m Files Dms

M-Files Vol.04 - Il segreto di Agarthi - Giulio Leoni  eBooks & eLearning

Posted by Maroutan at Oct. 11, 2016
M-Files Vol.04 - Il segreto di Agarthi - Giulio Leoni

M-Files Vol.04 - Il segreto di Agarthi - Giulio Leoni
Italian | 2016 | 104 Pages | ASIN: B01MA0VYG0 | EPUB | 2.08 MB

Una nuova avventura della Sezione M, il gruppo di giovani agenti guidati da Guglielmo Marconi nelle indagini su casi bizzarri, paranormali e ai confini della scienza conosciuta durante il Ventennio.
Chi è Sigurd Nielsen, il misterioso personaggio che sostiene di essere un superstite della spedizione Nobile, e di aver scoperto nei pressi del polo l'ingresso a uno straordinario regno sotterraneo? E se è un pazzo o un millantatore, perché i servizi segreti di mezza Europa gli danno la caccia?
"Kalman Filtering" 4th ed.: Errata, MATLAB files and "A Solution Manual and Notes" by John L. Weatherwax

"Kalman Filtering" 4th ed.: Errata, M-files and "A Solution Manual and Notes" by John L. Weatherwax
for "Kalman Filtering: Theory and Practice with MATLAB" by Mohinder S. Grewal, Angus P. Andrews, Fourth Edition
WilAvE | 2015 | ISBN: 111898496X 9781118984963 | 109+626 pages | PDF/.m | 16 MB

This item contains Errata, and Solution Manual and Notes for fully updated, revised, and expanded "Kalman Filtering: Theory and Practice with MATLAB". MATLAB files to accompany the textbook are included.

R.E.M. - Automatic for the People (1992)  Music

Posted by Designol at Feb. 20, 2017
R.E.M. - Automatic for the People (1992)

R.E.M. - Automatic for the People (1992)
EAC | FLAC | Tracks (Cue&Log) ~ 380 Mb (incl 5%) | Mp3 (CBR320) ~ 170 Mb (incl 5%) | Scans included
Alternative/Indie Rock, Baroque Pop | Label: Warner Bros. | # 9362-45055-2 | Time: 00:48:53

Turning away from the sweet pop of Out of Time, R.E.M. created a haunting, melancholy masterpiece with Automatic for the People. At its core, the album is a collection of folk songs about aging, death, and loss, but the music has a grand, epic sweep provided by layers of lush strings, interweaving acoustic instruments, and shimmering keyboards. Automatic for the People captures the group at a crossroads, as they moved from cult heroes to elder statesmen, and the album is a graceful transition into their new status. It is a reflective album, with frank discussions on mortality, but it is not a despairing record – "Nightswimming," "Everybody Hurts," and "Sweetness Follows" have a comforting melancholy, while "Find the River" provides a positive sense of closure. R.E.M. have never been as emotionally direct as they are on Automatic for the People, nor have they ever created music quite as rich and timeless, and while the record is not an easy listen, it is the most rewarding record in their oeuvre.

M. Ward - Transistor Radio (2005) {Merge Records URA142}  Music

Posted by ruskaval at Feb. 17, 2017
M. Ward - Transistor Radio (2005) {Merge Records URA142}

M. Ward - Transistor Radio (2005) {Merge Records URA142}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 242 Mb | MP3 @320 -> 102 Mb
Full Artwork @ 300 dpi (png) -> 31 Mb | 5% repair rar
© 2005 Merge Records / Spunk / Inertia Records | URA142
Indie Rock / Indie Folk / Rock / Americana / Alternative Singer-Songwriter / Adult Alternative Pop

M. Ward's latest is a rough-cut Americana diamond, one crafted not simply from folk and bluegrass but also 50s AM radio, the saloon cabaret of studio-era Hollywood, and good old-fashioned indie rock. It's artists like M. Ward who make me contemplate why I write about music. I get my skin tingling to the acoustic guitars and I'm just thinking "Jesus, is this what it's about?" I'm trying to put the feeling this music gives me into words in an attempt to understand it, to convey how great it is and why, and maybe convince you that it's worth your cash or your bandwidth, and it occurs to me that I'm unsure why I do it– why I need to do it– and that, in the end, it's because I'm enjoying this and I want you to enjoy it, too.

