Ida Haendel’s sinewy and athletic reading of the often under-rated Britten combines toughness with a cumulative dramatic impetus which is hard to resist. Berglund and the Bournemouth players respond with a terse and argumentative vigour, suitably balanced between resignation and defiant rhetoric, especially in the closing Passacaglia. The Walton Concerto, also dating from 1938-9, is played with an apposite blend of inscrutable panache, as in the irrepressibly brilliant central movement, and elsewhere, a sensuous, if occasionally over-indulgent languor. Rare lapses in the finale can be safely overlooked, in a performance of eloquence and undisputed stature.
Pianist Giovanni Guidi and trombonist Gianluca Petrella, key figures in what some are hailing as a “golden age” of Italian jazz, found their strong improvisational rapport inside Enrico Rava’s band (see for instance the 2010 ECM album Tribe) and, keen to play more, formed a duo, giving many concerts in which they are intermittently joined by guests. For this studio recording, producer Manfred Eicher brought the duo together with US drummer Gerald Cleaver and French clarinetist Louis Sclavis, for an outgoing set of music which includes lyrical free improvising and tunes composed by Giovanni and Gianluca.
Ida Landsberg is a singer, pianist and songwriter, born in Berlin. Since 1998 Ida plays gigs as a jazz and bossa nova singer in clubs and venues, theatres, in the radio, at festivals and events both in Germany and Italy. EQ Music Singapore released her first two solo albums “Jazz Moments” with piano player Francesco Moraca, “Acoustic Bossa Nova” with guitarist Simone Salvatore – that was published again by Hitman Jazz (Thailand).
In this Pawel Pawlikowski-directed drama set in 1960s Poland, an orphaned teenager planning to become a nun visits her aunt. When she learns that her birth parents were Jews who were killed during the Holocaust, she sets off on a journey of self-discovery.