Le Dalaï-Lama poursuit sa réfl exion sur le bonheur en s’interrogeant sur la relation que chacun entretient avec les autres. D’un côté, il aborde sans concession la question des préjugés, de la violence, de la peur, du racisme…
This disc strikes me as an ideal introduction to the music of Turkey’s greatest composer. Ahmed Adnan Saygun’s style might be described as “Szymanowski with a primal rhythmic feel.” If you love the composer’s First Violin Concerto then you will find here a very similar exoticism, nocturnal atmosphere, and love of voluptuous textures. The harmonic style is intensely chromatic, but also highly melodic. Like Bartók in his last period, Saygun’s handling of tonality mellowed toward the end of his life, which makes the Cello Concerto more consonant than the Viola Concerto, but both works are absolutely gorgeous and masterpieces of their kind. It’s positively criminal that no one plays these pieces regularly in concert. The performances here are excellent. Tim Hugh is a well-known cellist, and he pours on the tone with all of the rhapsodic abandon that Saygun requires. Mirjam Tschopp also is a superb violist, with a big, beefy tone that never gets swamped by the intricate orchestration. It’s also very rewarding to hear a Turkish orchestra in this music–and to find that it plays beautifully under Howard Griffiths.
The Very Best of Howard Jones is a collection of Howard Jones's biggest hits from 1983 through 2003. It also contains one new track, "Revolution Of The Heart", in its original form. It would later be altered and featured on his 2005 album, "Revolution Of The Heart". The Very Best Of Howard Jones also came with a bonus disc of b-sides. The two-disc set featuring 36 synth-pop hits includes "New Song", "Everlasting Love", and the Phil Collins-produced version of "No One Is To Blame".
This CD was initially recorded in 1993 and was reissued in 2001. That is fortunate for those of us who missed it the first time around, for Paul Coletti has produced one of the finest recorded examples of viola playing to be found. Coupled with the sensitive and thoughtful piano playing of Leslie Howard, this makes for benchmark renditions of these musical gems. Hyperion's sound is gorgeous and perfectly balanced throughout. The listener is drawn into the music making, with all its expressive and tonal nuances.