Joan Sebastian

Rafal Blechacz - Johann Sebastian Bach (2017)  Music

Posted by SERTiL at Feb. 10, 2017
Rafal Blechacz - Johann Sebastian Bach (2017)

Rafal Blechacz - Johann Sebastian Bach
Classical | MP3 CBR 320 kbps | 65:40 min | 152 MB
Label: Deutsche Grammophon | Tracks: 23 | Rls.date: 2017

A new statement from Rafa Blechacz, one of the finest young pianists of his generation
David Watkin - Johann Sebastian Bach: Cello Suites, BWV 1007-1012 (2015)

David Watkin - Johann Sebastian Bach: Cello Suites, BWV 1007-1012 (2015)
EAC | FLAC | Image (Cue&Log) ~ 620 Mb (incl 5%) | Mp3 (CBR320) ~ 360 Mb (incl 5%) | Scans included
Genre: Classical, Baroque | Label: Resonus Classics | # RES10147 | Time: 02:24:58

GRAMOPHONE AWARD WINNER 2015 - BAROQUE INSTRUMENTAL RECORDING OF THE YEAR. This recording is the first time that the five-stringed Amati has been used to record the 6th suite and it is the only original five-string cello in existence in the UK and unique in being the only one by this maker. The Cello Suites are performed on two gut-string cellos Suite Nos. 1-5 on a Francesco Ruggieri from 1660 and Suite No. 6 the five-stringed Cremona cello by A. & H. Amati from c.1600, both tuned to Baroque pitch. Bachs cello suites are renowned as the pinnacle of the instruments repertoire and are performed here in period performances by the internationally acclaimed cellist, David Watkin. David Watkin has been performing Bachs Cello Suites in concert for 35 years, and Bachs unaccompanied cello repertoire has taken him all over Europe, from the Palace of Frederick the Great at Potsdam to the Prague Spring Festival, and, as part of Sir John Eliot Gardiner's Bach Cantata Pilgrimage, included performances sitting by the font in which Bach was baptised.
Angela Hewitt - Johann Sebastian Bach: The Art of Fugue (2014) 2CDs

Angela Hewitt - J.S. Bach: Die Kunst der Fuge (The Art of Fugue) (2014) 2CDs
EAC | FLAC | Tracks (Cue&Log) ~ 275 Mb (incl 5%) | Scans included | Time: 01:29:40
Genre: Classical | Label: Hyperion | # CDA67980

Even though Angela Hewitt's repertoire is quite extensive and diverse, encompassing the Baroque, Classical, Romantic, and modern eras, her true specialty is the music of J.S. Bach, which she has recorded almost exclusively for Hyperion since the 1980s. With this recording of The Art of Fugue, Hewitt completes her long-running series of piano renditions of the solo keyboard works, and while not everyone is convinced that Bach composed this study of fugal techniques for the keyboard, Hewitt's performance is credible and satisfying. She controls the often unwieldy counterpoint by regarding the lines as if they were vocal parts, and her phrases are shaped by natural breathing points, as well as the different emotional qualities she brings to each fugue and canon. The Art of Fugue can be daunting for both performer and listener because its persistent tonality of D minor and monothematic material can be quite tedious in the wrong hands.
Bellini - Norma (Richard Bonynge, Joan Sutherland, Tatiana Troyanos) (2001/1981)

Bellini - Norma (Richard Bonynge, Joan Sutherland, Tatiana Troyanos) (2001/1981)
NTSC 4:3 (720x480) VBR | Italiano (Dolby AC3, 2 ch) | 4.12 Gb (DVD5) | 150 min
Classical | VAI | Sub: English

By 1981, when this production was taped for Canadian television, Joan Sutherland's voice was unquestionably past its prime. But even in its decline, that voice remained something quite special, and the role of the troubled Druid priestess Norma was one of her specialties. A substantial advantage in this recording is the presence at the podium of her husband and coach, Richard Bonynge, who had a deep understanding of the strengths and limitations of her voice and stage persona. His pacing and balance give the voice opportunities to challenge, at least momentarily, the ravages of time. Lotfi Mansouri, one of the great operatic entrepreneurs of the late 20th century, assembled a first-class supporting cast for Sutherland–most notably Tatiana Troyanos, to whose memory this video is dedicated. The performance of Troyanos in the role of the younger and equally troubled priestess Adalgisa is outstanding and would make this disc worth having even without its documentation of Sutherland. As far as it is possible to determine, this is the only video opera appearance of tenor Francisco Ortiz. On the basis of his performance as the Roman officer Pollione, he seems to have deserved more attention. Bass Justino Diaz gives a sterling performance as the old Druid Oroveso. (Joe McLellan)
Markku Luolajan-Mikkola - Johann Sebastian Bach: Sonatas and Partitas, BWV 1001-1006 (2015)

Markku Luolajan-Mikkola - J.S. Bach: Sonatas and Partitas, BWV 1001-1006 (2015)
EAC | FLAC | Image (Cue&Log) ~ 738 Mb (incl 5%) | Scans included | Time: 02:38:00
Genre: Classical, Baroque | Label: Linn Records | # CKD 548

