Granted, there are better individual performances of the various symphonies from conductors as diverse as Eugen Jochum, Leonard Bernstein, Trevor Pinnock, and Thomas Fey; but when all is said and done this remains the finest complete set of Haydn symphonies yet recorded, and its basic musicality only seems to grow more impressive over time.
The London symphonies, sometimes called the Salomon symphonies after the man who introduced London to Joseph Haydn, were composed by Joseph Haydn between 1791 and 1795. They can be categorized into two groups: Symphonies Nos. 93–98, which were composed during Haydn's first visit to London, and Symphonies Nos. 99–104, composed in Vienna and London for Haydn's second visit.
Every London Symphony, apart from one (No. 95), has a slow introduction to the first movement.
Haydn’s six Op. 20 string quartets are milestones in the history of the genre. He wrote them in 1772 for performance by his colleagues at the Esterházy court and, unusually, not specifically for publication. Each one is a unique masterpiece and the set introduces compositional techniques that radically transformed the genre and shaped it for centuries to come. Haydn overturns conventional instrumental roles, crafts remarkably original colours and textures, and unlocks new expressive possibilities in these works which were crucial in establishing the reputation of purely instrumental music. The range within the quartets is kaleidoscopic. From the introspective, chorale-like slow movement of No. 1 via the terse and radical quartet No. 3 in G minor to the comic spirit of the fourth in D major, each of the quartets inhabits a distinct musical world. For many, this is some of the greatest music Haydn ever wrote. Playing these seminal works is one of the world’s finest young ensembles, the Doric String Quartet.
This 37-disc box set is the only brand new and fully digital recording of the complete symphonies of Haydn. Performed by the Stuttgarter Kammerorchester (Stuttgart Chamber Orchestra) and conducted by Dennis Russell Davies, the recordings were done live in connection with concerts of the whole cycle. The series received fantastic reviews by the press, and The Stuttgart Chamber Orchestra was awarded the European Chamber Music Prize in 2008. Available at a fantastic price, the set is released to tie in with the 200th anniversary of the composer’s death in 2009.
The first thing one notices about this disc is the attractive sound, rounded yet detailed; the second is that the playing of the orchestra is stylish; last but not least, the soloist's first entry tells us that he, too, is a fine player. Rainer Kussmaul's name was unknown to me, but a note on the jewel-case says that he is about to become leader of the Berlin Philharmonic Orchestra. He produces a lovely sound on what sounds like an excellent instrument, and phrases gracefully: altogether this is most enjoyable Haydn playing.