This seven-CD limited-edition box set from Mosaic is another mind-boggling collection. The masterful trombonist J.J. Johnson recorded steadily for Columbia during the 1956-61 period, heading groups that ranged from quartets to sextets that performed solid hard bop. Johnson is joined on various selections by tenors Bobby Jaspar (doubling on flute) and Clifford Jordan; cornetist Nat Adderley; the young trumpeter Freddie Hubbard; pianists Hank Jones, Tommy Flanagan, Cedar Walton, and Victor Feldman; bassists Percy Heath, Wilbur Little, Paul Chambers, Spanky DeBrest, Arthur Harper, and Sam Jones; and drummers Elvin Jones, Max Roach, Albert "Tootie" Heath, and Louis Hayes.
Digitally remastered and expanded edition of this 1957 release from the Jazz trombonist, Johnson's second complete album ever in a quartet format. The sessions, with master accompaniment by Tommy Flanagan, Paul Chambers and Max Roach, went so well that material for two albums was gathered (the other album being First Class). As an added bonus, there are two quartet tracks taken from Johnson's previous quintet sessions, as well as five quintet tracks that complete all of the master takes from the latter of those sessions.
In 1925, when the Charleston was all the rage, Fletcher Henderson, generally credited as "the inventor, of big-band jazz", was still firmly installed at the New York's celebrated Roseland Ballroom, and calling upon the services of such jazz star as Louis Armstrong, Busier Bailey, Don Redman and Coleman Hawkins.
In 1973, shortly after the breakup of the legendary Pentangle, co-lead guitarist John Renbourn recorded a full album's worth of songs for a solo project. He abandoned the set, instead releasing an entirely different collection of songs as THE HERMIT later that year. The abandoned songs, previously available only via underground tape-trading networks, surfaced several years later as THE LOST SESSIONS.