Herbert Pixner

Herbert Pixner Projekt - Summer (Special Edition) (2016)  Music

Posted by sveta.sevas at Dec. 2, 2016
Herbert Pixner Projekt - Summer (Special Edition) (2016)

Herbert Pixner Projekt - Summer (Special Edition) (2016)
Pop, Euro Pop | MP3/VBR ~240 Kbps | 1:11:49 | 130 MB
Label: Three Saints Records | Tracks: 18 | Rls.date: 2016

Herbert for M4  Graphics

Posted by Alexpal at Nov. 24, 2008
Herbert for M4

Herbert for M4 | 27 Mb

Genitals are not include.
Herbert is a product available for Michael 4 Morphs ++, Poser 5 and above.
DazStudio and Carrara Compatible.
James S. Coleman, Elihu Katz, Herbert Menzel - Medical Innovation. Uno studio della diffusione

James S. Coleman, Elihu Katz, Herbert Menzel - Medical Innovation. Uno studio della diffusione
Italian | 2016 | 100 pages | ASIN: B01NCMGWH1 | EPUB | 1,1 MB
Wiener Singverein, Berliner Philharmoniker, Herbert von Karajan - Mozart: Requiem In D Minor, K.626 (1976) Reissue 2002

Wolfgang Amadeus Mozart: Requiem In D Minor, K.626 (1976) Reissue 2002
Anna Tomowa-Sintow (soprano), Agnes Baltsa (contralto), Werner Krenn (tenor), José van Dam (bass)
Wiener Singverein, Berlin Philharmonic Orchestra, conducted by Herbert von Karajan
Recording: Berlin, 9/1975

EAC | APE | Tracks (Cue&Log) ~ 243 Mb | Mp3 (CBR320) ~ 133 Mb | Scans included
Classical, Choral | Label: Deutsche Grammophon | # 471 639-2 | Time: 00:53:12

Between 1961 and 1986, Herbert von Karajan made three recordings of the Mozart Requiem for Deutsche Grammophon, with little change in his conception of the piece over the years. This recording, from 1975, is, on balance, the best of them. The approach is Romantic, broad, and sustained, marked by a thoroughly homogenized blend of chorus and orchestra, a remarkable richness of tone, striking power, and an almost marmoreal polish. Karajan viewed the Requiem as idealized church music rather than a confessional statement awash in operatic expressiveness. In this account, the orchestra is paramount, followed in importance by the chorus, then the soloists. Not surprisingly, the singing of the solo quartet sounds somewhat reined-in, especially considering these singers' pedigrees. By contrast, the Vienna Singverein, always Karajan's favorite chorus, sings with a huge dynamic range and great intensity, though with an emotional detachment nonetheless. Perfection, if not passion or poignancy, is the watchword. The Berlin orchestra plays majestically, and the sound is pleasingly vivid.

Herbert G. Wells - Nel paese dei ciechi  eBooks & eLearning

Posted by Karabas91 at May 15, 2017
Herbert G. Wells - Nel paese dei ciechi

Herbert G. Wells - Nel paese dei ciechi
Italian | 2013 | 60 pages | ISBN: 8845923320 | EPUB | 0,1 MB
Berliner Philharmoniker, Herbert von Karajan - Schubert: Symphonie No. 9 & Rosamunde Ballet Music (1978/2013) [24/96]

Berliner Philharmoniker, Herbert von Karajan - Schubert: Symphonie No. 9 & Rosamunde Ballet Music (1978/2013)
FLAC (tracks) 24-bit/88.2 kHz | Time - 68:12 minutes | 1.18 GB
Studio Master, Official Digital Download | Artwork: Front Cover

There are those who would argue that the Berlin Philharmonic under Herbert von Karajan was a magnificent instrument for the later Romantics Brahms, Bruckner, Wagner, and Strauss. There are others, however, who would argue that Karajan and the BPO were too magnificent for the earlier Romantics Mendelssohn, Schumann, and especially Schubert. They would say that the lushly, plushly, voluptuously sensual sound of the BPO simply overwhelmed the lighter, brighter, and more lyrical early Romantics. And while a few might concede that the BPO may be acceptable in Mendelssohn’s Italian or Schumann’s Rhenish, even they would say that they were all wrong for Schubert.

Java: A Beginner's Guide by Herbert Schildt [Repost]  eBooks & eLearning

Posted by naag at May 11, 2017
Java: A Beginner's Guide by Herbert Schildt [Repost]

Java: A Beginner's Guide by Herbert Schildt
English | 17 Nov. 2004 | ISBN: 0072231890 | 648 Pages | PDF | 9 MB
Mstislav Rostropovich, Herbert von Karajan, Berliner Philharmoniker - R. Strauss: Don Quixote (1976/2017) [24/96]

Mstislav Rostropovich, Herbert von Karajan, Berliner Philharmoniker - R. Strauss: Don Quixote (1976/2017)
FLAC (tracks) 24-bit/96 kHz | Time - 43:49 minutes | 781 MB
Studio Master, Official Digital Download | Artwork: Digital booklet

Commanding the podium with his slender figure, theatrical shock of hair and penetrating blue eyes, Herbert von Karajan projected the hieratic image of the conductor as officiant of some quasi-mystic rite. And anyone who ever saw him conduct live or on his many audiovisual recordings will agree that in his performances, music did indeed become a religion and Karajan its high-priest. Karajan (1908-1989) embodied classical music in the general consciousness as an epoch-making conductor, media star, opera producer, festival director and festival founder.
Berliner Philharmoniker & Herbert von Karajan - Mendelssohn: Symphonies Nos. 3 & 4; Hebrides Overture (1971,1973/2016) [24/96]

Berliner Philharmoniker & Herbert von Karajan - Mendelssohn: Symphonies Nos. 3 & 4; Hebrides Overture (1971,1973/2016)
FLAC (tracks) 24-bit/96 kHz | Time - 78:34 minutes | 1.52 GB
Studio Master, Official Digital Download | Artwork: Digital booklet

“Karajan's Berlin Philharmonic performance is worthy of Mendelssohn's inspiration, and this album makes a splendid memento of a famous Scottish visit.” (Penguin Guide)
Wiener Singverein, BPO & Herbert von Karajan - Beethoven: Symphony No. 9 (1976/2012) [Official Digital Download 24/96]

Wiener Singverein, BPO & Herbert von Karajan - Beethoven: Symphony No. 9 (1976/2012)
FLAC (tracks) 24-bit/96 kHz | Time - 67:12 minutes | 1.12 GB
Studio Master, Official Digital Download | Artwork: Front Cover

Herbert von Karajan's 1976 rendition of Ludwig van Beethoven's Symphony No. 9 in D minor, "Choral," Op. 125, has had its advocates over the years, and many think this is his best version of the symphony. Even so, others more skeptical may find that this performance is too carefully contrived to show off the Berlin Philharmonic's exceptional chops; that the recording is too fastidiously engineered to pick up every last instrumental passage, important or not; and that the whole package is marketed too pointedly as a "great performance," which it is not.