Jaimee Paul

Jaimee Paul - Too Marvelous: The Songs Of Johnny Mercer (2016)

Jaimee Paul - Too Marvelous: The Songs Of Johnny Mercer (2016)
MP3 320 kbps CBR | 43:28 min | 102 MB
Genre: Vocal Jazz | Label: Green Hill Productions

Jazz vocal interpretations of Johnny Mercer classics. Jaimee Paul started her career as a background vocalist, touring with such superstars as Wynonna and Kelly Clarkson. Her debut solo album AT LAST reached #1 on the iTunes Jazz charts, and she s had the unique privilege of performing for prime ministers, congressmen, military leaders and ambassadors across the world. On TOO MARVELOUS, Paul joins forces with the incomparable jazz pianist, Mason Embry and his trio.
Jaimee Paul - Bonded: A Tribute To The Music Of James Bond (2013)

Jaimee Paul - Bonded: A Tribute To The Music Of James Bond (2013)
MP3 320 kbps CBR | 52:39 min | 115 MB
Genre: Vocal Jazz, Pop | Label: Green Hill Music

The James Bond movie franchise is celebrating 50 years of exciting entertainment and some of the most memorable aspects of the Bond movies are the unforgettable theme songs. Shirley Bassey, Carly Simon, Tina Turner, Madonna, Adele - the biggest names in music have graced these timeless compositions with their voices over the last half century.

VA - Songbird Voices Of Romance (2017)  Music

Posted by ciklon5 at Jan. 27, 2017
VA - Songbird Voices Of Romance (2017)

VA - Songbird Voices Of Romance (2017)
MP3 CBR 320 kbps | 01:02:01 | 151 Mb
Genre: Jazz, Pop, Vocal, Easy Listening / Label: Green Hill Productions

A romantic collection featuring some of the most romantic voices in music. Iconic hitmakers including Christopher Cross, Peter Cetera, Oleta Adams, and Stephen Bishop join promising newcomers Jaimee Paul, Matt Belsante, and Monica Ramey.

Jaimee Addison - Special Editions: Natural Beauties  Graphics

Posted by nrg at Aug. 31, 2014
Jaimee Addison - Special Editions: Natural Beauties

Jaimee Addison - Playboy's Special Editions
18 jpg | 1063*1600 | 9.19 Mb

Bree Turner - Jaimee Itagaki Photoshoot  Graphics

Posted by guasman at May 31, 2012
Bree Turner - Jaimee Itagaki Photoshoot

Bree Turner - Jaimee Itagaki Photoshoot
29 JPG | up to 3400x3500 | 19 mb
American actress

Paul Thorn - Too Blessed To Be Stressed (2014)  Music

Posted by Designol at April 24, 2017
Paul Thorn - Too Blessed To Be Stressed (2014)

Paul Thorn - Too Blessed To Be Stressed (2014)
EAC | FLAC | Image (Cue&Log) ~ 273 Mb | Mp3 (CBR320) ~ 99 Mb | Scans ~ 70 Mb | Time: 00:43:14
Roots Rock, Blues Rock, Electric Blues | Label: Perpetual Obscurity | # POR 2014

Tupelo, Mississippi's Paul Thorn has a knack for synthesis. His father was a Pentecostal preacher, so Thorn grew up with gospel, but he noticed that, in his own words, "white people sang gospel like it was country music, and the black people sang it like it was rhythm & blues," and a mix of the two gospel styles – with some gutbucket blues, old-time rock & roll, a sharp pop sense, and a gift for good old storytelling thrown in – pretty aptly describes Thorn's own brand of inspirational roots rock. Like the professional boxer he once was, he drives his music home with patience, skill, and purpose, putting his own restless energy at the heart of things. This set of originals, which follows 2012's What the Hell Is Goin' On?, an album of covers, finds Thorn at his best, and no song here even comes close to being filler. Thorn writes about his native South and its characters with incisiveness, and that old Saturday night/Sunday morning split between the secular and the sacred has always been his favorite theme, the notion that you can mess up, fall from grace, and then still find some kind of personal redemption is what makes Thorn's blend of gospel country rock and R&B sound so naturally joyous.

Jean-Paul Doguet, "L'art comme communication"  eBooks & eLearning

Posted by TimMa at April 24, 2017
Jean-Paul Doguet, "L'art comme communication"

Jean-Paul Doguet, "L'art comme communication"
Armand Colin | 2007 | ISBN: 2200347057 | French | EPUB | 266 pages | 0.4 MB

Une contribution au débat sur « la fin » ou « la crise » de l'art. Une thèse : l'art n'est pas un langage, mais une forme spécifique de communication.
Cet essai examine l'essence de cette communication, et ce qui la différencie de la communication par le langage articulé, autour de trois problèmes distincts : la relation de l'art à la technique, la nature de l'oeuvre, la nature de ce qui est communiqué par l'art et le lien que celui-ci entretient avec les débats esthétiques. …

Paul Auster - Collected Poems  eBooks & eLearning

Posted by Jeembo at April 22, 2017
Paul Auster - Collected Poems

Collected Poems by Paul Auster
English | 2004 | ISBN: 1585674044 | 205 Pages | PDF | 2.6 MB

Paul Auster's penetrating and charged verse resembles little else in recent American poetry. This collection of Auster's poetry, translations, and composition notes from early in his career do much to reinforce the idea that Paul Auster is, indeed, a unique and masterful figure in the literary world.
Founder of Modern Economics: Paul A. Samuelson: Volume 1: Becoming Samuelson, 1915-1948

Founder of Modern Economics: Paul A. Samuelson: Volume 1: Becoming Samuelson, 1915-1948 (Oxford Studies in History of Economics) by Roger E. Backhouse
2017 | ISBN: 0190664096 | English | 760 pages | PDF | 4 MB
Nigel Kennedy, Paul Tortelier - Tchaikovsky: Violin Concerto, Rococo Variations (1993)

Nigel Kennedy, Paul Tortelier - Tchaikovsky: Violin Concerto, Rococo Variations (1993)
EAC | APE (image+.cue, log) | Covers Included | 56:11 | 211 MB
Genre: Classical | Label: EMI Classics | Catalog: 0777 7 54890 2 6

Nigel Kennedy’s repackaged 1986 recording of the Tchaikovsky Violin Concerto is an adventure – free, rhapsodic, emphasising the constant flow of song which is the work’s main asset. Perhaps he’s a little over-keen to emphasise what melancholy there is here, nearly bringing the outer movements to a halt with the bitter-sweet dreams of second subjects, but the Canzonetta is a miracle of introspection. All this passes Gil Shaham by. While the young Israeli clearly has a fabulous palette, conjuring a bright, beautiful sheen at the top of the instrument (though unduly spotlit by DG), he rarely uses it discriminatingly enough, and the sense of flexible movement so vital for the Tchaikovsky is missing.