Armchair Theatre is the first solo album by Jeff Lynne, released in 1990. A remaster by Frontiers was released on 19 April 2013 in the UK, and on 23 April 2013 in the US, and included two bonus tracks, one of them being previously unreleased.
When Jeff Lynne was growing up, he listened to music on longwave radio, soaking up all the sounds coming through the big radio in the living room. His 2012 tribute to these days, appropriately called Long Wave, is a far-reaching salute to the glory days of pop in the years before the Beatles. It's too easy to peg this as a standards album, a designation that isn't quite accurate. Lynne may cover many show tunes along with '50s favorites of big-band vocalists but he spends nearly as much time with rock & roll, and not just the operatic pop of his fellow Traveling Wilbury Roy Orbison, either. He cranks through Chuck Berry's "Let It Rock," slides into the silken harmonies of the Everly Brothers on "So Sad," and grooves through Don Covay's "Mercy, Mercy"…
"Suicide Society" is the fifteenth album by the Canadian heavy metal band Annihilator. As usual, guitar wizard Jeff Waters handles all songwriting duties, plays all guitar & bass, engineers, produces, mixes and masters "Suicide Society"… and Waters is also back commanding lead vocal duties, as he did on the critically acclaimed “King of the Kill” (1994), “Refresh the Demon” (1996), “Remains” (1997) and other Annihilator albums over the years.
Jeffrey "Jeff" Lynne is an English songwriter, composer, arranger, singer, multi-instrumentalist, and record producer who gained fame as the leader and sole constant member of Electric Light Orchestra (ELO) and was a co-founder and member of The Traveling Wilburys together with George Harrison, Bob Dylan, Roy Orbison, and Tom Petty. What a fantastic way for artists from many genres to honor a man who has nurtured great music his entire life, Jeff Lynne. Lynne Me Your Ears contains many familiar ELO and Jeff Lynne classic tunes, some done very much like the originals, but others are done with new style, in a new vision and yet with love and respect for the original.
Reissue with SHM-CD format and new 24bit remastering. Comes with a mini-description. We love Jack Teagarden on Roulette Records – as the label's slightly broken-down, booze-drenched approach was perfect for the late life skills of the trombonist – and maybe a better setting for his talents than anywhere else! This fantastic set has Jack at all the height of those aging powers – playing trombone with a deftness that's way more than the trad modes in which he was schooled, and singing in this heartbreaking voice that's almost even more compelling – trying for blues, and full of pathos in its attempt to reach it – wonderfully human overall. The group features Don Ewell on piano, Don Goldie on trumpet, and Ronnie Greb on drums – and titles include "Big Noise From Winnetka", "When", "Stardust", "Honeysuckle Rose", and "South Rampart Street Parade".
Reissue with SHM-CD format and new 24bit remastering. Comes with a mini-description. Killer work from this overlooked Art Blakey stretch of the mid 70s – a time when the drummer was getting back to basics, and re-igniting his music with help from some key younger players! This set sparkles with sharp tenor from the great David Schnitter – already a powerhouse out of the box, and driven onto new heights by Blakey! Also present is pianist Albert Dailey, whose conception helps bring in some fresh sounds to the Jazz Messengers universe – alongside flute player Ladji Camara, who also vocalizes on one cut. Yoshio Suzuki handles bass, and old line trumpeter Bill Hardman comes in to round out the group – on titles that include "Uranus", "Third World Blues", "Namfulay", and "Backgammon".
The trio Arabesque was created by two Frankfurt-based German producers at the height of the disco era in 1977. After one album and a few singles that found surprising success in Japan, the producers changed the lineup, keeping Michaela Rose and replacing the two other members with Jasmin Vetter and Sandra Lauer. Vetter, a former gymnast, also became the trio's choreographer and Lauer, soon to be billed simply as Sandra, assumed the position of a lead vocalist. The first single of the updated Arabesque, "Hello, Mr. Monkey," went to number one in Japan. The Far East remained the band's biggest market, with numerous albums and compilations released over the years. However, Arabesque's success in their homeland was very modest, with only one single, "Marigot Bay," entering the German charts at number eight in 1981. In 1984, they disbanded and Sandra embarked on a successful solo career with the songs written by future husband Michael Cretu (of Enigma fame). Jasmin Vetter and Michaela Rose formed a duo, Rouge, but after a few obscure singles it ceased to exist.
Features the high-fidelity SHM-CD format (compatible with standard CD player) and 24 bit remastering. Featuring the work of obscure composer/pianist Todd Cochrane, vibraphonist Bobby Hutcherson's 1971 album Head On is a highly cerebral and atmospheric affair that is somewhat different than his other equally experimental '70s work. Although the album does feature more of the avant-garde jazz that Hutcherson was exploring during this period, Cochrane's material is heavily influenced by contemporary classical music, and accordingly Head On is more of an exercise in reflective, layered jazz than rambunctious freebop – though it does offer some of that, too.
Verve 60th Anniversary Rare Albums SHM-CD Reissue Series. Reissue with SHM-CD format. A surprisingly wonderful album from Artie Shaw – one that takes his older groove and nicely strips it down for the 50s, and which features some especially great guitar work from Tal Farlow! Other players in the group include Hank Jones on piano, Joe Roland on vibes, Tommy Potter on bass, and Irv Kluger on drums – coming together in a loosely swinging mode that has lots of interplay on the longer-than-usual tracks on the set. Titles include the originals "When The Quail Come Back To Town", "Lugubrious", "The Grabtown Grapple", and "Lyric".
Reissue. Features the high-fidelity SHM-CD format (fully compatible with standard CD player) and the latest remastering (24bit 192kHz). Bobby Hutcherson's second quartet session, Oblique, shares both pianist Herbie Hancock and drummer Joe Chambers with his first, Happenings (bassist Albert Stinson is a newcomer). However, the approach is somewhat different this time around. For starters, there's less emphasis on Hutcherson originals; he contributes only three of the six pieces, with one from Hancock and two from the typically free-thinking Chambers. And compared to the relatively simple compositions and reflective soloing on Happenings, Oblique is often more complex in its post-bop style and more emotionally direct (despite what the title may suggest).