Now many of the world’s most serious and significant pianists (Schnabel, Serkin, Brendel, Goode, etc.) have devoted a great deal of thoughtful study to the Beethoven sonatas; in general, performance of this music represents a level of erudition and deep contemplation probably unequaled by the works of any other mainstream composer. Serious pianists study every aspect of these works in minute detail; virtually everything is taken into account except those instruments which inspired Beethoven, and which he had in mind when he composed.
This second volume of the Guide to Musical Instruments explores the history of musical instruments in the period from 1800 to 1950. Its purpose is both to discuss improvements and transformations of instruments dating from before 1800 and to investigate all the novelties thought up by instrument makers during this era. All these developments took place in a context in which the process of instrument making moved from artisans’ workshops to commercial firms which became veritable factories, typical of the ‘age of industrialisation’. The majority of the musical examples are recordings of individual instruments that allow us to hear timbres often lost under the weight of the orchestral mass.This second volume of the Guide follows the same principles as the first.
In this recording of the complete piano sonatas on period instruments, the Viennese master Paul Badura-Skoda delivers the work of a lifetime: Schubert's music with his passion, his suffering, and that inimitable tone which makes his native city the place so essentially and existentially identified with music. This collection of the twenty Sonatas for period piano recorded by Paul Badura-Skoda on the instruments in his own collection has every chance of being considered by posterity as one of the most creative and most significant achievements.
A Guide to Period Instruments: 200 pages full colour book + 8 CDs. Languages: French/English/German. This Guide to Period Instruments endeavours to answer the questions that every lover of early music has about the instruments used in these periods of music history. Text and recorded excerpts describe the origin and the development of every musical instrument from the Middle Ages to the end of the 18th century and place them in their historical context. There is a completely new presentation booklet, over 200 pages long and abundantly illustrated, as well as eight CDs of recorded examples of the instruments that shed new light upon major periods of music history.