Armchair Theatre is the first solo album by Jeff Lynne, released in 1990. A remaster by Frontiers was released on 19 April 2013 in the UK, and on 23 April 2013 in the US, and included two bonus tracks, one of them being previously unreleased.
When Jeff Lynne was growing up, he listened to music on longwave radio, soaking up all the sounds coming through the big radio in the living room. His 2012 tribute to these days, appropriately called Long Wave, is a far-reaching salute to the glory days of pop in the years before the Beatles. It's too easy to peg this as a standards album, a designation that isn't quite accurate. Lynne may cover many show tunes along with '50s favorites of big-band vocalists but he spends nearly as much time with rock & roll, and not just the operatic pop of his fellow Traveling Wilbury Roy Orbison, either. He cranks through Chuck Berry's "Let It Rock," slides into the silken harmonies of the Everly Brothers on "So Sad," and grooves through Don Covay's "Mercy, Mercy"…
"Suicide Society" is the fifteenth album by the Canadian heavy metal band Annihilator. As usual, guitar wizard Jeff Waters handles all songwriting duties, plays all guitar & bass, engineers, produces, mixes and masters "Suicide Society"… and Waters is also back commanding lead vocal duties, as he did on the critically acclaimed “King of the Kill” (1994), “Refresh the Demon” (1996), “Remains” (1997) and other Annihilator albums over the years.
Jeffrey "Jeff" Lynne is an English songwriter, composer, arranger, singer, multi-instrumentalist, and record producer who gained fame as the leader and sole constant member of Electric Light Orchestra (ELO) and was a co-founder and member of The Traveling Wilburys together with George Harrison, Bob Dylan, Roy Orbison, and Tom Petty. What a fantastic way for artists from many genres to honor a man who has nurtured great music his entire life, Jeff Lynne. Lynne Me Your Ears contains many familiar ELO and Jeff Lynne classic tunes, some done very much like the originals, but others are done with new style, in a new vision and yet with love and respect for the original.
Reissue with SHM-CD format and new 24bit remastering. One of the most obscure Johnny Smith albums for Roost – and one of the most striking, too! The album takes the sound of Johnny's guitar and backs it with some larger arrangements from Irwin Kostal – very mellow, and very string-laden – with a dreamy late nite quality that's even moodier than that of Johnny's small combo records. There's an eerie mood to the set that really grabs us, and which seems to deepen even more on repeated listenings (probably enhanced by the painting of a child on the cover – as you'd expect a lady from the "sweetheart" title!)
Brian Eno brings the first album in three and a half years. This Japanese edition features SHM-CD format, and includes four pieces of art prints and a 8-page booklet. Special packaging. Special Feature - a bonus track for Japan. The Ship marks Brian Eno's first ambient album since 2012's Lux. Work on the album began as a 3-D sound installation in Stockholm, but altered to stereo when Eno realized he could sing in a low C, The Ship's root note. The Ship contains two works, the 21-minute title track, and the three-part "Fickle Sun." The title piece, a reflection on the sinking of the Titanic, recalls a moment in his distant past: he released Gavin Bryars' Sinking of the Titanic on his Obscure Music label in 1975.
Reissue features the latest digital remastering and the high-fidelity SHM-CD format (compatible with standard CD player) and the latest DSD / HR Cutting remastering. Comes with a description. Features the original LP designs. The title of this excellent CD reissue comes from the fact that the featured septet consists of two altos (Phil Woods and Gene Quill) and two trumpets (Donald Byrd and Kenny Dorham) in addition to a rhythm section (pianist Tommy Flanagan, bassist Doug Watkins, and drummer Philly Joe Jones). Of the pairings, Woods and Dorham were more distinctive in 1956, but both Quill and Byrd get in some good licks. The full group stretches out on four lengthy numbers: three Woods originals and the ballad "Suddenly It's Spring."
Reissue features the latest digital remastering and the high-fidelity SHM-CD format (compatible with standard CD player) and the latest DSD / HR Cutting remastering. Comes with a description. Features the original LP designs. Early work by one of the greatest voices on the alto sax in the 1950s – a player who worked with the deftness of other altoists of his generation, but a depth of soul usually reserved for the tenor! The setting is simple and perfect – as Phil Woods blows at the helm of a quartet that features John Williams on piano, Teddy Kotick on bass, and Nick Stabulas on drums – players who know how to get things moving, but allow plenty of room for the leader to fill space with his solos! Even at this early date, Woods' command of his instrument is amazing – and the record is easily one of the greatest introductions to his work you'll ever find. Titles include "Strollin With Pam", "Be My Love", "Slow Boat To China", "Woodlore", and "Falling In Love All Over Again".
Verve 60th Anniversary Rare Albums SHM-CD Reissue Series. Reissue with SHM-CD format. Hip and groovy work from Phil – very different than both his earlier bop-heavy sides, and his freer European recordings – recorded with some great backings by Johnny Pate, the excellent Chicago soul arranger who also did some great soundtrack work! Pate's come up with some tight short tracks that have a nice groovy late 60s Verve feel – over which Woods solos angularly on alto, working amidst woodwinds by Jerome Richardson and Jerry Dodgion, piano by Herbie Hancock, trumpet by Thad Jones, and some light strings that trickle in and out from time to time.