Features 24 bit digital remastering. Comes with a description. his 1966 date by Duke Pearson with an octet was originally issued by Atlantic. Reissued by Collectables, this is Pearson in full soul-jazz mode, driven deeply by the blues, with an all-star band (not all members play on all tunes): drummer Mickey Roker; Harold Vick on soprano; James Spaulding on flute and alto; bassist Bob Cranshaw; trumpeter Johnny Coles; tenor George Coleman; guitarist Gene Bertoncini; and Pearson on piano and celeste.
Reissue with SHM-CD format and new 24bit remastering. Canadian flutist Moe Koffman was delighted to have a hit on his hands after the success of his "The Swingin' Shepherd Blues," so this Jubilee LP became his immediate follow-up album. Joined by guitarist Ed Bickert, bassist Hugh Currie and drummer Ron Rully, Koffman wrote five new originals for this record, including the light and breezy "Flute Salad" and the hip swinger "Marty's Morgue." He also adds an easygoing take of Sonny Rollins' "Doxy," and a hard bop (with traces of funk in its introduction) arrangement of the standard "Alone Together." Koffman switches to alto sax for his intricate "Bermuda Schwartz" (which features a fine solo by Bickert and a few drum breaks), as well as on Rully's exotic composition "What Can You Do." Long out of print, consider this LP to be extremely rare.
West coast cool purveyors Chet Baker (trumpet) and Bud Shank team up to provide the incidental soundtrack to The James Dean Story (1958). Granted, the biopic was presumably made to cash in on the actor's untimely demise, but movie buffs also recognize it as one of director Robert Altman's earliest features. The score was written by Leith Stevens, who had previously worked on Private Hell 36 (1954), The Wild One (1954), and the Oscar-winning sci-fi classic Destination Moon (1950). Those credentials may have gotten Stevens the gig, but his contributions remain somewhat of a double-edged sword.