King Crimson Toronto

King Crimson - Live In Toronto - June 24, 1974 (2011) {2CD King Crimson Collectors' Club CLUB45}

King Crimson - Live In Toronto - June 24, 1974 (2011) {2CD King Crimson Collectors' Club CLUB45}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 595 Mb | MP3 @320 -> 214 Mb
Full Artwork @ 300 dpi (jpg) -> 27 Mb | 5% repair rar
© 1974, 2011 Robert Fripp | King Crimson Collectors' Club | CLUB45
Rock / Progressive Rock / Art Rock

The Massey Hall King Crimson show is one of the most well known and well documented. Live In Toronto is the latest Club silver pressed release which has the complete soundboard recording from that night for the first time. Live In Toronto is truly an important archive release by King Crimson. They’ve mostly been going down the download route, posting their tapes online and not bothering with silver releases. But this one, despite the sub par show, certainly is interesting enough for a Collector’s Club release. This is available from the DGM website for a reasonable price, definitely worth having.

King Crimson - Live in Toronto, November 20, 2015 (2016)  Music

Posted by v3122 at Oct. 9, 2016
King Crimson - Live in Toronto, November 20, 2015 (2016)

King Crimson - Live in Toronto, November 20, 2015 (2016)
EAC | Flac(Image) + Cue + Log
Discipline Global Mobile, DGM5013 | ~ 843 Mb | Scans Included
Progressive Rock / Art Rock

If there were any lingering doubts that King Crimson was back in fine form after the 2014 Live at the Orpheum teaser, they can all be dispelled with the release of the entire show from November 20, 2015 in Toronto. The set list is a fan's dream and includes songs that haven't been played live in decades…

King Crimson - Live in Toronto: Queen Elizabeth Theatre (2016)  Music

Posted by Pisulik at March 1, 2016
King Crimson - Live in Toronto: Queen Elizabeth Theatre (2016)

King Crimson - Live in Toronto: Queen Elizabeth Theatre (2016)
Progressive Rock | MP3 CBR 320 kbps | 02:06:55 | 290 MB
Label: DGM | Release Year: 2016

It’s a strange feeling to hear Larks’ Tongues In Aspic Part One opening a concert after an absence of 40 years from the King Crimson setlist. Strange exhilarating. Just as the original recording served as a kind of overture heralding a new adventure in the ongoing KC story, so it does here. There are so many highlights just within the one piece; Pat summoning Jamie Muir’s presence in the introductory build; the pounding theme; Jakko’s spidery lines scuttling between percussive salvos; Robert and Tony’s short-but-sweet soloing underpinned by Gavin’s driving beats; Mel Collins’ wry flute solo and Bill’s haunting atmospherics; the triumphant downbeat into the bittersweet coda. It’s one hell of a way to open a gig.
King Crimson - In The Court Of The Crimson King (1969) Atlantic/SD 8245 - Original US Pressing

King Crimson - In The Court Of The Crimson King (An Observation By King Crimson)
Vinyl | LP Cover (1:1) | FLAC + cue | 24bit/96kHz & 16bit/44kHz | 900mb
Label: Atlantic/SD 8245 | Release: 1969 | Genre: Progressive-Rock

Making order on my vinyl library, I found my old copy of "In the court of the Crimson King". It is an original US pressing in textured gatefold sleeve. With great shape and pretty good sound quality (I recommend listening "I Talk To The Wind").
King Crimson ‎– In The Court Of The Crimson King {Second UK Pressing} vinyl rip 24/96 (NEW RIP, NEW RIG)

King Crimson ‎– In The Court Of The Crimson King (1969)
Vinyl rip in 24 bit/96 kHz | 900 Mb | FLAC tracks | Artwork | FF, UL, Magnet
Island Records ‎– ILPS 9111 (1969) (Second UK pressing) | Prog Rock


In the Court of the Crimson King is the debut studio album by the British progressive rock group King Crimson.
King Crimson - In The Court Of The Crimson King (Japan Band Score)

King Crimson - In The Court Of The Crimson King (Japan Band Score)
Shinko Music Pub. | 1991 | ISBN: 440134619X | 66 pages | PDF | 13 MB
King Crimson - In The Court Of The Crimson King [DTS 5.1] RE-UP

King Crimson - In The Court Of The Crimson King [DTS 5.1]
Release: Oct 10, 1969 | Label: Virgin Records
DTS Release: 2009 by EktorasClub & ECMusic St. | Number: ECM10100
Genre: Progressive rock | Mono/Stereo: Multi Channel
EAC Rip | Included: EAC Log + CUE + Wav + Covers
Size: 447 MB | RAR files | RS.com

