British art critic Andrew Graham-Dixon and Italian chef Giorgio Locatelli explore the varied regions of Italy, sharing with each other their knowledge of the country's culture and cuisine.
The Concerto Grosso is a popular Baroque form, in which two instrumental groups complete against each other: a small group of soloists and the tutti of the orchestral group. It is the forerunner of the solo concerto form, which features only one solo instrument. This set present the complete Concerti Grossi by Pietro Antonio Locatelli, modelled on the popular concerti grossi of his teacher Corelli. The writing as might be expected from Locatelli the devil violinist, is highly virtuosic and brilliant, inventive in harmony and counterpoint, written to impress and entertain.
This disc is really something special. Collectors are so spoiled for choice in the baroque repertoire at present, particularly on period instruments, but even in a glutted market this disc stands out for imaginative repertoire selection and outstanding interpretation. Its particularly gratifying, in these days of complete editions of everything, to see a discerning artist like Giuliano Carmignola choose four remarkably diverse works by three different composers, and simply play the living daylights out of them. The result roundly disproves the notion that Italian baroque violin concertos all sound the same, a point made even more forcefully by imaginative continuo work (on harpsichord, lute, and organ) by the Venice Baroque Orchestra that helps to emphasize each pieces individual character. The two Vivaldi concertos, for example, couldnt be more different.