Since pianist Yuja Wang and conductor Gustavo Dudamel count among Deutsche Grammophon’s young superstars, it was inevitable that they collaborate on disc. In the Rachmaninov Third Concerto Wang’s tendency to reverse accents and make sudden pianissimo plunges at certain climactic moments borders on mannerism (what’s with that momentum-breaking comma right before the first-movement development section Allegro?), but the piano part’s swirling textures benefit from Wang’s fanciful voicings, imaginative rubatos, and frisky, dead-on accurate fingerwork.
'Carol' Wang Jun is a female chinese pop singer, since childhood sha has a very strong love to the music and since 2000 studiet at Xinghai Conservatory of Music, in May 2005 published his first solo album "Who Can Forecast the Future"
Claudio Abbado was undeniably the supreme Mahler conductor of our time. With his Lucerne Festival Orchestra he has set new standards in the field of classical music, especially in the interpretation of works by Gustav Mahler. The core of the orchestra is provided by the Mahler Chamber Orchestra, itself an élite body of players. Soloists like violinist Kolja Blacher, clarinettist Sabine Meyer, oboist Albrecht Mayer, violist Wolfram Christ, cellist Natalia Gutman, the Hagen Quartet and members of the Alban Berg Quartet to name just a few, make the Lucerne Festival Orchestra a star-studded ensemble.
Little is known about the life of German violinist and composer Johann Jakob Walther. It is said that he was a violinist in the orchestra of Cosimo III from 1670 to 1674, and afterwards was concertmaster at the court of Dresden. Forty of Walther's compositions are extant, and are contained in two volumes: Scherzi da Violino solo con il basso continuo, published in 1676, and Hortulus chelicus, published in 1688. This release features his Hortulus Chelicus, which scholars believe was composed between 1650 and 1688. In this collection, Walther wrote at a new, higher technical playing level for the violin. The musicians featured on this recording perform on period instruments- Baroque violin, harpsichord, and Baroque cello.
After a year off the concert platform, Xiayin Wang, a specialist in the romantic repertoire, presents a new recording of two relatively little-played piano concertos: No. 2 by Tchaikovsky, in its much lesser known yet extremely virtuosic original version, and Khachaturian’s. The disc also marks the 125th anniversary of the Royal Scottish National Orchestra, here conducted by its Music Director, Peter Oundjian.
The incessantly catchy pop-funk number "Everybody Have Fun Tonight" illustrates the change in musical direction Wang Chung undertook on Mosaic. Backing away from the synth-laced pop/rock that characterized their earlier albums, the duo concentrated on dance-pop. Apart from the singles "Everybody Have Fun Tonight," "Let's Go!," and "Hypnotize Me," the band had trouble coming up with well-constructed pop songs, making Mosaic a checkered affair.