Gergiev

Sergei Prokofiev - Symphonies No.6, No.7, Symphony-Concerto (Gergiev) 2016 [HDTV 720p]

Sergei Prokofiev - Symphonies No.6, No.7, Symphony-Concerto (Gergiev) 2016 [HDTV 720p]
AVC, 1280x720p (16:9), ~3 mbps, 25 fps | AAC 128 kbps, 2 ch | 01:58:33 | 2.6 GB
Classical, Orchestral | Mezzo live HD | HDTV->MKV

Mariinsky Orchestra, directed by Valeriy Gergie, celebrates 125 years since the birth of Sergei Prokofiev, on April 24, 2016. Soloist Alexander Ramm.
Valery Gergiev & Mariinsky Orchestra - Shostakovich: Symphony No 7 'Leningrad' (2012) [TR24][OF]

Valery Gergiev & Mariinsky Orchestra - Shostakovich: Symphony No 7 'Leningrad'
Classical | FLAC (tracks) 24-bit/96 kHz | 82:19 min | 1.35 GB | Digital booklet
Label: Mariinsky Label | Tracks: 04 | Rls.date: 2012

The Mariinsky Label presents the fourth installment in Valery Gergiev's Shostakovich symphony cycle - an emotionally-charged performance of the composer's Seventh Symphony.
London Symphony Orchestra / Valery Gergiev - Prokofiev: Romeo & Juliet (2010) [2SACDs ISO+HiRes FLAC]

London Symphony Orchestra / Valery Gergiev - Prokofiev: Romeo & Juliet (2010)
PS3 Rip | SACD ISO | DST64 2.0 & DST64 6.0 >1-bit/2.8224 MHz | Front Cover | 7.78GB + 5% Recovery
FLAC tracks 2.0 24bit/88.2 kHz | Front Cover | 2.14GB + 5% Recovery

This 2008 live recording with the London Symphony Orchestra is Valery Gergiev's 2nd complete recording of Prokofiev's ballet Romeo & Juliet, the 1st being a 1991 Philips release with the Kirov Orchestra. This performance, like his 1st, is notable for its refinement & lyricism. It's perhaps surprising that Gergiev, known for the wildness & ferocity of his performances of other Prokofiev works, like The Fiery Angel, shows such restraint here. Gergiev clearly understands the ballet as a work in which Prokofiev, writing originally for the Bolshoi, a theater known for its conservatism (although that production was canceled), tailored his score to follow in the tradition of the 3 great Tchaikovsky ballets.
LSO / Valery Gergiev - Debussy: La mer, Jeux & Prelude a l’apres-midi d’un faune (2011) [SACD ISO+HiRes FLAC]

London Symphony Orchestra / Valery Gergiev - Debussy: La mer, Jeux & Prelude a l’apres-midi d’un faune (2011)
PS3 Rip | SACD ISO | DST64 2.0 & DST64 6.0 >1-bit/2.8224 MHz | Front Cover | 3.29GB + 5% Recovery
FLAC tracks 2.0 24bit/88.2 kHz | Front Cover | 900MB + 5% Recovery

Valery Gergiev’s 1st recording of French music on the LSO Live label, Ravel: Daphnis et Chloé, Boléro, Pavane – Gergiev was characterised by an unexpected affinity for this music & a warmth of expression not usually associated with this conductor. This follow-up issue confirms Gergiev’s credentials as a Francophile conductor (as do his recent meticulous performances of the music of Henri Dutilleux at the Barbican.
Mussorgsky - Boris Godounov (1869 & 1872 Versions) (Valery Gergiev, Kirov Opera & Orchestra) (5CD) (1998)

Mussorgsky - Boris Godounov (1869 & 1872 Versions) (Valery Gergiev, Kirov Opera & Orchestra) (5CD) (1998)
EAC Rip | (tracks+.cue, log) | Covers | RAR | 1418 mb
Classical, Opera | Label: Philips - 462 230-2, 462 547-2, 462 548-2, 462 549-2, 462 550-2, 462 551-2

Mussorgsky's masterpiece performed by Valery Gergiev and the Kirov Opera & Orchestra. This set includes both the 1869 and 1872 versions.

Rimsky-Korsakov - Sadko (Valery Gergiev) (2006/1994)  Music

Posted by Vilboa at Dec. 23, 2016
Rimsky-Korsakov - Sadko (Valery Gergiev) (2006/1994)

Rimsky-Korsakov - Sadko (Valery Gergiev) (2006/1994)
NTSC 16:9 (720x480) VBR | Russian (Dolby AC3, 2 ch) | (DTS, 5 ch) | 7.56 Gb (DVD9) | 174 min
Classical | Philips | Sub: English, Francais, Deutsch, Italiano, Espanol, Chinese