Stéphane Degout - Mélodies Françaises (2011)  Music

Posted by SERTiL at Feb. 15, 2017
Stéphane Degout - Mélodies Françaises (2011)

Stéphane Degout - Mélodies Françaises
Classical | EAC Rip | FLAC (image)+cue, log, scans | 74:39 min | 271 MB
Label: Naive | Tracks: 22 | Rls.date: 2011

Pour son premier enregistrement en solo chez Naïve, Stéphane Degout, accompagné par Hélène Lucas, choisit le répertoire le plus complexe du point de vue de la langue et des subtilités d’interprétation, celui des mélodies françaises. De Debussy à Ravel en passant par Duparc, Hahn, Chabrier et Saint-Saëns, il aborde des textes se référant souvent au thème de l’amour, dans une juste tonalité mélancolique.
Thad Jones & Mel Lewis - The Thad Jones / Mel Lewis Quartet (1977) {A&M CD-0830 rel 1989 remastered}

Thad Jones & Mel Lewis - The Thad Jones / Mel Lewis Quartet (1977) {A&M CD-0830 rel 1989 remastered}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 352 Mb | MP3 @320 -> 149 Mb
Full Artwork @ 300 dpi (png) -> 40 Mb | 5% repair rar | digitally mastered
© 1977, 1989 Artists House / Fantasy Records / A&M Records | CD-0830
Jazz / Hard Bop / Post Bop / Cornet / Piano Trio

This is one of the finest small-group sessions of cornetist Thad Jones' career. With strong and very alert assistance from drummer Mel Lewis (his co-leader in their celebrated big band), pianist Harold Danko, and bassist Rufus Reid, Jones plays at his peak on six standards, two of which were issued for the initial time on this CD reissue. Four of the songs are at least nine minutes long (two are over 15 minutes), yet Jones never loses his momentum. The musicians constantly surprise each other and there are many spontaneous moments during this often brilliant outing.

R.E.M. - Document (1987) Expanded Reissue 1993 [Repost, New Rip]  Music

Posted by Designol at Feb. 13, 2017
R.E.M. - Document (1987) Expanded Reissue 1993 [Repost, New Rip]

R.E.M. - Document (1987) Expanded Reissue 1993
EAC | FLAC | Tracks (Cue&Log) ~ 483 Mb (incl 5%) | Mp3 (CBR320) ~ 208 Mb (incl 5%) | Scans included
Alternative Rock, College Rock, Folk Rock | Label: I.R.S. | # 0777 7 13200 2 6 | 01:07:43

R.E.M. began to move toward mainstream record production on Lifes Rich Pageant, but they didn't have a commercial breakthrough until the following year's Document. Ironically, Document is a stranger, more varied album than its predecessor, but co-producer Scott Litt – who would go on to produce every R.E.M. album in the following decade – is a better conduit for the band than Don Gehman, giving the group a clean sound without sacrificing their enigmatic tendencies. "Finest Worksong," the stream-of-conscious rant "It's the End of the World as We Know It (And I Feel Fine)," and the surprise Top Ten single "The One I Love" all crackle with muscular rhythms and guitar riffs, but the real surprise is how political the mid-tempo jangle pop of "Welcome to the Occupation," "Disturbance at the Heron House," and "King of Birds" is. Where Lifes Rich Pageant sounded a bit like a party record, Document is a fiery statement, and its memorable melodies and riffs are made all the more indelible by its righteous anger.

