El Valle Interior is the third and last studio album of Argentine rock band Almendra and the thirteenth with decisive participation of Luis Alberto Spinetta.
Marco Borsat is a Dutch singer. He started performing in Italian before switching to Dutch in 1994. He has consistently been one of the most successful and biggest grossing artists in the Netherlands for the past twenty years. Onderweg is his nine studio album, released in 2002 in multiformat variations.
Unanimously recognized as one of the leading interpreters of Monteverdi, Rinaldo Alessandrini's recordings of the Madrigals, the 1610Vespers, Orfeo, etc., have become standard references. In celebration of the thirtieth anniversary of his orchestras, Concerto Italiano, Rinaldo returns to his preferred composer creating, in the magnificent Basilica of Mantova, an imaginable Vespers service for San Marco assembled from various parts of the Selva Morale. In doing so he has found "the expressive logic which is at the heart of the liturgies for which this music was composed"
I am still in the recommended argentinian scene, today with a group that marked history in Argentina, "Almendra"….
At concert halls around the world, Itzhak Perlman has enchanted audiences with the dazzling and delicious encore pieces that top off his recitals. These two albums offer a lavish selection of his favourite miniatures.
Recorded in churches in Tallinn as well as the Estonian Concert Hall, the five compositions heard on “Arboles lloran por lluvia” (Trees cry for rain) give deeper insight into the unique sound-world of Helena Tulve, into music which is nourished by both contemporary and ancient currents. Tulve draws upon a wide-range of inspirational sources.
This beautiful – and now legendary – recording date between iconic Brazilian vocalist Elis Regina and composer, conductor, and arranger Tom Jobim is widely regarded as one of the greatest Brazilian pop recordings. It is nearly ubiquitous among Brazilians as a household item. Regina's voice is among the most loved in the history of Brazilian music. Her range and acuity, her unique phrasing, and her rainbow of emotional colors are literally unmatched, and no matter the tune or arrangement, she employs most of them on these 16 cuts.