“Gergiev conducts a sweeping performance, with a typically superb cast of the Kirov's revival years, full of rising stars - Diadkova, Ognovenko, Bezzubenkov and the superb character tenor Gassiev. Charming also is the staging, reproduced from airy, painterly 1920s sets. Museum opera, maybe; but then museums are there to preserve treasures. And this is an absolute gem.”(Music Magazine)
Valery Gergiev, London Symphony Chorus & Orchestra - Alexander Scriabin: Symphonies Nos 1 & 2 (2016) 2CDs

Alexander Scriabin: Symphonies Nos 1 & 2 (2016) 2CDs
Ekaterina Sergeeva, mezzo soprano; Alexander Timchenko, tenor
London Symphony Chorus & Orchestra; Valery Gergiev, conductor

EAC | FLAC | Image (Cue&Log) ~ 375 Mb (incl 5%) | Scans included
Classical | Label: LSO Live | # LSO0770 | Time: 01:31:10

As a composer of orchestral music, Alexander Scriabin is best known for his last two idiosyncratic symphonies, the Poem of Ecstasy and Prometheus: The Poem of Fire, which are essentially symphonic poems, not symphonies in the conventional sense. The Symphony No. 1 (1900) and the Symphony No. 2 (1901), however, are more recognizable as symphonies in their multiple-movement forms, and their durations are comparable to the expansive symphonies of Scriabin's contemporary, Gustav Mahler. They also share the post-Romantic tendency toward Wagnerian harmonies, rhapsodic melodies, and lush orchestration, which, in Scriabin's case, were developed to express heightened emotional states and mystical transcendence. This 2016 double SACD by Valery Gergiev and the London Symphony Orchestra presents each of the symphonies on its own disc, and the high-quality multichannel sound is ideal for bringing across the subtle nuances of tone color and the shifting of dynamics that are characteristic of his style.]
London Symphony Orchestra, Mily Balakirev & Valery Gergiev - Rachmaninov: Symphony No. 1 (2016)

London Symphony Orchestra, Mily Balakirev & Valery Gergiev - Rachmaninov: Symphony No. 1
Classical | FLAC (tracks) 24-bit/96 kHz | 61:19 min | 1.29 GB | Digital booklet
Label: LSO Live | Tracks: 05 | Rls.date: 2016

This new release in the LSO Live cycle of Rachmaninovs complete symphonies features his Symphony No. 1. The piece was composed in 1895 at his Ivanovka estate in Tambov, Russia. The premiere was a disaster due to poor conductor performance and under-rehearsal, but the score was rediscovered after the composers death and has since been frequently performed. English composer and professor Robert Simpson calls the First Symphony a powerful work in its own right convinced, individual, finely constructed, and achieving a genuinely tragic and heroic expression.

Valery Gergiev - Prokofiev: Complete Symphonies (2006)  Music

Posted by Pisulik at Oct. 20, 2016
Valery Gergiev - Prokofiev: Complete Symphonies (2006)

Valery Gergiev - Prokofiev: Complete Symphonies (2006)
EAC Rip | FLAC (Tracks) +cue, log, artworks - 1.06 gb | MP3 CBR 320 kbps - 580 mb | 04:15:03
Classical | Label: Decca Music Group | Release Year: 2006

It should come as no surprise that Gergiev is in his element in Prokofiev's symphonies. Whatever his failings in other repertory, he's always had a knack for visceral excitement in Russian music, sometimes at the expense of lyric or lighter moments. And so it is here. Gergiev is a bit heavy-handed in the popular Classical Symphony, Prokofiev's homage to Haydn and Mozart. But he delivers high-octane power in the three steel-age symphonies that follow (the set is especially notable for the inclusion of both versions of the Fourth).
Valery Gergiev, London Symphony Orchestra - Alexander Scriabin: Symphonies Nos 3 & 4 (2015)

Valery Gergiev, London Symphony Orchestra - Alexander Scriabin: Symphonies Nos 3 & 4 (2015)
EAC | FLAC | Image (Cue&Log) ~ 285 Mb (incl 5%) | Scans included | Time: 01:04:58
Genre: Classical | Label: LSO | # LSO0771

In this first volume of Alexander Scriabin's symphonies on the LSO Live label, Valery Gergiev and the London Symphony Orchestra begin in media res with the Symphony No. 3, "Le Divin Poème," and the Le Poème de l'extase, which is unofficially counted as the Symphony No. 4. These works date from Scriabin's middle period (ca. 1902-1908), which marks a transition from his youthful Romantic phase to his final visionary works. The Symphony No. 3 reflects a lingering attachment to the symphonic conventions which influenced Scriabin's first two symphonies, particularly in its three-movement structure and relatively clear tonal scheme, though it already hints at the organic development and greater harmonic complexity of the single-movement Le Poème de l'extase, which strains the boundaries of form and key. These effusive works demand a calculated control that may seem at odds with their volatile and languorous expressions, though Gergiev and the London Symphony Orchestra deliver the music with rhythmic precision and focused tone colors to bring across Scriabin's kaleidoscopic soundworld with brilliance.