Armchair Theatre is the first solo album by Jeff Lynne, released in 1990. A remaster by Frontiers was released on 19 April 2013 in the UK, and on 23 April 2013 in the US, and included two bonus tracks, one of them being previously unreleased.
When Jeff Lynne was growing up, he listened to music on longwave radio, soaking up all the sounds coming through the big radio in the living room. His 2012 tribute to these days, appropriately called Long Wave, is a far-reaching salute to the glory days of pop in the years before the Beatles. It's too easy to peg this as a standards album, a designation that isn't quite accurate. Lynne may cover many show tunes along with '50s favorites of big-band vocalists but he spends nearly as much time with rock & roll, and not just the operatic pop of his fellow Traveling Wilbury Roy Orbison, either. He cranks through Chuck Berry's "Let It Rock," slides into the silken harmonies of the Everly Brothers on "So Sad," and grooves through Don Covay's "Mercy, Mercy"…
"Suicide Society" is the fifteenth album by the Canadian heavy metal band Annihilator. As usual, guitar wizard Jeff Waters handles all songwriting duties, plays all guitar & bass, engineers, produces, mixes and masters "Suicide Society"… and Waters is also back commanding lead vocal duties, as he did on the critically acclaimed “King of the Kill” (1994), “Refresh the Demon” (1996), “Remains” (1997) and other Annihilator albums over the years.
Jeffrey "Jeff" Lynne is an English songwriter, composer, arranger, singer, multi-instrumentalist, and record producer who gained fame as the leader and sole constant member of Electric Light Orchestra (ELO) and was a co-founder and member of The Traveling Wilburys together with George Harrison, Bob Dylan, Roy Orbison, and Tom Petty. What a fantastic way for artists from many genres to honor a man who has nurtured great music his entire life, Jeff Lynne. Lynne Me Your Ears contains many familiar ELO and Jeff Lynne classic tunes, some done very much like the originals, but others are done with new style, in a new vision and yet with love and respect for the original.
Features the high-fidelity SHM-CD format (compatible with standard CD player) and 24 bit remastering. Featuring the work of obscure composer/pianist Todd Cochrane, vibraphonist Bobby Hutcherson's 1971 album Head On is a highly cerebral and atmospheric affair that is somewhat different than his other equally experimental '70s work. Although the album does feature more of the avant-garde jazz that Hutcherson was exploring during this period, Cochrane's material is heavily influenced by contemporary classical music, and accordingly Head On is more of an exercise in reflective, layered jazz than rambunctious freebop – though it does offer some of that, too.
Verve 60th Anniversary Rare Albums SHM-CD Reissue Series. Reissue with SHM-CD format. A surprisingly wonderful album from Artie Shaw – one that takes his older groove and nicely strips it down for the 50s, and which features some especially great guitar work from Tal Farlow! Other players in the group include Hank Jones on piano, Joe Roland on vibes, Tommy Potter on bass, and Irv Kluger on drums – coming together in a loosely swinging mode that has lots of interplay on the longer-than-usual tracks on the set. Titles include the originals "When The Quail Come Back To Town", "Lugubrious", "The Grabtown Grapple", and "Lyric".
Reissue. Features the high-fidelity SHM-CD format (fully compatible with standard CD player) and the latest remastering (24bit 192kHz). Bobby Hutcherson's second quartet session, Oblique, shares both pianist Herbie Hancock and drummer Joe Chambers with his first, Happenings (bassist Albert Stinson is a newcomer). However, the approach is somewhat different this time around. For starters, there's less emphasis on Hutcherson originals; he contributes only three of the six pieces, with one from Hancock and two from the typically free-thinking Chambers. And compared to the relatively simple compositions and reflective soloing on Happenings, Oblique is often more complex in its post-bop style and more emotionally direct (despite what the title may suggest).
Like Ten Rapid but with a more awkward name, Mogwai [EP+6] collects some of the experimental rock titans' singles and EPs with such a natural feel that it almost seems like it was designed as an album. In this case, 1997's 4 Satin EP is joined with 1999's self-titled EP and "Xmas Steps," the single version of Come on Die Young's track. The 13-and-a-half-minute "Stereodee" is just as compelling an epic as any of the tracks that wound up on either of those albums, showcasing the band's masterful way with ebbing, flowing, letting a song explode, and pulling it back together again. "Xmas Steps" – which is a minute longer than the album version of the song – also shows how expertly Mogwai can play with time and dynamics as they scale a mountain of sound that turns out to be a volcano when they get to the top.
Features the high-fidelity SHM-CD format (fully compatible with standard CD player) and the latest remastering (24bit 192kHz). Carried by its almost impossibly infectious eponymous opening track, The Sidewinder helped foreshadow the sounds of boogaloo and soul-jazz with its healthy R&B influence and Latin tinge. While the rest of the album retreats to a more conventional hard bop sound, Morgan's compositions are forward-thinking and universally solid. Only 25 at the time of its release, Morgan was accomplished (and perhaps cocky) enough to speak of mentoring the great Joe Henderson, who at 26 was just beginning to play dates with Blue Note after getting out of the military.
Features the high-fidelity SHM-CD format (fully compatible with standard CD player) and the latest remastering (24bit 192kHz). This long-lost Lee Morgan session was not released for the first time until it was discovered in the Blue Note vaults by Michael Cuscuna in 1984; it has still not been reissued on CD. Originals by Cal Massey, Duke Pearson ("Is That So") and Walter Davis, in addition to a couple of surprising pop tunes ("What Not My Love" and "Once in My Lifetime") and Morgan's title cut, are well-played by the quintet (which includes the trumpeter/leader, Hank Mobley on tenor, pianist Cedar Walton, bassist Paul Chambers and drummer Billy Higgins).