This seven-CD limited-edition box set from Mosaic is another mind-boggling collection. The masterful trombonist J.J. Johnson recorded steadily for Columbia during the 1956-61 period, heading groups that ranged from quartets to sextets that performed solid hard bop. Johnson is joined on various selections by tenors Bobby Jaspar (doubling on flute) and Clifford Jordan; cornetist Nat Adderley; the young trumpeter Freddie Hubbard; pianists Hank Jones, Tommy Flanagan, Cedar Walton, and Victor Feldman; bassists Percy Heath, Wilbur Little, Paul Chambers, Spanky DeBrest, Arthur Harper, and Sam Jones; and drummers Elvin Jones, Max Roach, Albert "Tootie" Heath, and Louis Hayes.
Digitally remastered and expanded edition of this 1957 release from the Jazz trombonist, Johnson's second complete album ever in a quartet format. The sessions, with master accompaniment by Tommy Flanagan, Paul Chambers and Max Roach, went so well that material for two albums was gathered (the other album being First Class). As an added bonus, there are two quartet tracks taken from Johnson's previous quintet sessions, as well as five quintet tracks that complete all of the master takes from the latter of those sessions.
In 1925, when the Charleston was all the rage, Fletcher Henderson, generally credited as "the inventor, of big-band jazz", was still firmly installed at the New York's celebrated Roseland Ballroom, and calling upon the services of such jazz star as Louis Armstrong, Busier Bailey, Don Redman and Coleman Hawkins.
Dope funk, psychedelic soul and acid jazz from New York City '70-'74. UK compilation featuring 20 soul, funk and jazz classics from the legendary underground label best known for their acts, the Fatback Band and Black Ivory who are both represented here along with Dizzy Gillespie, Bobby Rydell and many more. Original vinyl from Perception and it's twin label today goes for a small fortune and has been sampled by DJ Shadow and KRS-One. Double slimline jewel case. 2000 release.
Christine Perfect's (or McVie's) earliest work on the Blue Horizon label is as bluesy as it is dated. While it never offers a dull moment, with McVie singing with a convincing amount of energy, "The Complete Blue Horizon Sessions" never offers the later songwriting chops McVie would later gain in Fleetwood Mac…