Japanese House

How to Make a Japanese House  eBooks & eLearning

Posted by Bayron at Feb. 10, 2016
How to Make a Japanese House

How to Make a Japanese House by Cathelijne Nuijsink
English | 2012 | ISBN: 905662850X | 324 pages | PDF | 43 MB

The Japanese House: Its Interior and Exterior  eBooks & eLearning

Posted by ksenya.b at July 28, 2015
The Japanese House: Its Interior and Exterior

"The Japanese House: Its Interior and Exterior" by Kiyoko And Tatusuo Ishimoto
PDF | 1963 | 136 pages | ISBN-10: 111144868X, ASIN: B0021PRUVY | English | 16 MB

Measure and Construction of the Japanese House  eBooks & eLearning

Posted by AlenMiler at May 2, 2015
Measure and Construction of the Japanese House

Measure and Construction of the Japanese House (Contains 250 Floor Plans and Sketches Aspects of Joinery) by Heino Engel
English | 1985 | ISBN: 0804814929 | 149 Pages | AZW3/EPUB/PDF (conv) | 43.6 MB

A remarkable classic work on traditional Japanese architecture and its general integrative quality, the order of space and form, the flexibility of partitions and room functions and other important or unique qualities.

House Of Lords - Saint Of The Lost Souls (2017) [Japanese Ed.]  Music

Posted by Andi_Deris at March 14, 2017
House Of Lords - Saint Of The Lost Souls (2017) [Japanese Ed.]

House Of Lords - Saint Of The Lost Souls (2017) [Japanese Ed.]
EAC Rip | FLAC: Image+Cue+Log | 402 Mb | MP3 CBR 320 kbps | 138 Mb | Scans | 68 Mb | Time: 53:57
King Record Co., Ltd. | KICP-1834
Melodic Hard Rock

“Saint Of The Lost Souls” is already one of the years most anticipated melodic rock releases and will not disappoint fans of the band or genre. James Christian's well crafted and smooth vocals bring the band's craft to new heights. Guitarist Jimi Bell is on fire and the melodic riffs throughout the album will leave you breathless. A new addition on bass is Chris Tristram, who is no stranger to the rock community. His solid performance adds another dimension to the sound and BJ Zampa brings a solid and powerful rhythm foundation to House of Lords.

Magnum - Chase The Dragon (1982) [Japanese Ed. 2006]  Music

Posted by Andi_Deris at Feb. 13, 2017
Magnum - Chase The Dragon (1982) [Japanese Ed. 2006]

Magnum - Chase The Dragon (1982) [Japanese Ed. 2006]
EAC Rip | FLAC: Image+Cue+Log | 519 Mb | MP3 CBR 320 kbps | 170 Mb | Scans | Time: 01:07:55
Arcàngelo | ARC-7162
Classic Rock, Progressive/Art Rock, Hard Rock

Chase the Dragon is the third studio album by the English rock band Magnum. It was released in 1982 on Jet Records. Overseen by the Kansas producer Jeff Glixman, Chase the Dragon was the first recorded appearance by the new keyboard player Mark Stanway, although he had made his live debut at Magnum's appearance at the Reading Festival in 1980. The album was recorded over 13 days at Town House Studios in London, and the following year Tony Clarkin flew to Axis Studios in Atlanta to mix it. However, there was a two-year delay before the album's release in 1982.

Britney Spears - Britney Jean (2013) {Japanese Edition}  Music

Posted by popsakov at Feb. 11, 2017
Britney Spears - Britney Jean (2013) {Japanese Edition}

Britney Spears - Britney Jean (2013) {Japanese Edition}
EAC Rip | FLAC (Img) + Cue + Log ~ 438 Mb | MP3 CBR320 ~ 140 Mb
Scans (PNG, 600 dpi) ~ 468 Mb | RAR 5% Recovery
Pop, Dance, Electro House | RCA / Sony Music Japan #SICP-3916

Britney Jean is Britney Spears' eighth studio album and was released in late fall 2013. The album has been described by Spears as the most personal record from her catalog yet, and features collaborations with numerous producers including Sia Furler, will.i.am, William Orbit, and Naughty Boy. Spears co-wrote each track on the album, which is a concept album about the loneliness of pop life. Two singles have been released thus far, "Work Bitch" and "Perfume".

