Juber aims this 2-DVD set of lessons at guitar players who would like to expand their options by learning the musicality behind the act of playing. As Juber describes it, he would like this DVD to be viewed as a "resource for guitarists" which describes advanced musical concepts that many musicians may be familiar with by ear, but not necessarily by name. By progressively explaining these concepts, Juber guides viewers through the sometimes intimidating study of music theory.
Laurence Juber, the former lead guitarist for Paul McCartney and Wings, is the premier solo acoustic guitarist of our generation. His arrangements are beautiful, fluid, and stunning, yet never does he sacrifice musicality for technical virtuosity. On this DVD, Laurence performs and explains six of his most popular solo guitar pieces in DADGAD and standart tuning. In the special lesson sections, Laurence walks you through the key aspects and techniques required for each arrangement, and you can select from multiple camera angles: watch the full performance or see a close-up right or left hand. In addition, several bonus song performances are included.
This challenging session will propel your playing to new heights and open your ears to a myriad of possibilities for solo guitar. In a methodic breakdown of some of his most popular pieces - "Solo Flight," "A Bit of a George," "In Your Arms" and "To New Amsterdam" - Laurence Juber reveals the style and technique he has developed to create his groundbreaking texture, atmosphere and color.
Laurence Hobgood, Brian Torff, and Paul Wertico's Union is a busman's holiday for the musicians. On their second album, they take tunes from everywhere – the folk song "Jacob's Ladder," Antonio Carlos Jobim's "Double Rainbow," Lionel Bart's "Where Is Love?" from the musical Oliver, and some originals – and have fun with them, sometimes playing slowly and thoughtfully, sometimes melodically and warmly, sometimes in cacophonous free improvisation. The spontaneity of the sessions is added to by the recording process, which is strictly direct to stereo, unmixed and unedited, and in that sense true jazz. The players are familiar enough with each other to play sympathetically, but since they only get together occasionally, there are plenty of surprises. It may not be their best, most considered work, but there's some fine playing. (William Ruhlmann, AMG)