An icon of flower power who emerged as a folksinger but later gained hits like "Sunshine Superman" with bright psychedelic pop. Upon his emergence during the mid-'60s, Donovan was anointed "Britain's answer to Bob Dylan," a facile but largely unfounded comparison which compromised the Scottish folk-pop troubadour's own unique vision. Where the thrust of Dylan's music remains its bleak introspection and bitter realism, Donovan fully embraced the wide-eyed optimism of the flower power movement, his ethereal, ornate songs radiating a mystical beauty and childlike wonder; for better or worse, his recordings remain quintessential artifacts of the psychedelic era, capturing the peace and love idealism of their time to perfection. The Very Best Of includes all of the Scottish folk rocker's biggest smashes. Features 'Mellow Yellow', 'Sunshine Superman', 'Hurdy Gurdy Man', 'Jennifer Juniper', 'Riki Tiki Tavi' & much more.
As a finishing touch for this 2016 year, I share this rarity.
This is the version of Fairytale that collectors from all over the world are looking for: The Brazilian edition 7″ with yellow cover.
7-Tease might be considered the opening of what one could call Donovan's years in the wilderness. His next to last album, Cosmic Wheels, had managed to generate sales but its successor, Essence to Essence, marked the tipping point beyond which, because of the seeming datedness of his image, or whatever reason, he was no longer regarded by the public as being terribly important or relevant, or his records programmed by radio stations or ordered by record retailers in quantities resembling his earlier work. All of this is a pity because a fair hearing of 7-Tease reveals an album steeped in disillusionment, yet built upon beautiful melodies and some of the most diverse and appealing sounds and arrangements of his career, and a harder rocking sound than he was usually known for (courtesy of Nashville-based producer Norbert Putnam, who'd done something similar for Joan Baez).
Donovan first emerged as part of the ruling class of 1960s singer-songwriters. More than just "England's answer to Bob Dylan," Donovan's music evolved from its folk roots into something truly unique and has endured the test of time. It encompasses a full blend of social commentary, introspective trippiness and, yes… cosmic sounds. This collection showcases the talents of the artist and his art. Combining Donovan’s Pye/Hickory recordings and his Epic label releases, this musical collection is a journey into the world of a musical poet….the world of a storyteller….the world of Donovan.
To finish my Donovan’s Folk era cycle, I leave the legendary EP where appears “Every man has his chain“
Donovan’s folky 1965 recordings for Pye Records (they were released in the U.S. by Hickory Records) bear only a superficial resemblance to the more hip pop material he began issuing a year later when he switched to Epic Records.
Donovan's album debut, What's Bin Did and What's Bin Hid, presented his breakout British single "Catch the Wind" and added an assortment of pleasant folkie jams.
Previously I talked about to the country-folk era from Donovan (an era that I revere), and which are 3 LPs exactly: "What's Bin Did And What's Bin Hid" (1965), "Fairytale" (1965) and that I present today "Universal Soldier" (1967), which is not exactly an official LP, because is a compilation of various singles that appeared between his two first albums.
Essential: a masterpiece of country-folk music.
Donovan's second album found the Scottish folkie in possession of his own voice, a style of earnest, occasionally mystical musings indebted neither to Woody Guthrie nor Bob Dylan.