There is no greater paragon of tenor saxophonist taste than Harry Allen. While the fickle winds of prevailing styles continue to blow this or that way, Allen stands tall like the mighty oak, unswayed by fad fashions and firmly rooted to the music of the Great American Songbook. On this appealing date, Allen visits the music of George Gershwin, Cole Porter, and Duke Ellington.
Gilbert "Gil" Scott-Heron was an American soul and jazz poet, musician, and author, known primarily for his work as a spoken word performer in the 1970s and '80s. His collaborative efforts with musician Brian Jackson featured a musical fusion of jazz, blues, and soul, as well as lyrical content concerning social and political issues of the time, delivered in both rapping and melismatic vocal styles by Scott-Heron. His own term for himself was "bluesologist", which he defined as "a scientist who is concerned with the origin of the blues." His music, most notably on Pieces of a Man and Winter in America in the early 1970s, influenced and helped engender later African-American music genres such as hip hop and neo soul.
Laureli Blyth and Heidi Heron from the Worldwide Institutes of NLP share a variety of NLP integration techniques.
The poet, vocalist, and songwriter Gil Scott-Heron is both the descendant of the African griots and the forefather of rap. In the early '70s, he boldly proclaimed that "the revolution will not be televised," and in the '80s he warned us of the "New World Order" with his prophetic and satirical single, "B Movie." The gifted filmmaker Robert Mugge filmed the controversial artist in performance at the now-defunct Wax Museum in Washington, D.C., in 1982. Mugge alternates between the electrifying soul/jazz/funk grooves of Scott- Heron's Midnight Band and his witty and deep monologues about racial politics with a wax figure of Uncle Sam and his dead-on commentaries on urban life in the nation's capital.
This Gil Scott-Heron double album, roughly two thirds of which was recorded live in Boston on July 2-4, 1976, makes the most of its Centennial-centric time frame. Between the American flag striped cover art and Heron's spoken word spiel on an 8-and-a-half minute poem/rant "Bicentennial Blues," the album loses little of its impact, regardless of how the years have mildewed once fresh political topics like Nixon, Agnew, and Watergate.
The three albums (3-CD set) that Gil Scott-Heron recorded for Bob Thiele's Flying Dutchman label are among the most important in black music history. They showed a multi-talented artist coming to full fruition with his first efforts on wax. The Revolution Begins contains every piece of music he released for the label from 1970-1971. In recent years Gil has become a lauded as one of the all-time greats. This music is the reason why. It includes classic performances, including both the spoken word and band versions of The Revolution Will Not Be Televised, Home Is Where The Hatred Is, Lady Day and John Coltrane, Pieces Of A Man, Whitey On The Moon and Free Will.