In the Court of the Crimson King (an observation by King Crimson) is the 1969 debut album by the British progressive rock group King Crimson. The album reached #3 on the British charts. The album is certified gold in the United States. The album is generally viewed as one of the strongest of the progressive rock genre, where blues-oriented rock was mixed together with jazz and European symphonic elements. In his 1997 book Rocking the Classics, criticmusicologist Edward Macan notes that In the Court of the Crimson King may be the most influential progressive rock album ever released. The Who's Pete Townshend was quoted as calling the album an uncanny masterpiece. The album was remastered and re-released on vinyl and CD several times during the 1980s and 1990s. The original stereo master tapes were finally located in a Virgin Records storage vault in 2003, leading to a much improved remastered CD version released in 2004. ---Wikipedia
King Crimson - Augsburg, Germany - March 27, 1974 (2007) {DGM Official Digital Download}

King Crimson - Augsburg, Germany - March 27, 1974 (2007) {DGM Official Digital Download}
FLAC (tracks) - 16bit/44kHz - Official Digital Download (dgmlive.com) -> 387 Mb | MP3 @320 -> 139 Mb | Artwork (pdf+jpg) | 5% repair rar
© 1974, 2007 Discipline Global Mobile / King Crimson / DGMlive.com
Rock / Art Rock / Progressive Rock

This gig appears to be a testimony to the recuperative powers of John Wetton’s constitution. Having been out partying in the company of David Enthoven and Richard Palmer-James the night before in Munich, he still manages an impressive performance on Doctor Diamond and indeed throughout the rest of the gig. Though the good Doctor would forever elude them in the studio it seems that the band really beginning to find the soul of this song in concert. Fracture has a risky quality tonight; Bruford is in an adventurous mood whilst David’s tron is a touch out of tune.
King Crimson - Riverside Theatre, Milwaukee, Wisconsin - March 08, 1972 (2006) {2CD DGM Official Digital Download}

King Crimson - Riverside Theatre, Milwaukee, Wisconsin - March 08, 1972 (2006) {2CD DGM Official Digital Download}
FLAC (tracks) - 16bit/44kHz - Official Digital Download (dgmlive.com) -> 524 Mb | MP3 @320 -> 198 Mb | Artwork (pdf+jpg) | 5% repair rar
© 1972, 2006 Discipline Global Mobile / King Crimson / DGMlive.com
Rock / Art Rock / Progressive Rock

Talk about chalk and cheese or to put it another way: what a difference a day makes. After their uneven performance at in Pittsburgh, Boz and the boys spent a day travel up to Milwaukee and washed up at the Riverside theatre. 24 hours spent away from the stage has made them hungry again, giving this gig a distinctive edge to the set. Arguably the best live rendering of Formentera Lady is to be found here; Fripp’s chords and timing are tight and consequently Boz’s vocals are focussed and sharp. Collins moves from supportive flute to bracing salvos of alto sax fired over the rhythm section inquisitive wanderings which range from sparse funk, R&B shuffle, and Elvin Jones workout. As it migrates to become The Sailors Tale, Collins’ frenetic soloing demonstrates why there was no other band quite like Crim doing the rounds back then; it’s jazz rock but not as we know it, Jim.
King Crimson ProjeKct Six - East Coast Live (2006) {2CD DGM Official Digital Download}

King Crimson ProjeKct Six - East Coast Live (2006) {2CD DGM Official Digital Download}
FLAC (tracks) - 16bit/44kHz - Official Digital Download (dgmlive.com) -> 495 Mb | MP3 @320 -> 171 Mb | Artwork (pdf+jpg) | 5% repair rar
© 2006 Discipline Global Mobile / ProjeKct Six / DGMlive.com
Rock / Art Rock / Progressive Rock / Avant-Garde / Experimental / Ambient

Compiled from the Porcupine Tree support slot in October 2006, this is a snapshot of the duo grappling with the task of combining the harmonic ambiguity of Soundscapes with some straight ahead rock grooves. With so much of Robert’s public work being taken up with ‘scaping in recent times, it’s almost a novelty to hear him rocking it up like he does on Time Groove from Boston and Queer Jazz NYC. Despite all the technology involved this is a pared-back sound compared to previous projeKcts, and there's a tentative, exploratory quality about much of the music; two players in search of that often elusive moment, an intriguing aspect which provides much of the tension and appeal.