Album release from The Soft Machine featuring footage of the band's concert in Paris in 1977. Originally released in 1978. Features cardboard sleeve and remastering. Includes a Japanese obi and a description. On the band's first live album, 1978's Alive & Well: Recorded in Paris, Soft Machine's personnel changes continue, with Steve Cooke replacing Roy Babbington on bass, and violinist Ric Saunders joining since the 1976 studio album Softs, as guitarist John Etheridge, keyboardist Karl Jenkins, and drummer John Marshall remain in place. (Since this is the group's first album not to feature any participation from an original member of Soft Machine, a name change might have been ethically, if not commercially, advisable.) Like Softs, Alive & Well is largely a vehicle for the compositions of Jenkins, who wrote nine of 11 tracks.
Cardboard sleeve (mini LP) reissue from Soft Machine featuring the high-fidelity Blu-spec CD format (compatible with standard CD players) and 2012 24-bit remastering. The cardboard sleeve faithfully replicates the UK LP. Includes a booklet written in English. Part of a three-album Soft Machine Blu-spec CD cardboard sleeve reissue series featuring albums "Bundles," "Softs," and "Alive And Well Recorded In Paris." At this point in the band's history, Soft Machine might be considered an example of Theseus' paradox, akin to the original axe that George Washington used to cut down the cherry tree – original except that the head had been replaced three times and the handle twice. On Softs, Mike Ratledge, the only remaining original bandmember present on Bundles, the group's preceding Harvest LP, was relegated to guest status, contributing synthesizer to only two tracks, "Song of Aeolus" and "Ban-Ban Caliban."
The Aerosol Grey Machine is the debut studio album by English progressive rock band Van der Graaf Generator. It was released in 1969 by record label Mercury. The album was originally intended as a solo album by the band's lead singer and main songwriter, Peter Hammill. When the band signed with Charisma Records, a deal was worked out whereby The Aerosol Grey Machine would be released under the Van der Graaf Generator name, in return for Mercury Records releasing Hammill from his earlier contract with it. The album was reissued on CD in 1997 by the German company Repertoire Records, using the second-edition running order of the album and featuring the first single as bonus tracks.
Reissue with latest 2014 DSD remastering. Comes with liner notes. Jeru was a favor that Gerry Mulligan did for his drummer, Dave Bailey, who owned a startup label called Jazzline. Mulligan was bet-ween recording contracts. The ensemble played together only once, during the four-and-a-half-hour session when Jeru was made in 1962. It features Tommy Flanagan on piano, Ben Tucker on bass, Bailey on drums and Alec Dorsey on congas. The album never appeared on Jazzline because CBS bought the master and released it on Columbia.
Reissue with latest 2014 remastering. Comes with liner notes. The last of the pianoless quartet albums that Gerry Mulligan recorded in the 1950s is one of the best, featuring the complementary trumpet of Art Farmer, bassist Bill Crow, and drummer Dave Bailey along with the baritonist/leader. This recording is a little skimpy on playing time but makes every moment count. Virtually every selection is memorable, with "What Is There to Say," "Just in Time," "Festive Minor," "My Funny Valentine," and "Utter Chaos" being the high points. Highly recommended both to Mulligan collectors and to jazz listeners who are just discovering the great baritonist.