The world of pop music was hardly ready for The Velvet Underground's first album when it appeared in the spring of 1967, but while The Velvet Underground and Nico sounded like an open challenge to conventional notions of what rock music could sound like (or what it could discuss), 1968's White Light/White Heat was a no-holds-barred frontal assault on cultural and aesthetic propriety…
For Monk fans, these Mo-Fis are must-haves. Wow! After releasing so many mediocre rock albums, Mobile Fidelity came through with not one but TWO shiny gold CDs by the enigmatic, lovable Thelonious Monk (accompanied in these live recordings by Charlie Rouse on sax, John Ore on bass, and Frank Dunlop on drums)….
The names of Johann Sebastian Bach, Pyotr Ilyich Tchaikovsky and Sergei Rachmaninoff do not necessarily conjure images and sounds of jazz in one's mind, that is until one has listened to recordings by the Classical Jazz Quartet. Although these musicians utilize the same instruments as the Modern Jazz Quartet, they are in no way clones or copycats of that groundbreaking group. They have very much their own sound and style. This is not surprising given the huge talent of the musicians involved; all four are virtuosos on their respective instruments. The themes, although composed in a different time and place, become excellent vehicles for complex, sometimes, bluesy, often swinging and always fresh improvisations in the hands of these musicians. And although one might think of any recording billed as "classical meets jazz" as background music, this music definitely is not. The double CD consists of the group's three previously released recordings, plus one bonus track featuring their interpretation of Handel's Hallelujah.
Lone Hill Jazz presents a package of vintage cool West Coast jazz, bringing to light 16 excellent tracks that have all but fallen through the cracks over the years. On Monday, November 26, 1956 (which just happened to be the day that Tommy Dorsey died), tenor saxophonists Ted Brown and Warne Marsh brought their working quintet into a Los Angeles recording studio to make Brown's first album as a leader, with special guest alto saxophonist Art Pepper adding his own third dimension.
No, Anne Pacéo is not a "jazz drummer" like the others. Nothing surprising then that her fourth album is also … different? With Circles, stylistic borders fade, received ideas crumble and creativity turbines at full throttle! Between songs and instrumental thrusts, telluric rhythms and libertarian breaths, these Circles unfold an organic groove, poetic and inspired. Solidly anchored in the current jazz scene but always eager for "other" collaborations, as was the case with Jeanne Added, Mélissa Laveaux and China Mose, Anne Paceo surrounded herself here with singer Leila Martial, saxophonist Emile Parisien and Tony Paeleman for keyboards. The drummer says it herself, this opus was designed differently. "Circles is the culmination of a long-term success over the last four years..
Originally released in 1973 as a 9-LP set, it presents a comprehensive survey of Friedrich Gulda's accomplishments as a superb composer and performer of works crossing the lines between classical music and jazz. This 5-CD box set features extensive new and original liner notes, song lyrics and rare photos in a 48-page beautiful booklet! It's really a rich "midlife harvest" of work by the Austrian genius of the universal music - a key figure in the intersection between jazz and modern music on the European scene of the postwar years, represented here by a wealth of recordings done for Preiser, Decca and MPS during the 60s and 70s.
It was through the influence of Landgren and Svensson’s former teacher Bengt-Arne Wallin, who recorded the landmark album “Old Folklore In Swedish Modern” back in 1962 (ACT 9254-2), that Svensson and Landgren were inspired to make a duo album centered around folk songs. In August 1997 both went into the studio and with only trombone and piano recorded Swedish Folk Modern (ACT 9257-2). Their improvised treatments of the classic songs of the folk culture not only impressed the public; it brought praise from the press.