Reissue with the latest remastering and the original cover artwork. Comes with a description written in Japanese. George Adams and Don Pullen knock it out of the park on this one – finding great company in each other's presence, and really moving things forward in the process! The set begins with a long track titled "Mingus Metamorphosis", and that really sums up the spirit of the record – an 80s reworking of all the ideas that the players had learned from Mingus, but with an individual, personal sense that's all their own – and very different than some of the more standard modes of the Mingus Dynasty group that continued the legacy in a more direct manner. Adams is bold one minute, lyrical the next – and plays both tenor and flute – alongside Pullen on piano, Cameron Brown on bass, and Dannie Richmond on drums.
Reissue with the latest remastering and the original cover artwork. Comes with a description written in Japanese. A firey session from the quartet of George Adams and Don Pullen – a set that has the group stretching out in some of their most spiritual modes, yet still finding plenty of time to swing as well! Adams is tremendous on tenor – a very fresh voice in the post-Coltrane world, with phrasing that is all his own – even more amplified when he switches to flute – and Pullen's got this ability to go outside, and show his knowledge of the darker corners of the keyboard – yet never let that side of his playing overwhelm things, possibly because the rhythmic accompaniment from Cameron Brown on bass and Dannie Richmond on drums is so strong. Tracks are all long, and very individual – with the group in high spirits on the titles "Earth Beams", "Magnetic Love Field", "Saturday Nite In The Cosmos", "More Flowers", and "Dionysus".
Reissue with the latest remastering. Features original cover artwork. Comes with a descripton in Japanese. One of the most beautiful albums ever cut by the team of reedman George Adams and pianist Don Pullen – a spare set of duets that really lets both players open up in their most soulful styles! The set begins with a pretty freewheeling vibe – one that might almost make you doubt the "melodic" in the title – but soon settles into that gently spiritual style that both players brought to their work at the time – almost lyrical at points, but always with deeper ideas at play – and perfectly balanced out between the solo passages of Adams and Pullen!
Reissue with the latest remastering. Features original cover artwork. Comes with a descripton in Japanese. One of those key records that has George Adams and Don Pullen reinventing expectations of jazz for the 80s – both musicians with plenty of ear for the outside, but also coming back home with a well-rounded, deeply-rooted approach that's crucial in taking the American jazz legacy another step forward! Like some of their similar contemporaries, who could also be avant at times, and straight at others – Adams and Pullen have no concern with setting themselves in one camp or another – and not only flesh out the spirit of the record with both of those aspects of their playing, but also have some surprisingly bluesy undercurrents at times.
Reissue with the latest remastering. Features original cover artwork. Comes with a descripton in Japanese. Solidly soaring work from tenorist George Adams – recording live here with pianist Don Pullen, one of his best musical partners during the 80s! The album's got a bit more of a bite than some of the pair's studio sessions – a bit straighter overall, but recorded with a nice degree of energy, and some long tracks that really let both players open up nicely – in a combo that also features John Scofield on guitar, Cameron Brown on bass, and Dannie Richmond on drums. The inclusion of Scofield's guitar changes up the group's sound in a nice way – adding in some more chromatic elements that really stand out – and titles include "IJ", "Flame Games", "Song Everlasting", and "Forever Lovers".
Reissue with the latest remastering. Features original cover artwork. Comes with a descripton in Japanese. A strong outing from this key post-Mingus collaboration – and a record that really shows both Don Pullen and George Adams really coming into their own! Pullen's piano can have plenty of edges, as can Adams' tenor – but there's also some warmer, lyrical moments that really round things out – kind of a balance between righteous energy and deeper quietude that the musicians might have learned during their time with Charles Mingus – taken to a logical small group extension here. Adams also plays a bit of flute, which is especially nice – and the group also includes Cameron Brown on bass and Dannie Richmond on drums. Titles include "The Great Escape Or Run John Henry Run", "Seriously Speaking", "Soft Seas", and "Protection".
The 13th volume in Mosaic's limited-edition Select series showcases the late work of the late pianist and composer Don Pullen. Contained within the box are the two fine albums by the George Adams-Don Pullen Quartet, Breakthrough and Song Everlasting. These two recordings were the first the pair had done domestically. The band's previous output was released on Soul Note, and musically very good. Both Blue Note albums are simply stunning. The interplay between the pianist and saxophonist Adams was near symbiotic and was augmented by the stellar rhythm section of bassist Cameron Brown and drummer Dannie Richmond. Three of the four men – excepting Brown – were alumni of the Charles Mingus band. These two albums are the best of what post-bop jazz had to offer in the 1980s.
Reissue with the latest remastering and the original cover artwork. Comes with a description written in Japanese. Janice Lakers is a singer we only know from this one album – but she's a hip vocalist with a very compelling style – one that's very much in the best mode of some of the cooler American jazz singers of the late 70s! The song choices are great – some hipper jazz standards – and she's got a way of opening up with the lyrics that's far different than older vocal modes of the 50s – instead nearer to the territory of artists like Janet Lawson or Judy Roberts. Backing is by a hip trio with Debbie Poryes on piano – who really open up with their own sense of presence on the record, too – and titles include "Waltz For Debby", "Like A Lover", "Falling Grace", "Rainbow Lady", "In Your Own Sweet Way", and a nicely grooving take on "Moondance".
Reissue with the latest remastering and the original cover artwork. Comes with a description written in Japanese. Pianist Hein Van Der Gaag definitely gets right to the point here – starting off the album with a great version of Horace Silver's "Ecaroh" that's filled with these descending note clusters that really open up the tune – setting up this bold, dark mood which is then balanced over the course of some more introspective tunes that follow! The approach is great – that really special way of creating a trio session that the Limetree label had during the 80s – a quality that's maybe made the imprint one of the best on the European scene at the time for piano jazz. Hein's group here features Joep Lumey on bass and Ben Schroeder on drums.
Reissue with the latest remastering and the original cover artwork. Comes with a description written in Japanese. One of the more freewheeling groups we've ever heard recording for the Timeless label – especially during the 80s stretch in which this set was recorded – a free-thinking quartet that features Urs Leimgruber on soprano, tenor, and bass saxophone – plus Don Friedman on piano, Bobby Burri on bass, and Joel Allouche on drums! Leimgruber's sound really sets the tone for the record – with moody passages some stretches, or a bolder attack at other moments – then supported strongly by Friedman's piano, really gets a lot of freedom here. All tracks are long, and very different than usual for Timeless.