun King. However it is the flawless music that is contained in this recording that should be heard. With use of period instruments William Christie and Les Arts Florissants paint a range of compositions from various operas and periods in Lully's career in the court of the Sun King.
Les Talens Lyriques, Christophe Rousset - Jean-Baptiste Lully: Amadis (2014)

Les Talens Lyriques, Christophe Rousset - Jean-Baptiste Lully: Amadis (2014)
EAC | FLAC (image+.cue, log) | Covers Included | 02:43:23 | 953 MB
Genre: Baroque, Opera | Label: Aparte | Catalog: AP094

Following on acclaimed releases of Bellerophon and Phaeton, Christophe Rousset continues his revival of Lully's tragedies lyriques for the Aparte label with Amadis. One of the composer's finest scores, Amadis is a masterpiece of French Baroque music. It was Louis XIV himself who asked Lully and his librettist Quinault to base an opera on Montalvo's Amadis de Gaula. Avoiding the usual mythological subjects gave the composer and librettist an opportunity to expand the scope of the tragedie lyrique genre.

Lully - Phaeton (Marc Minkowski) [1994]  Music

Posted by Vilboa at March 21, 2017
Lully - Phaeton (Marc Minkowski) [1994]

Lully - Phaëton (Marc Minkowski) [1994]
Classical | Erato 4509-91737-2 | TT: 144' | EAC (flac, cue, log) | Covers | 607 Mb

Phaeton was first produced not at the Palais-Royal Theatre in Paris but modestly at Versailles in January 1683. In the spring of that year it transferred to the Palais-Royal and was well enough thought of to enjoy revivals at regular intervals into the early 1740s. Indeed, rather as Atys became known as the ''King's opera'' and Isis as the musicians', Phaeton acquired its sobriquet, ''the opera of the people''. Among the many attractive airs ''Helas! Une chaine si belle'' (Act 5) was apparently a favourite duet of Parisian audiences, while ''Que mon sort serait doux'' (Act 2), another duet, was highly rated by Lully himself. In 1688 Phaeton was chosen to inaugurate the new Royal Academy of Music at Lyon where, as Jerome de la Gorce remarks in his excellent introduction, it was so successful ''that people came to see it from forty leagues around''. The present recording is a co-production between Erato and Radio France, set up to mark the occasion of the opening of the new Opera House at Lyon.
Les Paladins & Jérôme Correas - Molière at the Opera (Stage music by Jean-Baptiste Lully) (2016)

Les Paladins & Jérôme Correas - Molière at the Opera (Stage music by Jean-Baptiste Lully) (2016)
Classical | MP3 CBR 320 kbps | 01:12:21 | 168 MB
Label: Glossa

With 'Molière à l opéra' Jérôme Correas and Les Paladins bring their much-admired combination of Baroque stylishness and varied vocal techniques to comédies-ballets composed by Jean-Baptiste Lully and Marc-Antoine Charpentier during the reign of Louis XIV. The musical and theatrical partnership involving Lully and Molière they were dubbed 'les deux Baptiste' was one of the most invigorating ever entered into, marrying melody, words, acting and a shared hunger for fame. The collaboration spanned ten works over a decade from 1661.
Lully, Charpentier, Desmarest, Lalande, Couperin - La nuit Louis XIV de William Christie 2015 [HDTV 720p]

Lully, Charpentier, Desmarest, Lalande, Couperin - La nuit Louis XIV de William Christie 2015 [HDTV 720p]
AVC, 1280x720p (16:9), 7.9 mbps, 50 fps | AC3 448 kbps, 6 ch | 01:22:27 | 4.6 GB
Classical, Baroque, Vocal | arte HD | HDTV->TS

Louis XIV night of William Christie, a historical and entertaining performance marking the 300th anniversary of the death of the Sun King.
Charpentier, Lully: Te Deum - Dumestre, Le Poeme Harmonique (2014) [Official Digital Download - 24bit/88.2kHz]

Charpentier, Lully: Te Deum - Dumestre, Le Poeme Harmonique (2014)
FLAC (tracks) 24 bit/88.2 kHz | 1 CD | Digital Booklet | 993 MB
Genre: Classical | Official Digital Download - Source: Qobuz

This recording of the Poème Harmonique revitalizes Charpentier's and Lully's Te Deum, two magnificent pieces of sacred music celebrating the Sun King's victory and recovery. Lully, who was of Italian origin, found the essence and style of French art, while Charpentier gave the emotion and composition methods he had learned from the Italians to the music of his country. This is the story of two musicians, two countries, two aesthetics, and two fundamental stakes. Lully became a lauded composer, outshining Charpentier and relegating him to an undeserved subpar position.