Markku Luolajan-Mikkola has a reputation for excellence and already has two Gramophone Awards. With a fan base to match, Luolajan-Mikkola is at the top of his game. In Luolajan-Mikkola’s Linn debut, he tackles the pinnacle of Bach’s productions for violinists: the Partitas and Sonatas. Luolajan-Mikkola transcribed these works for cello. His goal with this recording has been to encapsulate expression and emotion according to the character of each movement. A historically informed musician, he performs on baroque cello.
Colin Tilney - Johann Sebastian Bach: The Well-Tempered Clavier, Book 1 & 2 (1990) 4CDs

Colin Tilney - Johann Sebastian Bach: Das Wohltemperirte Clavier (1990) 4CDs
EAC | FLAC | Image (Cue&Log) ~ 1.8 Gb (incl 5%) | Scans included | Time: 05:04:36
Genre: Classical | Label: Hyperion | # CDA66351/4

In his recording of Bach's 48 Colin Tilney, unlike his fellow competitors in the same repertory, plays both a clavichord (Book 1) and a harpsichord (Book 2). Why not? Bach's title for the first book of 24 preludes and fugues, The Well-tempered Clavier leaves both this issue and that of tuning wide open. The clavichord was a favourite instrument of Bach's, so was the harpsichord and the organ; indeed, I am sorry that Tilney does not include a chamber organ since some of the pieces, the E major Prelude and Fugue (Book 2), for instance, seem well-suited to it. Tilney's performance of the 48 differs again from almost if not all others in the sequence which he adopts in playing the preludes and fugues. But an apparently random approach is in fact nothing of the kind, but one that is directly linked with tuning. We know that Bach himself was a master in matters of tuning as he was in all other aspects of his craft. What we do not know is the exact nature of his tuning.
Joan Chamorro - Joan Chamorro Presenta La Magia De La Veu & Jazz Ensemble (2017)

Joan Chamorro - Joan Chamorro Presenta La Magia De La Veu & Jazz Ensemble (2017)
MP3 320 kbps CBR | 49:46 min | 124 MB
Genre: Jazz, Vocal Jazz | Label: Jazz To Jazz

This time, Joan Chamorro retakes La Màgia de la Veu (The Magic of Voice), adding the voices and instruments of Alba Armengou (sax, trumpet), Alba Esteban (saxs, clarinet), Elia Bastida (violin and tenor sax) and Abril Saurí (trumpet).

Joan Jett and The Blackhearts - Lollapalooza (2012)  Music

Posted by v3122 at Jan. 23, 2017
Joan Jett and The Blackhearts - Lollapalooza (2012)

Joan Jett and The Blackhearts - Lollapalooza (2012)
DVD5: NTSC 4:3 (704x480) VBR / Dolby AC3, 2 ch, 256 Kbps
Rock, Hard Rock, Punk Rock | DTV=>DVD5 | 01:06:50 | ~ 1.79 Gb

~ Joan Jett and The Blackhearts Live at Jockey Club, São Paulo, Brazil on April 7, 2012 ~

Sebastian Spanache Trio - Humanized (2013)  Music

Posted by TmanHome at Jan. 18, 2017
Sebastian Spanache Trio - Humanized (2013)

Sebastian Spanache Trio - Humanized (2013)
Contemporary Jazz| MP3 320 kbps CBR | 62 min | 153 MB
Label: Fiver House Records | Rel:2013

After about a year of preparing their material, in February of 2013 Sebastian Spanache Trio went into the studio to record their first official album 'HUMANIZED'. From the first bars of 'Argentina' you can tell this is not going to be your usual jazz endeavor: the tunes are skillfully crafted, with intricate meters and complex, unexpected forms. The influences borrow from a wide musical palette, with grooves and atmospheres suggestive of ambient or electronic music. 'Seven is Your Friend' starts hot only to regain balance within the unique vitality of improvisations, in-the-moment dialogue and attention to the architecture of musical storytelling. And 'Red' calls to mind an ethereal journey through present-times music that goes beyond what you would typically hear in a 'classic' jazz piano trio.
Leon Berben - Joan Cabanilles: Tientos, Pasacalles y Gallardas (2008)

Leon Berben - Joan Cabanilles: Tientos, Pasacalles y Gallardas (2008)
EAC | FLAC (tracks+.cue, log) | Covers Included | 01:18:00 | 434 MB
Genre: Classical | Label: Aeolus | Catalog: 10671

Joan Cabanilles worked for most of his life in Valencia, whose magnficent cathedral was a reminder of that trading city's glorious past. Organist Léon Berben plays an organ not in that cathedral, but an instrument in Basque country from the middle of the eighteenth century. It's a magnificent choice, and this collection of Cabanilles organ pieces would be worth the money for the graphic design alone. Check the booklet cover reproduction of the screaming faces painted on some of the organ pipes, for a start. Annotator Miguel Bernal Ripoll, whose words appear in English, French, Spanish, and German, writes that "Cabanilles appears like a Janus-headed deity with one face turned toward the past and the other definitely towards the future.