“I wouldn’t change a single thing, I wouldn’t change a second. The experience I’ve had in the last 30 years, you know, living with the six girls and bringing them up. Loved it, I honestly loved it. I would do it again in the blink of an eye I would do it again, honest.” Graham Walton The Walton Sextuplets celebrate their 30th birthday in this new one off documentary. In an hour long special we meet the six girls Hannah, Luci, Jennie, Ruth, Kate and Sarah as they reach this milestone birthday and take a special trip of a lifetime to New York with their parents Janet and Graham - their first holiday together for nearly ten years.
This is an album of modern commercial, radio friendly, finely crafted rock n roll / country tunes. Do not expect wild sounding rockabilly or a pastiche of 50’s rock n roll. Bo and his team have cleverly put together a collection that while it remains steeped in the roots of the rock n roll genre it gathers influence from all of the many and varied elements that make up the 50+ year history of this music. Then they add a dash of modern sounding country, sixties pop, etc stir and shake it all together and produce a sound that is highly listenable with songs that sound fresh and firmly of the now. Kicking off with the strong Hangin’ On, an instantly catchy country rock tune the album then tears into I Like It Like That, a straight out rock n roll number with a catchy sing along car radio chorus and a great guitar sound.
Reissue with the latest remastering. Features original cover artwork. A familiar grouping, but one that's presented here in a very different way – as bassist David Williams is up front in the lead, instead of working in his more familiar role in the trio of pianist Cedar Walton! Yet Walton's on board for this debut set from Williams as a leader – as is drummer Billy Higgins – and it's wonderful to hear the way they change things up slightly to give David more time in the spotlight, and to hear the way that Williams hits some of his more lyrical, melodic modes too – qualities that further our love of his talents on the bass, which were already great enough when working behind Walton. Cedar gets in plenty of solos along the way, but often cedes more time to Williams.
"…As far as sound goes, it's the best I've heard from Living Stereo and perhaps the best I've heard from my stereo period! The soloist to orchestra balance is just about perfectly even, which means the orchestra is considered an equal part by the engineers. I prefer that to the "I'm ready for my closeup now Mr De Mille" balance used by most producers in order to highlight the "STAR"." ~sa-cd.net
Few people think of Elgar, Vaughan Williams and Walton as composers of chamber music; nevertheless, the small number of works of this classification which they published is highly characteristic, personal and significant.