Jarret Peacock

Christian Muthspiel, Gary Peacock, Wolfgang Muthspiel, Paul Motian - Muthspiel, Peacock, Muthspiel, Motian (1993) {Amadeo}

Christian Muthspiel, Gary Peacock, Wolfgang Muthspiel, Paul Motian - Muthspiel, Peacock, Muthspiel, Motian (1993) {Amadeo}
EAC 1.1 | FLAC tracks level 8 | Cue+Log+M3u | Full Scans 300dpi | 244MB + 5% Recovery
MP3 CBR 320 Kbps | 136MB + 5% Recovery
Genre: Jazz, Post-Bop

Wolfgang Muthspiel is an Austrian guitarist, composer, and founder/owner of Material Records. His intuitive, probing style has made him a celebrated, in-demand sideman since the 1980s. He has worked with Gary Burton, Youssou N’Dour, Gary Peacock, Dave Liebman, Paul Motian, and dozens more.
Keith Jarrett / Jack DeJohnette / Gary Peacock - Standards, Vol.2 (1983) {ECM 1255}

Keith Jarrett / Jack DeJohnette / Gary Peacock - Standards, Vol.2 (1983) {ECM 1255}
EAC 1.0b3 | FLAC tracks level 8 | Cue+Log+M3U | Full Scans 300dpi | 232MB + 5% Recovery
Genre: Jazz

Standards is a two-volume set of jazz albums released by the Keith Jarrett trio in 1983. Originally released by ECM, they have been multiply re-issued, including by Universal/Polygram. The two volumes present performances of pianist Keith Jarrett with Gary Peacock on bass and Jack DeJohnette on drums. Vol. 1 reached #14 on the Billboard Jazz Albums charts. In 2008 the two albums, along with 1983's Changes, were collected into a boxed set, Setting Standards: New York Sessions.
Keith Jarrett / Jack DeJohnette / Gary Peacock - Standards, Vol.1 (1983) {ECM 1255}

Keith Jarrett / Jack DeJohnette / Gary Peacock - Standards, Vol.1 (1983) {ECM 1255}
EAC 1.0b3 | FLAC tracks level 8 | Cue+Log+M3U | Full Scans 300dpi | 248MB + 5% Recovery
Genre: Jazz

Standards is a two-volume set of jazz albums released by the Keith Jarrett trio in 1983. Originally released by ECM, they have been multiply re-issued, including by Universal/Polygram. The two volumes present performances of pianist Keith Jarrett with Gary Peacock on bass and Jack DeJohnette on drums. Vol. 1 reached #14 on the Billboard Jazz Albums charts. In 2008 the two albums, along with 1983's Changes, were collected into a boxed set, Setting Standards: New York Sessions.
Paul Bley & Gary Peacock & Tony Oxley & John Surman - In The Evenings Out There (1993) {ECM 1488}

Paul Bley & Gary Peacock & Tony Oxley & John Surman - In The Evenings Out There (1993) {ECM 1488}
EAC 0.99pb5 | FLAC tracks level 8 | Cue+Log+M3U | Full Scans 300dpi | 213MB + 5% Recovery
MP3 CBR 320 Kbps | 134MB + 5% Recovery
Genre: Jazz, Avant-Garde Jazz, Post-Bop

Pianist Paul Bley was touring Scandinavia with a quartet made up of longtime associate Gary Peacock on bass and two brilliant British musicians, drummer Tony Oxley and John Surman on baritone saxophone and bass clarinet, when they made this Oslo recording in 1991. Rather than a conventionally organized quartet session, the CD consists of seven largely improvised solos, three duets, and two tracks–the collectively improvised "Interface" and Surman's "Article Four"–with the full quartet. Even more unusual is the frequent emphasis on bass frequencies and slow, even solemn, tempos. Only extraordinary musicians could keep such a format interesting, and these four do, exploring room resonance with almost ceremonial levels of concentration.

Paul Bley - With Gary Peacock (1970) {ECM 1003}  Music

Posted by tiburon at Sept. 25, 2016
Paul Bley - With Gary Peacock (1970) {ECM 1003}

Paul Bley - With Gary Peacock (1970) {ECM 1003}
X Lossless Decoder | FLAC tracks level 8 | Cue+Log+M3U | Full Scans 300dpi | 174MB + 5% Recovery
MP3 CBR 320 Kbps | 86MB + 5% Recovery
Genre: Jazz, Post-Bop