The Charlatans - Us and Us Only (1999) Japanese Edition  Music

Posted by Designol at Feb. 2, 2017
The Charlatans - Us and Us Only (1999) Japanese Edition

The Charlatans - Us and Us Only (1999) Japanese Edition
EAC | FLAC | Image (Cue&Log) ~ 419 Mb (incl 5%) | Mp3 (CBR320) ~ 152 Mb (incl 5%) | Scans ~ 84 Mb
Alternative Rock, BritPop, Madchester, British Trad Rock | Universal | # MVCE-24180 | 01:03:26

Us and Us Only picks up where Tellin' Stories left off and twists that album's virtues around. Where that record was essentially a stripped-down, straight-ahead collection, Us and Us Only dresses up the band's continually impressive songcraft in a moody atmosphere, borrowed in equal parts from Blonde on Blonde, Beggars Banquet, and the Chemical Brothers. The album unfolds in a haze of keyboards and subdued beats, and this murky veil never really lifts throughout the record, even as harmonics and acoustic guitars break through the mist every once and a while. Consequently, the album can initially seem a little amorphous, albeit intriguingly amorphous, filled with deep grooves and tantalizing sonic textures. Repeated plays reveal that Us and Us Only is merely a step below their previous high point of Tellin' Stories. If nothing is as immediately grabbing as "North Country Boy" or "One to Another," that's not a problem, since nearly every song works its charms with subtle grace and considerable muscle. "Forever" soon reveals itself as a minor masterpiece of swirling menace and swagger, while the Dylan inflections of "A House Is Not a Home" and "My Beautiful Friend" seem natural instead of grandstanding.

Randy Goodrum - Solitary Nights (1985) Japanese Remastered 2014  Music

Posted by Designol at Jan. 26, 2017
Randy Goodrum - Solitary Nights (1985) Japanese Remastered 2014

Randy Goodrum - Solitary Nights (1985) Japanese Remastered 2014
EAC | FLAC | Image (Cue&Log) ~ 294 Mb (incl 5%) | Mp3 (CBR320) ~ 101 Mb (incl 5%) | Scans included
Soft Rock, Jazz-Pop, Fusion, SynthPop | Label: GRP/Universal | # UCCV-9566 | Time: 00:36:05

Goodrum has written songs that became hits for such performers as Kenny Rogers (What Are We Doin’ in Love), Anne Murray (You Needed Me), Steve Perry (Foolish Heart) George Benson (20/20), Toto, El Debarge, among others. This is his first album as a performer, and while nobody is likely to start thinking of him as a golden voice, it’s appealing to hear a good pop composer sing his own material. In this case it’s disappointing that Goodrum decided not to do any of his hits, singing instead eight of his mostly unrecorded songs, plus the sometime Chordettes and Harris-Parton-Ronstadt hit Mr. Sandman. The fact that Goodrum does all his own backup playing and singing, and even recorded the LP at his house, makes it a little sterile too. He nonetheless has a gentle touch as a songwriter—his tunes are full of sighs of regret—and his vocals bring to mind Michael Franks.
Stevie Ray Vaughan and Double Trouble - In Step (1989) [Japanese Ed. 2005, MHCP-639]

Stevie Ray Vaughan and Double Trouble - In Step (1989) [Japanese Ed. 2005, MHCP-639]
MP3 CBR 320 kbps | 173 Mb | Scans | 63 Mb | Time: 01:10:12
Sony Music | MHCP-639
Blues Rock, Electric Texas Blues

By 1988, Stevie Ray Vaughan, newly clean and sober, was playing with more conviction and clarity than ever before. This positive new direction resulted in 1989's In Step, his fourth and final Epic studio recording with Double Trouble. In Step reveals a newfound sense of depth in SRV's songwriting. And his trademark aggressive guitar playing is imbued with a cathartic intensity that kicks the band up to another level. In Step won Stevie Ray his second Grammy Award for Best Contemporary Blues Recording and cemented his status as a guitar hero and an American music legend.
Nina Simone - Nina Simone Sings The Blues (1967) Japanese Mini-LP, 2004

Nina Simone - Nina Simone Sings The Blues (1967) Japanese Mini-LP, 2004
EAC | FLAC | Tracks (Cue&Log) ~ 226 Mb (incl 5%) | Mp3 (CBR320) ~ 98 Mb (incl 5%) | Scans included
Blues, Soul-Blues, Vocal Jazz | Label: BMG/RCA | # BVCJ-37368, 82876-60795-2 | Time: 00:32:35

Nina Simone Sings the Blues, issued in 1967, was her RCA label debut, and was a brave departure from the material she had been recording for Phillips. Indeed, her final album for that label, High Priestess of Soul, featured the singer, pianist, and songwriter fronting a virtual orchestra. Here, Simone is backed by a pair of guitarists (Eric Gale and Rudy Stevenson), bassist (Bob Bushnell), drummer (Bernard "Pretty" Purdie), organist (Ernie Hayes), and harmonica player who doubled on saxophone (Buddy Lucas). Simone handled the piano chores. The song selection is key here. Because for all intents and purposes this is perhaps the rawest record Simone ever cut. It opens with the sultry, nocturnal, slow-burning original "Do I Move You," which doesn't beg the question but demands an answer: "Do I move you?/Are you willin'?/Do I groove you?/Is it thrillin'?/Do I soothe you?/Tell the truth now?/Do I move you?/Are you loose now?/The answer better be yeah…It pleases me…." As the guitarists slip and slide around her husky vocal, a harmonica wails in the space between, and Simone's piano is the authority, hard and purposely slow.