One of the composers's most beguiling scores, La Favorite is Donizetti's La favorita in its original form – a tale of love and war that represents a glorious mix of Italian bel canto and 19th-century grand opera. Vincent Boussard's production for Toulouse does full justice to its renewed masterpiece status, accentuating the work's intimacy through economical sets and Christian Lacroix's striking costumes, thus drawing attention to the opera's three main characters played by Yijie Shi, Ludovic Tézier and Kate Aldrich.
One of the composer's most beguiling scores, 'La Favorite' is Donizetti's La favorita in its original French form - a tale of love and war that represents a glorious mix of Italian bel canto and 19th century grand opera. Today's scholarly interest in Donizetti's output has helped bring La Favorite back into circulation, and Vincent Boussard's arresting Toulouse production does full justice to its renewed masterpiece status, accentuating the work's intimacy through economical sets and Christian Lacroix's striking costumes, thus drawing attention to the opera's three main characters.
There is only one studio recording available of Donizetti's La Favorita (Italian version, not the original French language La Favorite) This is a bravura role for Luciano Pavarotti who's voice is certainly at its best here singing the role of Fernando, repertoire that could have been written just for him. The high C's and C#'s are exquisite here. He truly seems to know what he is singing about for this recording and his performance comes accross as very believable because of it. Fiorenza Cossotto is especially moving in her role as the "the favorite," Leonora. I found it unfortunate that she was not in better voice for the first act of this recording. Very disturbing was the love duet with Pavarotti.
Gaetano Donizetti opera's La Favorita originally had a French libretto and the title La Favorite. One of Donizetti’s finest music dramas, it was written at his peak as an orchestrator. The Italian, and better-known version, evolved two years after the French premiere and has become the more-performed version, exemplified by this famous 1974 recording starring Luciano Pavarotti, Fiorenza Cossotto, Gabriel Bacquier and Nicolai Ghiaurov. Pavarotti's voice has been called "youthful and fresh" on this album. Pavarotti's frequent collaborator Richard Bonynge conducts the Orchestra of the Teatro Comunale, Bologna.
'Iphigenie en Aulide' was the opera with which Gluck set out to conquer the lyric stage in Paris in April 1774. France was the only country to resist the fashion for Italian opera that prevailed everywhere else in civilised Europe in the first half of the 18th century and to develop instead its own national form of serious opera, the tragedie lyrique. As an acknowledged master of theItalian manner, therefore, Gluck's appearance in Paris was bound to be controversial… He had a useful ally in Paris, however, in the person of the newly crowned young queen Marie Antoinette, who had previously, as an Austrian archduchess, been one of his singing pupils at the Viennese court, and could always quell dissent during the long and stormy rehearsals for the new opera by threatening to fetch the queen. In the event the opera was a great success and Gluck quickly became established as the new saviour of French opera, a worthy inheritor of the mantle of Lully and Rameau.Prestoclassical.co.uk
La rencontre imprévue (The Unexpected Encounter), also known as Les pèlerins de la Mecque (The Pilgrims to Mecca) is a comédie mêlée d'ariettes, a form of opéra comique, by Christoph Willibald Gluck, first performed at the Burgtheater, Vienna on January 7, 1764...
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