Its stick or twist for GoGo Penguin as they release this, their Blue Note debut and the first of a reputed three album deal. Do they push ahead, expanding their palette of electronica seen through the prism of acoustic jazz, or retreat a tad in deference to their new paymasters by emphasising the more traditional jazz elements of their sound. Should we be concerned that the two years since their breakthrough v2.0 album suggest a creative block or difficulty coping with the raised stakes? While they would hardly be the first act to lose their nerve on entering the major label big league, it is thankfully and emphatically not the case here as "Man Made Object" develops and builds on their early promise.
"Eric Jones does some of the cleanest, smoothest, and most artful magic I've ever seen. And if that wasn't enough, his magic also happens to be totally mystifying!" Ken Weber, Author of Maximum Entertainment "Eric's hands do things that our minds can't understand. If he's teaching, I'm watching!!" Larry Wilmore, Writer, Comedian, Host of The Nightly Show "Eric Jones magic is always a delight to see. I love his pace, his style, his powerful tricks, and his great charisma. Eric is a great magician and an unique performer!" Woody Aragon
A popular Peruvian rock group in the late 1960s and early 1970s, Traffic Sound had a very British-influenced early progressive rock sound along the lines of Traffic and (more distantly) Jethro Tull. These similarities were evident in the band's use of flute and saxes, all played by Jean Pierre Magnet, who could also play vibes and percussion. What is surprising is that Traffic Sound, unlike other South American groups of the period that only came to light in the Northern Hemisphere in the 1990s, do not sound exotic or primitive. They simply sound like an accomplished minor-league 1970 rock band with considerable progressive, psychedelic, and soul influences informing their original material.