Gary Peacock shares front-cover billing with Paul Bley on this 1970 session, but drummer Paul Motian is also present on the first five tracks. (Billy Elgart replaces Motian on the remaining three.) There's a curiously straight-ahead, tempo-driven feel to this short and sweet disc, quite unlike the free aesthetic that Bley, Peacock, and Motian put forward when they returned to ECM as a trio on 1999's Not Two, Not One.
Paul Bley, Franz Koglmann, Gary Peacock - Annette (1992) {hatOLOGY 564 rel 2001}

Paul Bley, Franz Koglmann, Gary Peacock - Annette (1992) {hatOLOGY 564 rel 2001}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 241 Mb | MP3 @320 -> 151 Mb
Full Artwork @ 300 dpi (jpg) -> 12 Mb | 5% repair rar
© 1992, 2001 HAT HUT Records | hatOLOGY 564
Jazz / Avant-Garde Jazz / Modern Jazz / Piano

This trio date is dedicated to the music of Annette Peacock, former wife of both pianist Paul Bley and bassist Gary Peacock. While Bley is the undisputed leader on this date (as he has recorded many of these pieces before), it is flügelhorn and trumpet player Franz Koglmann who arranged them in such an exquisite manner. The majority of the pieces included here were originally composed as songs. They were vehicles for expressing the interior, haunted world that Ms. Peacock inhabits and featured her lilting, edgy voice, which slips and slithers through her deceptively simple melodies before erupting into a shriek of ecstasy or pain.
Keith Jarrett / Gary Peacock / Jack DeJohnette - The Out-Of-Towners (2004) {ECM 1900} [Re-Up]

Keith Jarrett / Gary Peacock / Jack DeJohnette - The Out-Of-Towners (2004) {ECM 1900}
EAC 1.0b3 | FLAC tracks level 8 | Cue+Log+M3U | Full Scans 300dpi | 393MB + 5% Recovery
Genre: Jazz, Post-Bop

Recorded in Munich, ECM's hometown, in 2001, "The Out-of-Towners " finds jazz's most consistently creative piano trio at the peak of its game. Keith Jarrett, Gary Peacock, and Jack DeJohnette captivate the audience at the Munich State Opera. Balancing standards and jazz tunes with Keith Jarrett originals, the trio keeps the music in tight focus.

Gary Peacock / Marc Copland - Insight (2009) {Pirouet} [Repost]  Music

Posted by tiburon at June 11, 2014
Gary Peacock / Marc Copland - Insight (2009) {Pirouet} [Repost]

Gary Peacock / Marc Copland - Insight (2009) {Pirouet}
EAC 0.99pb5 | FLAC tracks level 6 | Cue+Log+M3U | Full Scans 600dpi | 238MB + 5% Recovery
Genre: Jazz

The two reunite for Insight, with Peacock's name first on the marquee, though it's likely nothing more than the egalitarian nature of this duo that his name is first, since Copland's was the lead on What It Says. It's another set of deeply connected music—a mix of Copland and Peacock originals, free improvisations and well-known but instinctively personal covers.

Gary Peacock - December Poems (1978) {ECM 1119} [Repost]  Music

Posted by tiburon at June 5, 2014
Gary Peacock - December Poems (1978) {ECM 1119} [Repost]

Gary Peacock - December Poems (1978) {ECM 1119}
EAC 0.99pb4 | FLAC Image | Cue+Log | Full Scans 300dpi | 161MB + 5% Recovery
Genre: Jazz, Avant-Garde Jazz

December Poems consists of four pieces for solo bass and two duets with Jan Garbarek on tenor and soprano sax. More accurately, the opening "Snow Dance" and the closing "Celebrations" are overdubbed bass duos (in part), while "Flower Crystals" pairs Peacock's bass with atmospheric strummed piano, although no piano credit is given. "December Greenwings," one of Peacock's most distinctive compositions, would later reappear on 2001's Amaryllis with Marilyn Crispell and Paul Motian. Despite the sparse and somewhat cold feeling of the record, Peacock's virtuosity and sterling tone are well-served in a solo format, especially so on the stately "A Northern Tale."
Toninho Horta / Gary Peacock / Billy Higgins - Once I Loved (1992) {Verve}

Toninho Horta / Gary Peacock / Billy Higgins - Once I Loved (1992) {Verve}
EAC 0.99pb1 | FLAC Image level 8 | Cue+Log | Full Scans 300dpi | 294MB + 5% Recovery
MP3 CBR 320 Kbps | 125MB + 5% Recovery
Genre: Jazz, Post-Bop, Latin Jazz

More conventional straight jazz set, with some Afro-Latin and Brazilian flavor by Toninho Horta, this time paired with bassist Gary Peacock and drummer Billy Higgins for trio sessions. Horta's playing is competent and sometimes exciting, but it's the interaction of Peacock and Higgins that hold things together.