First time on CD! Volumes 5 + 6 in our Exotic Blues & Rhythm series were released on limited edition 10” vinyl and sold out in next to no time! Enjoy amazing and danceable tunes from the late 50s and early 60s - a handful of Popcorn dancefloor smashs, a few grinding Tittyshakers, awesome Rhythm & Blues - most of them with an exotic twist! –Stag-O-Lee Records.
After his immigration to the west in 1991, Giya Kancheli abandoned the expansive, symphonic approach he had cultivated during his years in Georgia, and opted instead to compose music for smaller, more manageable ensembles. The works on this ECM New Series disc reflect Kancheli's changed course and his simplified, if still wide-ranging, palette. Diplipito is a cryptic term, coined by poet Joseph Brodsky to mean "my work of silence, my mute creation," and Kancheli uses it to suggest a neutral state between expression and meaninglessness, implied in the singer's indistinguishable words and the cello's vaguely articulated lines.
This is former Os Mutantes member Rita Lee's second solo album, recorded in 1972, the same year as Mutantes recorded their E Seus Cometas No País Dos Baurets album (the group's last album with the original bandmembers). To an even higher extent than on Lee's first solo effort, Build Up, fellow Mutantes front figures Arnaldo Baptista and Sergio Dias have made significant contributions to this album, performing on the tracks and writing much of the material.
This artist was perhaps the most significant pioneer of the city-styled, horn-oriented blues harp – a style brought to perfection by Little Walter. Williamson adapted the country-styled, chordal-rhythmic technique that he learned from Noah Lewis and Hammie Nixon to suit the demands of the evolving urban blues styles. These 42 tracks include Sonny Boy's records and sport an imposing list of sidemen: Robert Nighthawk, Big Joe Williams, Henry Townsend, Walter Davis, Yank Rachell, Big Bill Broonzy, and Speckled Red. This is a definitive collection.