This recording received the 1998 Cannes Classical Music Award for "Best Choral Performance - 19th/20th Centuries"..
Conducted by Nikolaus Harnoncourt. A fantastic concert celebrating the coming of Christmas, recorded live at one of Austria's finest baroque monasteries. Soloists are Christine Schafer, Anna Korondi, Bernarda Fink, Ian Bostridge, Christopher Maltman. With the Concentus Musicus Vienna and the Arnold Schoenberg Choir.
Beethoven called Mozart's Requiem "wild and terrible", and that's what we get in Harnoncourt's new recording. Ominous dread hangs from every note of the dark opening measures, the Rex tremendae and Confutatis are driven with terrifying strength, and the supplications of the Lacrimosa, with their weeping stabbings of the orchestra, are freighted with emotional power. The Tuba mirum duet of bass soloist and trombone has a beauty almost never achieved in other readings. Nor does Harnoncourt overstep the stylistic boundaries of this classical-era work; rather, the intensity is heightened for being in the idiom of its time.
Bach's Brandenburg Concertos, named after their dedicatee the Margrave Christian Ludwig von Brandenburg, have been part of Nikolaus Harnoncourt's permanent repertoire ever since he founded his Concentus musicus ensemble. The ensemble has recorded them and played them on their tours throughout the world.
One of Mozart’s best-known opera, Die Zauberflöte, opened the series of new opera productions of the 2012 Salzburg Festival. Nikolaus Harnoncourt conducted his ensemble, the Concentus Musicus Wien, performing the Salzburg Festival’s first-ever performance of Die Zauberflöte on period instruments.
Nikolaus Harnoncourt presents his reading of “La Finta giardiniera”, a long-forgotten wonderfully tragicomic opera by the young Mozart. Almost a quarter of a century ago Harnoncourt presented his reading of the rediscovered work on CD, but in this version from the Zurich Opera, the great Mozart magician conducted a staged production for the first time, making the premiere an event in itself.