Unknown Pleasures is the debut album by the English post-punk band Joy Division. Unknown Pleasures has been highly rated by successive generations of the music press. Rolling Stone described the album as "punk on the edge of Goth, with echoes of disco and the Doors", and placed it number 24 in its list of the "50 Coolest Records". Q magazine placed the album at number 19 in its list of the "100 Greatest British Albums". NME ranked the album at number 4 in its list of "The Greatest Albums of the '70s" and at number 43 in its list of the "Greatest Albums of All Time".
Mechanix is the tenth album by the British hard rock band UFO; it was released in 1982. The contemporary music-press adverts on the album's release carried the tag-line 'Mechanix: it will tighten your nuts'. Immediately after the completion of the tour in support of the album, founding member and bassist Pete Way left the band to join former Motörhead guitarist "Fast" Eddie Clarke in Fastway.
Seventy-one minutes of live Pearl Jam plus an unreleased song? It's aural nirvana for fans of the reclusive, integrity-driven Seattle quintet. Pearl Jam are nothing if not passionate and unabashedly rocking, and this 16-track offering, recorded during their Yield tour, illustrates why the mumbly voiced rock deity and his band of merry men inspire such ardor in their followers. Eddie Vedder's emotive vocals, Mike McCready and Stone Gossard's raw and raging fretwork and edgy, catchy, whisper-to-a-scream dynamics are deftly and inspiringly captured. Though a few staples (including "Jeremy") are missing, songs running the gamut of the band's seven-year career–from "Corduroy" to "Nothingman" to the Neil Young-penned "F*ckin' Up"–more than make up for any exclusions. The breadth and scope found on Live on Two Legs (a take on the Queen song, "Death on Two Legs"?) proves the once über-"alternative" Pearl Jam have struck a loud chord in the mainstream…and that's not a bad thing.
Two years after the first installment comes Buck 'Em!: The Music of Buck Owens, Vol. 2, a double-disc set chronicling the eight years when Buck Owens was a crossover superstar thanks to his prominent role as a co-host of Hee Haw. Buck started to slide into a rut toward the end of this run – a process accelerated by the tragic death of his right-hand man Don Rich in 1974, a loss from which Owens never fully recovered – but producer Patrick Milligan slyly disguises this trend by nestling deep cuts, live tracks, and outtakes among the best of his hits, thereby painting a portrait of Buck Owens as a musician nearly as adventurous as he was during the purple patch of the '50s and early '60s.