Hiram Bullock claimed that he had never done a "jazz" album before this – which is a debatable proposition depending upon how limiting your definition of jazz is. What counts is that he has come up with a beautiful album, drenched in soul-jazz yet touching upon popular music genres as well. Bullock didn't have to change much, utilizing his subdued and rock-tinged guitar styles at will, occasionally bursting out in full rock regalia and making tasty use of electronic additives.
Former Late Night with David Letterman guitarist Hiram Bullock turns in one impressive session on this jazzy ten-track collection. As always, Bullock's guitar alternately sings gently and squalls with an almost rock-like intensity. The big surprise is that Hiram spices up his consummate picking with surprising vocal turns on "What You Won't Do for Love," "We're Gonna Get It Right," "Montevideo," the humorous "Bean Burrito," Stevie Wonder's "Don't You Worry 'Bout a Thing" and the title track. Bullock's impressive guitar chops are well to the fore throughout, even on the vocal numbers with bluesy and jazzy showcases on "Amazonas" and "And the Melody Lingers On (A Night In Tunisia)." With strong Latin percussion and a distinct salsa bent to the background framing Bullock's strong guitar work, this is a delightful album without a weak cut in the batch.
A longtime fixture of the New York City session circuit, guitarist Hiram Bullock proved himself equally adept in spheres spanning from rock & roll to jazz to the avant-garde. He also cut a series of solo LPs exploring funk and fusion, but perhaps remains best remembered as a founding member of the original Late Night with David Letterman house band.
Hiram Bullock's Warner Bros. debut as a leader is a mixed bag. Bullock was, upon arrival, already an expert session guitarist and producer when he cut this set. (One of the jewels in his crown is Mike Stern's first album as a leader, the almighty Neesh, which was released only in Japan and has never seen the light of day on American shores.) This self-produced set includes eight Bullock originals plus a nice reading of Don Grolnick's "Cactus." The band features many of the same musicians Bullock still works with: drummer Charley Drayton, bassist Will Lee, and Cliff Carter on keyboards, as well as some stellar guest appearances by the late Kenny Kirkland and saxophonist David Sanborn.
On his Atlantic Records debut, producer, bandleader, and guitarist Hiram Bullock comes ripping out of the gate with a prime bit of '80s jazz-rock, "Down the Pipe" with Ricky Peterson on synthesizers, drummer Charlie Drayton, and the Brecker brothers in the horn section; this tune is a screamer. Bullock just tears open the sonic side with his guitar, allowing Randy Brecker to ground the thing with a funky, funky, funky horn chart.
Véritable abus de pouvoir sur le corps de l'enfant et son psychisme, l'inceste représente le tabou d'entre les tabous. Face à ce phénomène particulier et complexe qui apparaît au sein de familles sacrificielles, le présent ouvrage offre une approche théorico-clinique la plus large possible. …