It was an eminently sensible decision to couple Zimerman's previously separate Chopin concertos on a single CD. The Ax/Ormandy/RCA disc is the only rival as a coupling, so let me say at once that in different moods I would be equally happy with either. The main difference, I think, is the actual sound. From DG we get a closer, riper sonority, with Zimerman's piano much more forwardly placed. Both orchestra and piano are more distanced on the RCA recording, especially Ax's piano. This, together with Ax's lighter, more translucent semiquaver figuration (and sometimes his greater willingness to stand back and merely accompany—as in certain episodes in the F minor Concerto's finale) often conjures up visions of Chopin himself at the keyboard, and we know he was often criticized for insufficiently strong projection.
Sony Music Entertainment is pleased to announce another ten Masters, the latest instalments in this mouth-watering series for collectors of the great artists. Here are ten new budget-priced box sets of classic recordings by some of the most celebrated musicians of the 20th century.
When Carlo Maria Giulini returned to conducting public performances of opera after an absence of fourteen years, he chose for the occasion one of the enduring comic masterpieces - Verdi's Falstaff. The composer was almost eighty when he broke the six-year silence following the premiere of Otello, and startled the musical world by revealing his complete mastery of comic invention. Renato Bruson, the renowned interpreter of Verdi and one of the leading lyric baritones of the day, sings the title role.
This wide-ranging collection provides an overview of Carlo Maria Giulini's collaborations with London s most distinguished orchestras, including his beloved Philharmonia Orchestra. Released in anticipation of the 100th anniversary of the conductor's birth in 2014, this 17-disc set showcases the sheer quality and breadth of Giulini's recorded legacy, and includes reverential and deeply-felt readings of Beethoven, Brahms and Schumann; thrilling performances of overtures by Verdi and Rossini; and vivid and colorful Debussy, Ravel, Falla and Stravinsky, all led with the utmost flair and commitment.
This is the second in a two-box series of Giulini in America releases, reissuing recordings from the Italian conductor that have long been out of print. The first box covered Carlo Maria Giulini's recordings from the late 1970s and early 1980s with the Los Angeles Philharmonic Orchestra and focused on Beethoven and Brahms; these, from the mid-'70s, feature the Chicago Symphony Orchestra and are partly devoted to late Romantic pieces that put the famed Chicago brasses to work.
This extensive release is the second installment of a ten-volume tribute to conductor Michael Gielen. Some of Michael Gielen's very first broadcast recordings made in the 1960s were of Bruckner's symphonies. The development of the SWR Symphony Orchestra Baden-Baden and Freiburg is visible in these recordings, from the very earliest recording all the way to the incredible 2013 performance of Bruckner's Symphony No. 9. All of Bruckner's symphonies are included on this release. Four of these performances have never been previously released.
Released to commemorate the centenary of Carlo Maria Giulini (born 14 May 1914), this 15-CD set celebrates recordings made with the famed Viennese orchestras. Repertoire includes the complete Brahms symphonies, Bruckner Symphonies Nos. 7, 8 and 9, and a complete recording of Verdi’s Rigoletto. The set also includes the first international CD release of An die Nachgeborenen by 20th-century Austrian composer Gottfried von Einem.