Carter Burwell's darkly mysterious orchestrations play a significant stylistic role in both Barton Fink and Fargo, two of the best films from acclaimed independent filmmakers Joel and Ethan Coen, particularly in light of the oft-violent content of the Coens' stories: violence can of course be laughable when the characters are too goofy to be believed, and tragic when the characters are too believable to be goofy, but the Coen brothers' creations are somewhere in between. They strike a precarious balance between a broadly comic Beckett-esque absurdism and a more straightforward, three-dimensional naturalism. Consequently, Burwell's grave, sweeping scores are a crucial reassurance that the Coens are not taking their characters' personal tragedies less seriously than are their audiences. Most of the tracks on this CD are from Fargo, reprising the heartbreakingly elegiac theme several times over (in orchestral versions and in sparse violin arrangements that echo the folk music indigenous to the snow-swept northern territories of the film).
Alan Barton was a British singer and member of the hit-making duo Black Lace, alongside Colin Gibb. Barton replaced Chris Norman in Smokie in 1986, recording six albums with them, and touring extensively as their lead vocalist and rhythm guitarist. He was the lead singer on Smokie's revival of their hit, "Living Next Door To Alice", recorded with British comedian Roy 'Chubby' Brown, as "Who The …. is Alice?". In the early 1990s he released his one and only solo album, Precious (1991) and two accompanying singles: "July 69" (1990) and "Carry Your Heart" (1991)…
In 1941, New York intellectual playwright Barton Fink comes to Hollywood to write a Wallace Beery wrestling picture. Staying in the eerie Hotel Earle, Barton develops severe writer's block. His neighbor, jovial insurance salesman Charlie Meadows, tries to help, but Barton continues to struggle as a bizarre sequence of events distracts him even further from his task.
~ Scott Renshaw