Ian Dury's primary appeal lies in his lyrics, which are remarkably clever sketches of British life delivered with a wry wit. Since Dury's accent is thick and his language dense with local slang, much of these pleasures aren't discernible to casual listeners, leaving the music to stand on its own merits. On his debut album, New Boots and Panties!!, Dury's music is at its best, and even that is a bizarrely uneven fusion of pub rock, punk rock, and disco. Still, Dury's off-kilter charm and irrepressible energy make the album gel, with the disco pulse of "Wake Up and Make Love With Me" making perfect sense next to the gentle tribute "Sweet Gene Vincent," the roaring punk of "Blockheads," and the revamped music hall of "Billericay Dickie" and "My Old Man".
It’s a wonderful irony that the two lyricists who most embodied punk’s libertarian role in helping banish the last vestiges of straight-laced Victorian values in the mid-70s were the two who most resembled a Dickensian nightmare. Johnny Rotten and Ian Dury both sought release from a social system designed to keep working class oiks like them in their place, and although one approached the task through head-on confrontation and the other with art school nuance, the message was the same: Think For Yourself.
Stiff Records was a maverick among British independent record labels, partially responsible for starting the punk and new wave revolution of the late '70s. Under the guidance of house producer Nick Lowe, Stiff turned out an enormous number of seminal punk and new wave singles in their first years, including classic tracks by the Damned, Elvis Costello, Graham Parker, the Adverts, Ian Dury, and Lowe himself. But what really gave the label its wild, original flavor were minor artists like Ian Dury, Wreckless Eric, Tenpole Tudor, the Yachts, Lene Lovich, Rachel Sweet, and Mickey Jupp, who turned out a series of raw pop gems that were everything good rock & roll singles should be – catchy, energetic, and memorable. Over 100 of Stiff's finest tracks are collected on this wonderful four-disc box set.
The brilliance of this collection is that it combines the standard Brit-punk anthems by the Sex Pistols, the Damned, the Buzzcocks, and Stiff Little Fingers with other great songs that typify the variety and range of punk-era independent music from both sides of the Atlantic. The songs are so well chosen that the punk aesthetic is further revealed by the inclusion of songs that characterize pub rock, new wave, and other related genres. The usual punk suspects ("New Rose," "Anarchy in the UK") are all here, along with many other treasures: Dr. Feelgood's "Milk and Alcohol", Devo's "Mongoloid," Jonathan Richman's "Roadrunner," Talking Heads' "Psycho Killer," and Television's "Marquee Moon." The less commonly anthologized punk selections are inspired, too: the Ruts' "Babylon Is Burning," Generation X's "Ready Steady Go," and X-Ray Spex's "Identity," along with the seminal "Sheena is a Punk Rocker." The conception of the genre is expanded further to include Elvis Costello, Iggy Pop, XTC, Joe Jackson, the Pretenders, the Tubes, and Blondie, and their presence overcomes the tendency for boring repetition on a very long collection.
MADNESS WONDERFUL (2010 UK 2-CD Reissue - Originally released in 1999, Wonderful was the first new material from the Madness camp since 1988’s The Madness and the first album that featured all seven original members since 1984’s Keep Moving, after which Mike Barson took leave of the band for a while.