Features 24 bit remastering and comes with a mini-description. One of the most sublime Jimmy Giuffre albums of all time – and a perfect realization of his piano-less/bass-less trio style! The approach here is really revolutionary, especially for the time – as the group simply features Bob Brookmeyer on trombone, Jim Hall on guitar, and Giuffre on reeds – working with no other rhythm at all, and coming up with this incredible approach to music that's as breathtaking as it is groundbreaking! Notes hang in mid-air, slowly sliding around one another, flying freely from the players, yet still managing to swing in a beautiful way. The titles are a mix of standards and originals – but all tracks sound completely unique, with a sound unlike anything else we can describe.
Bassist Harvie Swartz presides over a luminous, shifting group including, at times, guitarists Michael and Leni Stern and John Scofield. Don`t worry, they do their fretting straight ahead here, and the results are superb. Originals are interspersed with standards as well as jazz perennials by Miles Davis and Sonny Rollins. Through all the changes of light, the music stays bright and coherent. This is one to listen to. (Reviewed on CD…
Blue Light 'til Dawn is a studio album by American jazz singer Cassandra Wilson. Her first album on the Blue Note label, it was released in 1993. It contains Wilson's interpretations of songs by various blues and rock artists, as well as three original compositions.
Light as a Feather is simply the first version, a little over half of what would become Azymuth's fine Outubro album. It opens with the weakest cut, the ten-plus minute faux disco "Jazz Carnival," with awful drum effects and popping, funky-yet clichA©d basslines by Alex Malheiros. After this there is much to like, however, in the breezy execution of the title track that is nearly as beautiful as Return to Forever's, and features a fine jazz-samba number that evokes both Walter Wanderley and Tom Jobim in JosA© Roberto Bertrami's "Fly Over the Horizon," as well as a beautiful version of Toninho Horta's "Dona Olimpia."
This album confirms it, Virginie Teychené is a musician with a voice. She strolls through her imaginary museum dedicated to jazz singer-songwriters and brings her own light to each of its rooms. A grazing light in Familiar Dream, a bright light in Tight, the light of dawn in I'm Gonna Go Fishing and that of dusk in Goodbye Pork Pie Hat. The contributions of her co-musicians are intense due to their restraint; Gérard Maurin's weightless double-bass arrangements, Stéphane Bernard's chiaroscuro piano playing, Jean-Pierre Arnaud's dance-like drumming, and last but not least, Éric Le Lann's inspired trumpet playing, all make Bright and Sweet an exemplary jazz album, where all the miniatures that make it up are in fact merely beginnings.