Most of this CD is taken up by a special Newport Jazz Festival concert featuring a big band full of Lionel Hampton's alumni. With trombonist Al Grey, Frank Foster on tenor and a screaming trumpet section that boasted Snooky Young, Jimmy Nottingham, Joe Newman and Wallace Davenport, the explosive nature of the music is not too surprising; the climax is provided by guest Illinois Jacquet on "Flying Home." The remainder of this disc contains half of a very effective 1956 session cut in Spain in which the medium-size group includes a castanet player and two songs match Hampton with the great Spanish pianist Tete Monteliu.
In 1954, producer Norman Granz held a couple of marathon recording sessions featuring vibraphonist Lionel Hampton, pianist Oscar Peterson, bassist Ray Brown, drummer Buddy Rich, and (on April 13) clarinetist Buddy DeFranco. This set has three selections from the DeFranco date (a 17-plus-minute "Flying Home," the original "Je Ne Sais Pas," and "On the Sunny Side of the Street") and one from the earlier session ("April in Paris"). Hampton is typically exuberant throughout (grunting rather loudly during a few later ensemble choruses on "Flying Home"), DeFranco and Peterson are as swinging as usual, and the overall music is quite joyous.
This recording presents two Austrian requiems of totally different character. Johann Joseph Fux wrote his Requiem in 1720 for the funeral of Eleonora von Neuburg, widow of the Holy Roman Emperor Leopold II. Composed by a musician reputed for his theoretical skill, it impresses with the quality of the polyphonic writing combined with a very rich instrumental fabric comprising cornetts, trombones and bassoon in addition to violins, instruments also benefiting from concertante interventions.
Reissue with the latest remastering. Features original cover artwork. Comes with a descripton in Japanese. Lionel Hampton was the first jazz vibraphonist and was one of the jazz giants beginning in the mid-'30s. He has achieved the difficult feat of being musically open-minded (even recording "Giant Steps") without changing his basic swing style.
Gaïa finds West African guitarist Lionel Loueke reunited with his longstanding trio of bassist Massimo Biolcati and drummer Ferenc Nemeth for the first time since 2010's Mwaliko. It was produced by Blue Note label boss Don Was and cut live in the studio – sans overdubs – in front of a small invited audience. The sonics are a tad more brittle, but they add to the crackling energy on offer. First single "Aziza Dance" is funky as hell; the guitarist vamps up a storm and Nemeth drops a ton of breaks amid snare-driven syncopation.
Features 24 bit digital remastering. Comes with a mini description. I have always liked the arrangements in Lionel Hampton & Orchestra recordings. They are powerful, colorful and tasty. As the title 'Sentimental Journey' implies, we're given Lionel Hampton & Orchestra versions of classic standards. And we're blessed with the smooth and lovely vocals of Sylvia Bennett. Made in 1985, the album credits Lionel Hampton for playing not only the vibraphone but also the Yamaha DX-7 (for what? a vibraphone sound? sounds great, though). If you mainly only like Lionel's solo playing, you may not appreciate the big band focus of Lionel Hampton & Orchestra recordings. Solos are shared, but there's a vibraphone solo on every track, of course.
Two CD set packed with hit after hit from Richie's solo career as well as his time with the Commodores. Whether you're in need of a ballad, an uptempo Pop track, a sultry R&B vibe or a Funk groove, this double disc package has exactly what you're looking for. This hit singer, songwriter and performer was never easy to categorize, but he was always easy to love! 38 tracks including 'All Night Long', 'Three Times A Lady', 'Easy', 'Don't Stop The Music', 'My Love', 'Brick House' and many more.
Garnished with a fistful of alternate takes, the 2007 release of Mosaic's 107-track Complete Lionel Hampton Victor Sessions 1937-1941 is a welcome and long overdue CD realization of The Complete Lionel Hampton 1937-1941, a six-LP box set released during the 1970s by the Bluebird label. Only Teddy Wilson came close to achieving what Hamp did in the late 1930s and early '40s, by bringing together the greatest soloists on the scene for a staggeringly productive and inspired series of recordings that essentially defined the state of jazz during the years immediately preceding the Second World War.