Jennifer Holliday - I'm On Your Side (1991)  Music

Posted by JET 1 at Feb. 11, 2017
Jennifer Holliday - I'm On Your Side (1991)

Jennifer Holliday - I'm On Your Side (1991)
EAC Rip | FLAC (Tracks) +CUE, LOG | 327 MB | Covers Included
Genre: Soul, Funk, R&B | Label: Arista | Catalog Number: 261 519

I'm on Your Side is the fourth album by Jennifer Holliday, released in 1991. The song "I'm on Your Side", a cover version of an Angela Bofill hit, was released as a single, peaking at number 10 on the Hot R&B/Hip-Hop Singles & Tracks. The second single, "Love Stories" peaked at number 29 on the Hot R&B/Hip-Hop Singles & Tracks. Clive Davis the executive producer.

R.E.M. - Lifes Rich Pageant (1986) Expanded Reissue 1993  Music

Posted by Designol at Feb. 10, 2017
R.E.M. - Lifes Rich Pageant (1986) Expanded Reissue 1993

R.E.M. - Lifes Rich Pageant (1986) Expanded Reissue 1993
EAC | FLAC | Tracks (Cue&Log) ~ 393 Mb (incl 5%) | Mp3 (CBR320) ~ 171 Mb (incl 5%) | Scans included
Alternative Rock, College Rock, Jungle-Pop | Label: I.R.S. | # 0777 7 13201 2 5 | 00:51:46

Fables of the Reconstruction was intentionally murky, and Lifes Rich Pageant was constructed as its polar opposite. Teaming with producer Don Gehman, who previously worked with John Mellencamp, R.E.M. developed their most forceful record to date. Where previous records kept the rhythm section in the background, Pageant emphasizes the beat, and the band turns in its hardest rockers to date, including the anthemic "Begin the Begin" and the punky "Just a Touch." But the cleaner production also benefits the ballads and the mid-tempo janglers, particularly since it helps reveal Michael Stipe's growing political obsessions, especially on the environmental anthems "Fall on Me" and "Cuyahoga." The group hasn't entirely left myths behind – witness the Civil War ballad "Swan Swan H" – but the band sound more contemporary both musically and lyrically than they did on either Fables or Murmur, which helps give the record an extra kick. And even with excellent songs like "I Believe," "Flowers of Guatemala," "These Days," and "What if We Give It Away," it's ironic that the most memorable moment comes from the garage rock obscurity "Superman," which is sung with glee by Mike Mills.

R.E.M. - Reckoning (1984) Expanded Reissue 1992  Music

Posted by Designol at Feb. 9, 2017
R.E.M. - Reckoning (1984) Expanded Reissue 1992

R.E.M. - Reckoning (1984) Expanded Reissue 1992
EAC | FLAC | Tracks (Cue&Log) ~ 376 Mb (incl 5%) | Mp3 (CBR320) ~ 161 Mb (incl 5%) | Scans included
Alternative Rock, College Rock, Jungle-Pop | Label: I.R.S. | # 0777 7 13159 2 3 | 00:52:38

R.E.M. abandoned the enigmatic post-punk experiments of Murmur for their second album, Reckoning, returning to their garage pop origins instead. Opening with the ringing "Harborcoat," Reckoning runs through a set of ten jangle pop songs that are different not only in sound but in style from the debut. Where Murmur was enigmatic in its sound, Reckoning is clear, which doesn't necessarily mean that the songs themselves are straightforward. Michael Stipe continues to sing powerful melodies without enunciating, but the band has a propulsive kick that makes the music vital and alive. And, if anything, the songwriting is more direct and memorable than before – the interweaving melodies of "Pretty Persuasion" and the country rocker "(Don't Go Back To) Rockville" are as affecting as the melancholic dirges of "Camera" and "Time After Time," while the ringing minor-key arpeggios of "So. Central Rain," the pulsating riffs of "7 Chinese Bros.," and the hard-rocking rhythms of "Little America" make the songs into classics. On the surface, Reckoning may not be as distinctive as Murmur, but the record's influence on underground American rock in the '80s was just as strong.