Have you ever wondered what goes through a composer's mind during those magical weeks and months when a musical composition—something meant to become a listening experience—is being notated on paper? Have you tried to imagine the creative process that boils inside geniuses like Mozart, Beethoven, Dvorák, Strauss, Brahms, Mendelssohn, or Liszt? Or within any composer?
Z is one of the most politically insightful films ever made, exposing government hypocrisy and cover-up in the wake of a political assassination. Zei (Yves Montand) is a scientist who is scheduled to give a speech against the use of the atomic bomb. On the way to the event, he is attacked outside the auditorium by a group of right-wing extremists with political ties to the government as the police stand by and do nothing to intervene. He recovers long enough to make the speech but is later clubbed again and must undergo several surgeries, then dies during one of the procedures. A newspaper reporter finds a witness to the event and a judge willing to hear the case despite government protests. The ensuing trial reveals a government conspiracy, but the results of the trial are thrown out when a new government is formed by a military coup, which results in the intolerance that outlaws long hair, the Beatles, and any peaceful protests.
You needn't wait any longer. Now you can explore this remarkable literary movement and gain insights into the secrets behind Modernism with Masterworks of Early 20th-Century Literature. With Professor David Thorburn as your guide, you'll see how Modernist authors created new techniques to reflect an increasingly complex post-Victorian world. This tradition includes some of the greatest authors world has known—Joyce, Faulkner, Conrad, Woolf, Kafka. Their works are some of the most challenging—yet rewarding—you'll ever encounter.
A nation's identity is expressed through its art. Great painters capture the essence of a culture's brightest hopes, deepest anxieties, and most profound aspirations. They provide an aesthetic road map to a nation's history, recording the lives of its citizens and reflecting the personality of an entire people. But all too often, Americans themselves are unfamiliar with the great artistic legacy of their own country. Many of us study the great artists of Europe—Leonardo and Rubens, Degas and Monet—but neglect the remarkable painters of our own national tradition.
Have you ever wondered what goes through a composer's mind during those magical weeks and months when a musical composition—something meant to become a listening experience—is being notated on paper? Have you tried to imagine the creative process that boils inside geniuses like Mozart, Beethoven, Dvorák, Strauss, Brahms, Mendelssohn, or Liszt? Or within any composer? Is it pure inspiration? Does a composer hear the music first, before even picking up a pen? Or does the music, in fact, actually begin on that blank sheet of staff paper? Most important, can lay listeners like us, untrained in the technicalities of music, be taught to open our ears to a composer's creative intentions?