This 2008 live recording with the London Symphony Orchestra is Valery Gergiev's 2nd complete recording of Prokofiev's ballet Romeo & Juliet, the 1st being a 1991 Philips release with the Kirov Orchestra. This performance, like his 1st, is notable for its refinement & lyricism. It's perhaps surprising that Gergiev, known for the wildness & ferocity of his performances of other Prokofiev works, like The Fiery Angel, shows such restraint here. Gergiev clearly understands the ballet as a work in which Prokofiev, writing originally for the Bolshoi, a theater known for its conservatism (although that production was canceled), tailored his score to follow in the tradition of the 3 great Tchaikovsky ballets.
Valery Gergiev’s 1st recording of French music on the LSO Live label, Ravel: Daphnis et Chloé, Boléro, Pavane – Gergiev was characterised by an unexpected affinity for this music & a warmth of expression not usually associated with this conductor. This follow-up issue confirms Gergiev’s credentials as a Francophile conductor (as do his recent meticulous performances of the music of Henri Dutilleux at the Barbican.
“Gergiev conducts a sweeping performance, with a typically superb cast of the Kirov's revival years, full of rising stars - Diadkova, Ognovenko, Bezzubenkov and the superb character tenor Gassiev. Charming also is the staging, reproduced from airy, painterly 1920s sets. Museum opera, maybe; but then museums are there to preserve treasures. And this is an absolute gem.”(Music Magazine)
As a composer of orchestral music, Alexander Scriabin is best known for his last two idiosyncratic symphonies, the Poem of Ecstasy and Prometheus: The Poem of Fire, which are essentially symphonic poems, not symphonies in the conventional sense. The Symphony No. 1 (1900) and the Symphony No. 2 (1901), however, are more recognizable as symphonies in their multiple-movement forms, and their durations are comparable to the expansive symphonies of Scriabin's contemporary, Gustav Mahler. They also share the post-Romantic tendency toward Wagnerian harmonies, rhapsodic melodies, and lush orchestration, which, in Scriabin's case, were developed to express heightened emotional states and mystical transcendence. This 2016 double SACD by Valery Gergiev and the London Symphony Orchestra presents each of the symphonies on its own disc, and the high-quality multichannel sound is ideal for bringing across the subtle nuances of tone color and the shifting of dynamics that are characteristic of his style.]