"Make It Big" is the second studio album from British pop duo Wham!, released in 1984. It was mostly recorded at Studio Miraval in Southern France to escape the press and enable George Michael to work peacefully and mixed at Good Earth Studios in London and Marcadet Studios in Paris. In comparison to their earlier work, the duo had more control over the album's production, as George Michael became the sole credited producer, a position he would subsequently hold on all future releases until the group split in 1986.
Hubert Laws hits an 80s groove here – but the shift doesn't seem to dampen his soul at all! At some points, the rhythms are a bit more pronounced than before – bouncy and funky at points, with a slight nod to the clubs – yet other points still have that soft, airy finish that made Laws' flute such a big hit earlier in the 70s – mixed here with some nice vocals from Rod McNeill and Eloise Laws too. Most of the album's still instrumental, though – and other players include Bobby Lyle on acoustic piano, Randy Waldman on Fender Rhodes, Nathan East on bass, and Ndugu Chancler on drums. Titles include "Stay With Me", "Morning Star", "Life Cycles", "Gonna Be Happy", "Make It Last", and "Happy Anniversary".
This edition of Art Blakey's Jazz Messengers is an unusual one. The personnel includes Blakey veterans Lee Morgan (returning to the band after some success as a leader), Curtis Fuller, and Victor Sproles, along with John Hicks (who appeared on three other Blakey records) and the tenor saxophonist John Gilmore (of Sun Ra fame) in his only appearance with the band. As was typical of Blakey-led groups, the emphasis is on original material by its members; the one Broadway show tune included, "Faith," is from a long since forgotten I Had a Ball. Morgan's driving blues "'S Make It" is easily the highlight of the session, though Hicks' richly voiced "Waltz for Ruth" and Fuller's Latin-flavored "Little Hughie" also deserve to be better known than they are. It's a shame that this was the only recording by this particular lineup of the Jazz Messengers, as Gilmore's strong blowing complements Morgan very well.
This 2008 release contains two of legendary trombonist Frank Rosolino's finest quintet sessions. Recorded in the late 1950s, players include Victor Feldman, Stan Levey and Harold Land. Includes comprehensive 12-page booklet stuffed with cracking liner notes, previously unpublished photographs and other essential artist info.
With sensual vocals and dynamic Guitar playing, this collection of her original songs is meant to 'groove' you with emotional authenticity and real world sound as Soulstress Jeanne Ricks brings a tasty blend of Neo-Soul, Jazz and R&B.